What impact do these images and ideas have on people's identities?The new edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media's influence on gender and sexuality.David Gauntlett discusses movies such as Knocked Up and Spiderman 3, men's and women's magazines, TV shows, self-help books, YouTube videos, and more, to show how the media play a role in the shaping of individual self-identities.The book includes:a comparison of gender representations in the past and today, from James Bond to Ugly Bettyan introduction to key theorists such as Judith Butler, Anthony Giddens and Michel Foucault an outline of creative approaches, where identities are explored with video, drawing, or Lego bricks a Companion Website with extra articles, interviews and selected links, at: www.theoryhead.com.

    I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA BOOKS NEW YORK CONTENTS PAGE CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART H. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the envir iv uUC aiY MO. 7158987 PAGE onment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards. They elucidated what iv FILM TECHNIQUE AND FILM ACTING were the fundamentals of film art and defined the singular process of expression that distinguished it from all other media. Now film theory and practice could be attacked with greater assurance and efficiency...

    Dissecting Marilyn Manson explores the full scope of the Manson mystique, revealing what makes him tick and why so many fans find his image and music utterly compelling. Heavily visual in its approach, the book forms a pathological scrapbook, cutting through the Manson persona in an irreverent yet authoritative fashion. Each chapter peels back layers of rumor and hearsay to examine the influences, obsessions, and events that reveal the true anatomy of the androgynous superstar. This new edition offers the legions of Marilyn Manson fans an alternative perspective on his macabre world, from his quiet, normal childhood spent with devout Christian parents to his upcoming marriage with fetish model Dita Von Teese.

    These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

    in this lyrically muscular, artfully crafted novel.In the barrio of East Los Angeles, a group of unbreakable young women struggle to find their way through the turbulent urban landscape of the 1960s. Androgynous Turtle is a homeless gang member. Ana devotes herself to a mentally ill brother. Ermila is a teenager poised between childhood and politicalconsciousness. And Tranquilina, the daughter of missionaries, finds hope in faith. In prose that is potent and street tough, Viramontes has choreographed a tragic dance of death and rebirth.Julia Alvarez has called Viramontes "one of the important multicultural voices of American literature." "Their Dogs Came with Them" further proves the depth and talent of this essential author.Helena Maria Viramontes is the acclaimed author of "The Moths and Other Stories" and "Under the Feet of Jesus," a novel; and the coeditor, with Maria Herrera-Sobek, of two collections: "Chicana (W)Rites: On Word and Film" and "Chicana Creativity and Criticism." She is the recipient of the 2006 Luis Leal Award and the John Dos Passos Award for Literature, and her short stories and essays have been widely anthologized and adopted for classroom use and university study. Viramontes lives in Ithaca, New York, where she is a professor in the Department of English at Cornell University.

    While some hunt rodents or pests in the dark, Jonah and Judas tackle much larger prey… Zombies. Equipped with a well-loved artillery gun, DeeDee, and a much used and somewhat abused pickup truck called Sasha, the duo clear the night of undead pests, keeping the ever present threat of a Zombie Apocalypse at bay.When the slap happy pair receives an after hours call for extermination that ends in a gurgle, they head out, guns locked and catch pole loaded. It seems that an incredibly foolish developer built a high cost, gated community atop an old indian Reservation – a Reservation that soon became a graveyard and home to magic much older than the flimsy walled homes that tried to take over. Lost in this sea of new houses, an ancient artifact lay buried till the obnoxious Home Owners Association President disturbed it – and awakened the Zombies from their slumber to retrieve it. Now it’s up to the Brothers to find it and lay the walking dead to rest. Along the way they meet the woman of their dreams, JJ, her magical and disco imbued dog, Xanadu, a denture wearing Zombie and a High Priest that offers a bit more danger than DeeDee can handle.Filled with pop culture nods and heroes that just don’t know when to quit, it’s a slap happy, blood filled adventure, as the trio fights off zombies and the brothers fight each other for JJ’s affection. If you like Ash Vs Evil Dead, Army of Darkness and Scooby Doo, you’ll want to buy this action packed romp and dive into The Zee Brother’s adventures today!

    . . literally. As the death toll mounts, Tobe embarks on a desperate journey to understand the film’s thirty-year-old origins—and put an end to the strange epidemic his creation has set in motion.  Featuring the terror, humor, and sly documentary style Hooper devotees remember from such classics as The Texas Chainsaw Massacre, Midnight Movie is vintage Tobe Hooper, again demonstrating the director’s place as one of the godfathers of modern horror.

    Growing up on the Upper West Side of Manhattan, with her older sister Alyssa, their parents were both overbearing and emotionally distant, and despite idyllic summers in the Catskills, and gatherings with glamorous family friends, there is a sadness that emanates from the Chatterjee residence, a deep well of sorrow stemming from the racism of American society.After a violent sexual assault, Taylia is disowned by her parents and suddenly forced to move out. As Taylia looks to the city, the ghost of her Indian grandmother dadi-ma is always one step ahead, while another more troubling ghost chases after her. Determined to have the courage to confront the pain that her family can't face, Taylia finds work at a neighborhood cafe owned by single mother and spiritualist, Kat. Taylia quickly builds a constellation of friends and lovers on her own,daring herself to be open to new experiences, even as they call into question what she thought she knew about the past.Taylia's story is about survival, coming to terms with her past and looking forward to a future she never felt she was allowed to claim. Writing this for eighteen years, poet and activist Fariha Roisin's debut novel is an intense, provocative, and emotionally profound portrait of an inner life in turmoil and the redemptive power of community and love.

