This anthology celebrates twelve such moments of discovery, and is the first volume of an annual collection--launched alongside PEN's new Robert J. Dau Short Story Prize for Emerging Writers--that recognizes outstanding fiction debuts published in North America. The dozen winning stories included here--selected this year by judges Kelly Link, Marie-Helene Bertino, and Nina McConigley--take place in South Carolina and in South Korea, on a farm in the eighteenth century and among the cubicles of a computer-engineering firm in the present day. They narrate ancient themes with current urgency: migration, memory, technology, language, love, ecology, identity, family. Together they act as a compass for contemporary literature; they tell us where we're going. Each work comes with an introduction by the editor who originally published it, explaining why he or she chose it. The commentaries provide insight into a process that often remains opaque to readers and aspiring writers, and offer a chance to showcase the vital work literary magazines do to nurture our boldest and most exciting new voices.

    And this dazzling collection once again affirms his place as one of the most creative and compassionate writers of his generation. In the haunting title story, a young, asocial woman remembers the oddly honest things she wrote in her high school classmates' yearbooks and contemplates her scarred life, imagining an escape with an apparition she calls the Entity. In Father John Melby and the Ghost of Amy Elizabeth, a formerly dull and turgid pastor is touched by a spirit that turns his sermons into crowd-pleasers--that is, until he discovers his inspiration is a little less than divine. The Human Soul as a Rube Goldberg Device is a gorgeous homage to the classic, young readers' choose-your-own-adventure novels. But this one is for grown-ups who can navigate through imagery and dead ends, and toward a resolution that only Kevin Brockmeier could have invented. From the fantastical to the concrete, the range of this collection is breathtaking. It moves fluidly, finding beauty in the quiet, often overlooked corners of the world. By turns daring and moving, The View from the Seventh Layer is crafted with the remarkable voice and vision that have become hallmarks of Brockmeier's acclaimed fiction.

