This omnibus contains all the stories from Dunsany's earlier collections: Time and the Gods, The Sword of Welleran and Other Stories, A Dreamer's Tales, The Book of Wonder, The Last Book of Wonder, and The Gods of Pegāna.

    These included "The Hounds of Tindalos" (the 1st Mythos story written by anyone other than Lovecraft), The Horror from the Hills (which introduced the elephantine Great Old One Chaugnar Faugn to the Mythos) & "The Space-Eaters" (featuring a fictionalized HPL as main character). The Hounds are Long's most famous 17 fictions. They're a pack of foul, incomprehensibly alien beasts "emerging from strange angles in dim recesses of non-Euclidean space before the dawn of time" to pursue travelers down the corridors of time. They can only enter our reality via angles, where they mangle & exsanguinate their victims, leaving behind only a "peculiar bluish pus or ichor". They're referenced by many later Mythos writers, including Ramsey Campbell, Lin Carter & Brian Lumley. They've inspired a number of metal & electronic music artists, such as Epoch of Unlight, Edith Byron's Group, Beowulf, Fireaxe/Brian Voth & Univers Zero, all of whom have recorded tracks based on the story.

    Collects nine stories including "Crouch End" by Stephen King, and stories by A.A. Attanasio, Basil Cooper, David Drake, T.E.D. Klein, Frank Belknap Long, Brian Lumley, H.P. Lovecraft and Martin S. Warnes.Contents (view Concise Listing)ix • Introduction (New Tales of the Cthulhu Mythos) • essay by Ramsey Campbell3 • Crouch End • [Cthulhu Mythos] • novelette by Stephen King33 • The Star Pools • [Cthulhu Mythos] • novelette by A. A. Attanasio73 • The Second Wish • [Cthulhu Mythos] • novelette by Brian Lumley101 • Dark Awakening • [Cthulhu Mythos] • short story by Frank Belknap Long115 • Shaft Number 247 • [Cthulhu Mythos] • novelette by Basil Copper145 • Black Man with a Horn • [Cthulhu Mythos] • novelette by T. E. D. Klein187 • The Black Tome of Alsophocus • [Cthulhu Mythos] • short story by H. P. Lovecraft and Martin S. Warnes197 • Than Curse the Darkness • [Cthulhu Mythos] • novelette by David Drake223 • The Faces at Pine Dunes • [Severn Valley] • novelette by Ramsey Campbell255 • Notes on Contributors (New Tales of the Cthulhu Mythos) • essay by uncredited

    This finely crafted and affordable series offers the works of these world-renowned authors to a wider audience.

    Because the story wasn’t identified as fiction when it was first published in 1845, many readers believed Edgar Allan Poe’s sensational work to be a true account. The writing style Poe adopts for this story, as well as its many references to medically-trained people, lends authenticity to it. He is writing about mesmerism, an early form of hypnotism.Librarian's note: this entry is for "The Facts of the Case of M. Valdemar." Collections of short stories by the author can be found elsewhere on Goodreads.

    A rationalist Victorian visits a haunted house in order to explain the nature of its ghostly inhabitants.First published in Blackwood's, August 1859.

    Cisco's prose, by turns phantasmagorical and exhilarating (reminiscent one moment of Robbe-Grillet, the next of Artaud, with a tinge of Thomas Ligotti, the imaginative virtuosity of Gene Wolfe or M. John Harrison), is like a stark sequence of strong iron bars, brimming with dark ambiance. Combining unmatched craft with masterful storytelling, this is literate fantasy unlike any other, intricate as the most elaborate dream, in which the narrator himself is the most ambiguous thing of all.

    The Haunted Baronet.

    This novel inspired the movie -Devil Doll-.

    Kiernan, Brian Stableford, Ramsey Campbell, Michael Shea, Darrell Schweitzer, Donald R. Burleson, and David J. Schow delve deep into the psyche, expanding on concepts H.P. Lovecraft created and taking them in new directions. The result is stories that are wholly original, some even featuring Lovecraft himself as a character. Black Wings editor S.T. Joshi is the recognized authority on all things Lovecraftian, and is famous for his restorations of Lovecraft's original works. He has assembled a star-studded line-up in a book that is essential for every horror library.  Including:  Pickman's Other Model - Caitlín R. Kiernan  Desert Dreams - Donald R. Burleson  Engravings - Joseph S. Pulver, Sr.  Copping Squid - Michael Shea  Passing Spirits - Sam Gafford  The Broadsword - Laird Barron  Usurped - William Browning Spencer  Denker's Book - Davd J. Schow  Inhabitants of Wraithwood - W.H Pugmire  The Dome - Mollie L. Burleson  Rotterdam - Nicholas Royle  Tempting Providence - Jonathan Thomas  Howling in the Dark - Darrell Schweitzer  The Truth About Pickman - Brian Stableford  Tunnells - Philip Haldeman  The Correspondence of Cameron Thaddeus Nash - Annotated by Ramsey Campbell  Violence, Child of Trust - Michael Cisco  Lesser Demons - Norman Partridge  An Eldritch Matter - Adam Niswander  Substitutions - Michael Marshall Smith  Susie - Jason Van Hollander

    There Felipe meets her beautiful green-eyed niece, Aura. His passion for Aura and his gradual discovery of the true relationship between the young woman and her aunt propel the story to its extraordinary conclusion.

    R. James wrote his ghost stories to entertain friends on Christmas Eve, and they went on to both transform and modernize a genre. James harnesses the power of suggestion to move from a recognizable world to one that is indefinably strange, and then unforgettably terrifying. Sheets, pictures, carvings, a doll's house, a lonely beach, a branch tapping on a window—ordinary things take on more than a tinge of dread in the hands of the original master of suspense. James's prescription for his ghost stories was to "let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage."

    Within these pages, you’ll find whispers of the familiar ghosts of the classic pulps - Lovecraft, Bradbury, Smith - blended with Grau’s uniquely macabre, witty storytelling, securing his place at the table amid this current Renaissance of literary horror.

    During waking fantasies that take him back in time to the horrors of Nazi Berlin, David becomes Felix, the ruthless Gestapo black marketeer. As reality and dream become inextricably merged, David must take control of Felix before Felix takes control of him.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.