    Jean-Paul Sartre, novelist, playwright, biographer, was undoubtedly one of the greatest philosophers of the 20th century.  Above all, however, he was an embodiment of the engagé intellectual, active in a variety of political causes, as well as an individual who attempted to live his life in accordance with the philosophy he professed. These interviews take Sartre on a wide-ranging tour of his philosophy and politics.  Here we have Simone de Beauvoir challenging Sartre on his own attitude towards machismo and feminism; and Sartre responding thoughtfully to questions which range from Freud, Marx, and the drama of Bertolt Brecht to the Cultural Revolution, Stalinism, the May 'Events' and of course, the US war on Vietnam.  Their breadth remains a testimony to one man's attempt to make philosophical sense of the tumultuous world around him.

    In these daring essays, some of the most provocative writers of our time offer a private view on a public figure. In the process, they reveal themselves in beautiful and unexpected ways, blurring the line between biography and memoir.   Original essays include Introduction by Amy Scholder, Mary Gaitskill on Linda Lovelace, Rick Moody on Karen Dalton, Johanna Fateman on Andrea Dworkin, Danielle Henderson on bell hooks, Hanne Blank on MFK Fisher, Kate Zambreno on Kathy Acker, Justin Vivian Bond on Karen Graham, Jill Nelson on Aretha Franklin, and Zoe Pilger on Mary Gaitskill   “A smart plunge into fandom’s sober fringe.” —Wayne Koestenbaum, author of My 1980s and Other Essays

    Perhaps that was the trouble--no one really took a good look at Ronald. Except for his devoted mother, who saw only the son she wanted to see. Who, then, is Ronald? Ronald is that faceless unknown who waits - to take, to grab what he needs, to become the ultimate invader.

    Cindy writes her zine like she is figuring out the human condition. She makes writing about the simplest and most common things--playing music, childhood, cooking, or sex--resonate with universal understanding. She helps us make sense of more complex things like the satisfaction from doing useful work, natural curiosity, the ability to use logic, gender dynamics, introspection, the need for challenge and change, combating depression and creating art and literature. She shares and explores the emotions involved with having an abortion, rape, dealing with the death of family, or sexual harassment in a context that is enlightening and personal, feeling like a close friend opening up to you. What's most impressive though is that she relates these things into every article in her zine seamlessly.

    And the success tore them apart. Walt Disney and Ub Iwerks’s friendship is a story of betrayal, love, war, money, power, tragedy, intrigue, humor, despair, and hope. You’ll love them both—when you don’t want to drop anvils on their heads. Discover the men behind the mouse, and the mystery behind the magic. A Mouse Divided is a stirring depiction of two underdogs. One invented Mickey Mouse—and one said he did. You’ll love Walt Disney more than you ever thought possible—until you don’t. And you’ll sympathize with Walt’s friend-turned-rival Ub Iwerks, always in Walt’s shadow. This true story of how the Disney empire was made is a captivating page-turner, endlessly fascinating and revealing. And it’s never been fully told—until now.

    Hey, why not? It seemed much more attainable and fulfilling than the alternative coming out of the closet and making peace with the fact that he d never have a family at all. Twenty years later, Jerry is living with his long-term boyfriend, Drew, and they re ready to take the plunge into parenthood. But how? Adoption? Foster parenting? Kidnapping? What they want most of all is a great story to tell their future kid about where he or she came from. Their search leads them to gestational surrogacy, a road less traveled where they ll be borrowing a stranger’s ladyparts for nine months. Thus begins Jerry and Drew s hilarious and unexpected journey to daddyhood. From then on, they re in uncharted waters. They’re forced to face down homophobic baby store clerks, a hospital that doesn t know what to do with them, even members of their own family who think what they’re doing is a little nutty. One thing’s for sure. If this all works out, they re going to have an incredible birth story to tell their kid. With honesty, emotion, and laugh-out-loud humor, Jerry Mahoney ponders what it means to become a Mommy Man . . . and discovers that the answer is as varied and beautiful as the concept of family itself."

    For the better part of three decades, the enormously popular host of "The Tonight Show" was welcomed into millions of American homes -- as a friend, an entertainer, and an inexhaustibly sage and witty commentator on our lives and times. But there was a dark side to this charming and inscrutable enigma that only those closest to Carson ever saw -- a sadness, mistrust, and cruelty behind the glitter and glamour, intensified by a lifelong pursuit of power, wealth, and fame.Based on more than two years of intensive research including more than 700 personal interviews with ex-wives, ex-friends, colleagues, and celebrities -- with all-new, never-before-published material on Johnny's post-"Tonight Show" life, from his retirement through his final days -- Laurence Learner's King of the Night is an intimate and powerful portrait of an unforgettable personality, at once a tribute and a revelation.