    While there have been exceptions, many Oprah authors are no more writer's writers than Kenny G is a saxophonist's saxophonist.The best way to find the hottest, most influential writers writing would be (1) to read every issue of every magazine that publishes new fiction, and (2) to read every good book that comes out. Which would work fine if you were Burgess Meredith in that episode of "The Twilight Zone" where everyone in the world disappears except this bookish guy who's left alone -- o, lovely briar patch -- inside a library. (Six words of advice: Take good care of your glasses.) Absent that, what do you do?I've said it before (in this very space), and I'll say it again: The best possible way to keep tabs on what's up with North American fiction is to buy, year in and year out, each year's volume of The Best American Short Stories and Prize Stories: The O. Henry Awards. Both collections have been around for more than 80 years, have had their ups (mostly artistic) and downs (mostly commercial), but are both currently enjoying commercial heydays. During the 1970s, BASS's sales sank to a series-threatening 7,000 copies a year, before it hit on some bright ideas that saved it. Beginning in 1978, instead of one editor choosing everything himself (Edward O'Brien, from 1915 to 1940) or herself (Martha Foley, from 1941 to 1977), a series editor winnowed the 3,000 or so published stories each year down to a stack of 120 (a task, says current series editor Katrina Kenison that has become much harder the past couple years than it was when she began in 1991, when she had to scrape to find 120 she thought were terrific). Then a guest editor picks 20 stories to include (this year's, Amy Tan, seems to have done an especially able job and wrote a smart and delightful introduction). Beginning in 1983 (with an Anne Tyler-edited edition that was one of the series's strongest), BASS began to be published simultaneously in both hardback and paperback editions. And in 1987, it began to feature short comments by the writers, talking about their stories. BASS (better selling than O. Henry in recent years) began consistently to sell over 100,000 copies a year.O. HENRY's nadir came more recently. Coinciding with BASS's resurgence, O. Henry, in the 1980s, became the American short story's poor, quirky stepchild. (Not in a good way.) But it received a major overhaul in 1997. A single editor (now Larry Dark) still, as has typically been the case, picks the 20 stories to include. But now, O. Henry also includes a list of 50 short-listed stories (with brief synopses) and comments by the authors of each year's anointed 20. Furthermore, three guest jurors (this year, Sherman Alexie, Stephen King, and Lorrie Moore), pick from those 20 a first, second, and third prize. Sales have zoomed.You could read this year's editions of these two indispensable annuals and -- without breaking a sweat (with no effort more strenuous than feeling the hairs on the back of your neck stand up, though I did, as did Tan, read most of these stories on a StairMaster) -- glean this exemplary shorthand of whom you should be reading, circa 1998-1999.Most Valuable Player: Alice Munro. Why (aside from the fact that she's the greatest living writer in English): Her story, "Save the Reaper," certainly the best short story I read last year, is one of only two included in both the 1999 BASS and O. Henry. In awarding it third prize in O. HENRY, Moore (whose "People Like That Are the Only People Here" was the only story included in both the 1998 BASS and O. Henry) discerns the story's parallels not only with Flannery O'Connor's "A Good Man Is Hard to Find" but also with the myths of Eros, Demeter, and Hermes. Moore writes that, in contrast to the O'Connor masterpiece, "[a]s always in the fictional world of Munro, a character's fate pivots not on the penitential moment but on the erotic one."Neither annual allows any writer to be represented by more than one story (a custom that became a rule when both Munro and Richard Bausch landed two gems apiece in BASS 1990), but Munro's "Cortes Island" is short-listed for both and "Before the Change" is short-listed in O. Henry. All three stories are collected in her National Book Critics Circle Award-winning book The Love of a Good Woman.MVP Runners-Up: Annie Proulx, Pam Houston, Lorrie Moore.Why: All three are included in both volumes. Proulx's story "The Bunchgrass Edge of the World" is included in BASS and short-listed in O. Henry, "The Mud Below" in O. Henry and short-listed in BASS. Both are included in Proulx's collection Close Range, which includes two other stories honored in previous years ("Brokeback Mountain" and "The Half-Skinned Steer") and, even in an amazing year for short story collections, is one of the year's most talked-about books.Houston is the year's most-cited story writer, with four: "Cataract" is included in O. Henry; "The Best Girlfriend You Never Had" is included BASS; two other stories ("Then You Get Up and Have Breakfast" and "Three Lessons in Amazon Biology") are short-listed in BASS. All are included in her collection Waltzing the Cat.In addition to serving as an O. Henry juror, Moore has a story, "Real Estate," included in BASS, and her story "Lucky Ducks" is short-listed there. Both are from the exquisite Birds of America.Rookie of the Year: Jhumpa Lahiri.Why: Her funny, gentle, heartbreaking story "Interpreter of Maladies" -- about a nonjudgmental part-time translator/part-time cabdriver in India, who takes an American family sightseeing, gets a decorous crush on the woman, and leads the children into endangerment at the hands of hanuman monkeys -- is the only other story in both volumes. Although Lahiri's work has appeared in The New Yorker, this story originally ran in The Agni Review -- a good journal, but one you may not regularly read. Both annuals had picked it for inclusion before the publication of Lahiri's first book, also called Interpreter of Maladies. The book is, justly, one of the sleeper successes of the year."Our record of discovery is pretty good," says BASS's Kenison. "Chances are, year in and year out, you'll pick up a volume and read a story by someone you've never heard of. The next year, that writer's everywhere you look."This year, that's Lahiri.Also receiving votes are these 18 writers, an intriguing mix of veterans and new voices, also either short-listed or included in both volumes (and if you want to be the savviest reader on your block, you'll read more of these people's work): Poe Ballantine, T. Coraghessan Boyle, Michael Byers, Kiana Davenport, Chitra Divakaruni, Nathan Englander, Mary Gaitskill, Tim Gautreaux (whose "The Piano Tuner," included in BASS and collected in his new book, Welding with Children, is my favorite non-Munro story in either book), Heidi Julavitz, Sheila Kohler, David Long, Steven Millhauser, Kent Nelson, Cynthia Ozick, Melissa Pritchard, John Updike (he's very good), David Foster Wallace (he's very smart), Joy Williams.—Mark Winegardner

    Stronger. Better. Faster. We will rebuild you.CONTENTSIntroduction by Neil ClarkeCome From Away by Madeline AshbyNo Place to Dream, but a Place to Die by Elizabeth BearMarried by Helena BellA Cold Heart by Tobias S. BuckellHoneycomb Girls by Erin CashierWhat I’ve Seen With Your Eyes by Jason K. ChapmanWizard, Cabalist, Ascendant by Seth DickinsonSeventh Sight by Greg EganNegative Space by Amanda ForrestMercury in Retrograde by Erin HoffmanTongtong’s Summer by Xia JiaGod Decay by Rich LarsonAlways the Harvest by Yoon Ha LeeThe Regular by Ken LiuCoastlines of the Stars by Alex Dally MacFarlaneFusion by Greg MellorMemories and Wire by Mari NessOil of Angles by Chen QiufanThe Sarcophagus by Robert ReedSynecdoche Oracles by Benjanun SriduangkaewTender by Rachel SwirskyThe Cumulative Effects of Light Over Time by E. Catherine ToblerSmall Medicine by Genevieve ValentineCollateral by Peter WattsTaking the Ghost by A.C. WiseMusée de l’Âme Seule by E. Lily YuAbout the AuthorsAbout the EditorCover art by Julie Dillon

    The readings are recorded live at Peter Norton Symphony Space in New York City. The Selected Shorts radio series is a co-production of Symphony Space and WNYC, New York Public Radio, and is heard on public radio stations nationwide."

