The Caton sisters were descended from prominent first settlers of Maryland, brought up by their wealthy grandfather Charles Carroll of Carrollton, the only Catholic signer of the Declaration of Independence, and were expected to “marry a plantation.” Instead, their grandfather made sure that they were well educated, raising four beautiful and charming young women who were unusually independent, intelligent, fascinated by politics, clever with money, and very romantic. Arriving in Britain, the Caton sisters swept into the set of the Duke of Wellington and went on to forge their own destinies in the face of intense prejudice against Americans and Catholics. After capturing the heart of the Duke of Wellington, who could never marry her, Marianne shocked the world by marrying his brother Richard, Marquess Wellesley, Lord Lieutenant of Ireland, and taking a prominent place as a Catholic Yankee among the Protestant Anglo-Irish. Emily married Scots- Canadian John McTavish, heir to Montreal’s North West Company, and stayed home in Maryland, where she managed the family’s estates and wealth. Louisa became the Duchess of Leeds and a member of Queen Victoria’s court, while Bess made a fortune speculating in the stock market. Based on the sisters’ intimate, unpublished letters and lavishly illustrated, Sisters of Fortune is a portrait of four lively and opinionated women, much of it told in their own voices as they gossip about prominent people of their time, advise family members on political and financial strategy, soothe each other’s sorrows, and rejoice in each other’s triumphs. It is also a meticulously researched history of Anglo-American relations and the political, financial, and social world of the nineteenth century. From post-revolutionary America’s White House and wealthiest plantations to Europe’s rarefied world of titled aristocracy, the story of Maryland’s Caton sisters is a stunning work of scholarship that is intimate in tone, sweeping in scope, and as compelling as any novel.

    From exile, he instigated what became the biggest manhunt the nation had ever seen, spreading out across Europe and America and lasting for over thirty years. When he ascended to the throne in 1660 as Charles II, his search for revenge intensified, with show trials in London and assassination squads scouring foreign countries.Many of the most senior figures in England were hanged, drawn and quartered; imprisoned for life; or consigned to a self-imposed exile, in constant fear of the assassin's bullet.History has painted the regicides and their supporters as fanatics, but among them were exceptional men, including John Milton, poetic genius and political propagandist; Oliver Cromwell's steely son-in-law, Henry Ireton; and the errant son of an earl, Algernon Sidney, whose writings helped inspire the founders of the American Revolution. Cromwell himself was subjected to the most bizarre symbolic revenge when—though long-dead—his body was disinterred and beheaded.Set in an age of intrigue and betrayal, The King's Revenge brings these remarkable figures vividly to life in an engrossing tale of ambition, double agents, and espionage.

    Left fatherless at the age of eight months, her early years were difficult, brought up by her German mother in an atmosphere of family feuds and jealousy. Succeeding to the throne at 18, however, she began a triumphant reign.

    His mother, Princess Alice of Battenberg, was born deaf; she was committed to a psychiatric clinic when Philip was eight. His father, Prince Andrew of Greece, already traumatized by his exile from his home country, promptly shut up the family home and went off to live with his mistress, effectively leaving his young son an orphan.Remarkably, Philip emerged from his difficult childhood a character of singular vitality and dash—self-confident, opinionated, and devastatingly handsome. Girls fell at his feet, and the princess who would become his wife was smitten from the age of thirteen. Yet alongside his considerable charm and intelligence, the young prince was also prone to volcanic outbursts, which would have profound consequences for his family and the future of the monarchy.In this authoritative and wonderfully compelling book, acclaimed biographer Philip Eade brings to vivid life the storm-tossed early years of one of the most fascinating and mysterious members of the royal family.

    However, four royal women, related in family and in court ties—Joan of Navarre, Eleanor Cobham, Jacquetta of Luxembourg and Elizabeth Woodville—were accused of practicing witchcraft in order to kill or influence the king.Some of these women may have turned to the “dark arts” in order to divine the future or obtain healing potions, but the purpose of the accusations was purely political. Despite their status, these women were vulnerable because of their gender, as the men around them moved them like pawns for political gains.In Royal Witches, Gemma Hollman explores the lives and the cases of these so-called witches, placing them in the historical context of fifteenth-century England, a setting rife with political upheaval and war. In a time when the line between science and magic was blurred, these trials offer a tantalizing insight into how malicious magic would be used and would later cause such mass hysteria in centuries to come.

    Groomed from an early age to assume the role of a rich man's mistress, Jeanne-Antoinette Poisson underwent several transformations before she caught the heart of the king himself. Although accustomed to the king's extramarital relationships, the court was shocked at the sudden ascension of the low-born Mademoiselle Poisson. The newcomer, however, wasted no time in establishing herself as the king's sole confidante and, ultimately, his indispensable partner in affairs of state. The critically acclaimed author of Philippe, Duc d'Orleans, Christine Pevitt Algrant traces Madame de Pompadour from her modest beginnings in early-eighteenth-century Paris to her reign as the undisputed mistress of Versailles. Filled with photographs, and evocative and insightful in its telling, Madame de Pompadour is a seductive portrait of one of the most fascinating and influential women of the age.

    The popular image of the Regency continues to be mythologized by the hundreds of romance novels set in the period, which focus almost exclusively on wealthy, white, Christian members of the upper classes.But there are hundreds of fascinating women who don't fit history books limited perception of what was historically accurate for early 19th century England. Women like Dido Elizabeth Belle, whose mother was a slave but was raised by her white father's family in England, Caroline Herschel, who acted as her brother's assistant as he hunted the heavens for comets, and ended up discovering eight on her own, Anne Lister, who lived on her own terms with her common-law wife at Shibden Hall, and Judith Montefiore, a Jewish woman who wrote the first English language Kosher cookbook.As one of the owners of the successful romance-only bookstore The Ripped Bodice, Bea Koch has had a front row seat to controversies surrounding what is accepted as "historically accurate" for the wildly popular Regency period. Following in the popular footsteps of books like Ann Shen's Bad Girls Throughout History, Koch takes the Regency, one of the most loved and idealized historical time periods and a huge inspiration for American pop culture, and reveals the independent-minded, standard-breaking real historical women who lived life on their terms. She also examines broader questions of culture in chapters that focus on the LGBTQ and Jewish communities, the lives of women of color in the Regency, and women who broke barriers in fields like astronomy and paleontology. In Mad and Bad, we look beyond popular perception of the Regency into the even more vibrant, diverse, and fascinating historical truth.