    Written by top thriller author, Jeremy Robinson, these stories include all of the action, imagination and twists that fans have come to expect, but they also contain experiments into subjects and voices not normally touched on in his novels. INSOMNIA - In a world of super efficiency and equality, sleep is illegal and Feene keeps the masses going. THE EATER - Three children discover a writhing black puddle in the woods of New Hampshire. HARDEN’S TREE - A group of teens visit a tree planted atop the ashes of a mass murderer from late 1800’s. STAR CROSSED KILLERS - Two lovers, both deadly killers, compete for the same target. COUNTING SHEEP - A future terrorist gives an insomniac three minutes to fall asleep. HEARING AID - In the future, a deaf man is healed, but does he like what he hears? DARK SEED OF THE MOON - Vampires live, and kill, in the eternal shadow of the moon’s polar crater. FROM ABOVE - In the future, a detective goes after terrorists who vaporized his city--and his arm--from space. BOUGHT AND PAID FOR (Bonus Story) - A brutal character sketch for Scott Sigler’s THE CRYPT. EXCLUSIVE SAMPLES INCLUDED: -- THE LAST HUNTER by Jeremy Robinson -- CALLSIGN: KING by Jeremy Robinson and Sean Ellis -- THE SENTINEL by Jeremy Bishop -- SECONDWORLD by Jeremy Robinson PRAISE FOR JEREMY ROBINSON "Rocket-boosted action, brilliant speculation, and the recreation of a horror out of the mythologic past, all seamlessly blend into a rollercoaster ride of suspense and adventure." -- James Rollins, New York Times bestselling author of JAKE RANSOM AND THE SKULL KING'S SHADOW "With THRESHOLD Jeremy Robinson goes pedal to the metal into very dark territory. Fast-paced, action-packed and wonderfully creepy! Highly recommended!" --Jonathan Maberry, NY Times bestselling author of ROT & RUIN "Jeremy Robinson is the next James Rollins" -- Chris Kuzneski, NY Times bestselling author of THE SECRET CROWN "If you like thrillers original, unpredictable and chock-full of action, you are going to love Jeremy Robinson..."-- Stephen Coonts, NY Times bestselling author of DEEP BLACK: ARCTIC GOLD "How do you find an original story idea in the crowded action-thriller genre? Two words: Jeremy Robinson." -- Scott Sigler, NY Times Bestselling author of ANCESTOR "There's nothing timid about Robinson as he drops his readers off the cliff without a parachute and somehow manages to catch us an inch or two from doom." -- Jeff Long, New York Times bestselling author of THE DESCENT "Greek myth and biotechnology collide in Robinson's first in a new thriller series to feature the Chess Team... Robinson will have readers turning the pages..." -- Publisher's Weekly "Jeremy Robinson’s THRESHOLD is one hell of a thriller, wildly imaginative and diabolical, which combines ancient legends and modern science into a non-stop action ride that will keep you turning the pages until the wee hours. Relentlessly gripping from start to finish, don’t turn your back on this book!" -- Douglas Preston, NY Times bestselling author of IMPACT and BLASPHEMY "Jeremy Robinson is an original and exciting voice.

    

    He intends to work hard and one day be wealthy just like Ryan promises everyone who moves to Rapture. He opens a small business. For a few years things are good, almost idyllic. The good life is shattered when one day his daughter mysteriously vanishes without trace. The police of Rapture don't seem to want to help. So Arthur sets out to find her himself. He is lead down into a seedy underworld that exists below the upmarket façade of Rapture. But can he find her in time? Would you kindly like to know more? Download now to find out for yourself. Scroll to the top of the page and select the buy now button. Product Tags: Rapture, The Big Daddy, Andrew Ryan, Rapture The Big Daddy,

    Battling blistering heat, starvation, wild animals, and despair, he is not comforted by the company of a rough and ready sort named Morrison. Soon Durham begins to suspect he may never return home—and to top it all off the tea has almost run out. Tales from the Archives are short stories set in the world of the Ministry of Peculiar Occurrences. They explore events mentioned in the novels, characters seen and unseen and may include novel teasers of things to come.

    Each volume’s series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected — and most popular — of its kind.The Best American Short Stories 2012 includesThe last speaker of the language / Carol Anshaw --Pilgrim life / Taylor Antrim --What we talk about when we talk about Anne Frank / Nathan Englander --The other place / Mary Gaitskill --North Country / Roxane Gay --Paramour / Jennifer Haigh --Navigators / Mike Meginnis --Miracle polish / Steven Millhauser --Axis / Alice Munro --Volcano / Lawrence Osborne --Diem Perdidi / Julie Otsuka --Honeydew / Edith Pearlman --Occupational hazard / Angela Pneuman --Beautiful monsters / Eric Puchner --Tenth of December / George Saunders --The sex lives of African girls / Taiye Selasi --Alive / Sharon Solwitz --M&M world / Kate Walbert --Anything helps / Jess Walter --What's important is feeling / Adam Wilson

    On the night he decides to strike, his life, and his world, are forever changed. Alien scientists from across the cosmos, abduct and place Kazaka in deep storage for centuries. When they revive him with the intent to subject him to extraterrestrial evisceration, the ninja escapes. The shadow warrior then begins to hunt his captors, one by one, leading up to a battle that will shake the galaxy.The Bear That Fell From the StarsA different kind of alien terror. NOTE: This is a Novella of approx. 20,000 words, or about 60 pages.Science Fiction Fantasy and not hard SciFi.Some scenes of graphic violence.

    Jemisin, originally published in the August 2008 issue of Jim Baen’s Universe.In “Playing Nice with God’s Bowling Ball,” a police detective tries to understand how a children’s dispute over a playing card could have led to a mysterious disappearance.

    From the pages of the best-selling Duck & Cover Adventures comes thirteen stories of those who survived the apocalypse. Some would go on to be heroes, others villains, some were dogs and will stay dogs, but they all must contend with the horrors of the new world and find a way to survive in the wasteland that was America. HOW TO HOST AN INTERVENTION Long before he was a knight in the apocalypse, Tommy was preparing for the end of the world. His friends grew concerned for his well-being and planned to intervene. It wasn’t so much that he was preparing, it was what he was preparing for. GONE TO THE DOGS Fidget and Sasquatch were loyal companions to the end. Now that the end has arrived, they must say goodbye to the only home they’ve ever known. If they can figure out how to open the door. BUNKED UP They took refuge in a homemade bomb shelter when the end of the world began. There they were safe from the bombs and the fallout. But they were never safe from each other. PACK HUNTERS Fidget and Sasquatch are on their own, a situation neither of them are really comfortable with. They decide to join a pack for safety, for food and for friends. Now all they have to do is find one. ANIMAL’S CALLING Before the world ended, Jackson drifted from job to job, never settling on anything that could be called a career path. But with the new world comes new opportunities. This is what he was born to do. LAST BAND OF THE APOCALYPSE Caught between county fair gigs during the apocalypse, the members of a cover band find themselves the last band left in the world. Getting gigs should be easy. Should be. PRISONER’S DILEMMA The Librarian has seen his fair share of “wasteland justice.” Now he’s chained to the floor of a grocery store with a man he must face in court. In a battle to the death. Naturally. ALPHA DOG Sergeant Satan was genetically enhanced to be the world’s best military scout. He was designed to be smarter, faster and more than a match for any dog this side of the apocalypse. Of course, his creators had never met Fidget. THE TRIAL OF HARMEGGEDON They’ve got a new name. They’ve got a new act. And they are ready to rock your face off. Now all the last band in the world needs is a gig. WILLIE AND COY RIDE AGAIN Willie and Coy aren’t the brightest. Or the best looking. Or very likeable. No one would ever accuse them of being hard workers. But the pair have found a way to make an honest living in the apocalypse. If they can get enough people to watch. IN A PERSON PACK Tired of looking for a pack to join, Sasquatch and Fidget reminisce about the joys and delights of life in a people pack. NO QUARTER Deep in the swamp of New Orleans awaits a terror many refuse to believe exists. It’s a monster of myth and rumor so horrible that it could not possibly be real. On the trail of a kidnapped woman, The Librarian must seek out and confront this monster of myth. EVE OF THE APOCALYPSE Man is the true monster. Unless there is a man who is a monster that also makes monsters. Then he’s the truest monster and only a post-apocalyptic nomadic warrior can bring this monster’s monster-making to an end.

    Edited by writer Karen Lord, New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of CaribLit project.

    Longbottom, the Nebula Award-winning science-fiction and fantasy author and head writer of Mythic Quest. C.W. found literary fame with Inside the Caves of Beneroth and Tears of the Anaren, but even his most loyal fans don’t know that Tears of the Anaren began as a short story he wrote in the early 1970s while interning at Amazing Tales magazine.This never-before-published draft is now yours to discover, complete with C.W.’s (extremely) colorful commentary and an Introduction and Afterword by Ian Grimm, the iconoclastic creator of Mythic Quest. As sparks fly between heroic scoundrel Zeb and space seductress Merrith, we get a glimpse into the mind of a talented young man yearning for greatness. Like early Mozart, it is raw and green — but also magic.From Charlie Day, Megan Ganz, and Rob McElhenney, the Apple TV+ original comedy series, Mythic Quest, goes behind the scenes to follow the game’s creators. In a workplace focused on building worlds, molding heroes, and creating legends, the most hard-fought battles don’t occur in the game — they happen in the office. Rob McElhenney stars as Ian Grimm alongside Charlotte Nicdao and F. Murray Abraham.