I hear them laugh.They don’t feel the sadness in the air.They don’t feel the danger coming, riding in on the wind.In the hinterlands of old Norway, Leidah Pietersdatter is born blue-skinned, with webbed hands and feet. Upon every turn of season, her mother, Maeva, worries as her daughter’s peculiarities blossom—inside the root of the tiny child, a strange power is taking hold.Maeva tries to hide the girl from the suspicious townsfolk of the austere village of Ørken, just as she conceals her own magical ancestry from her daughter. And Maeva’s adoring husband, Pieter, wants nothing more than for his new family to be accepted by all. But unlike Pieter, who is blinded by love, Maeva is aware that the villagers, who profess a rigid faith to the new God and claim to have abandoned the old ways, are watching for any sign of transgression—and are eager to pounce and punish. Following both mother and daughter from the shadows and through time, an inquisitive shapeshifter waits for the Fates to spin their web, and for Maeva to finally reclaim who she once was. And as Maeva’s elusive past begins to beckon, she realizes that she must help her daughter navigate and control her own singular birthright if the child is to survive the human world.But the protective love Pieter has for his family is threatening the secure life they have slowly built and increasingly becoming a tragic obstacle. Witnessing this, Maeva comes to a drastic conclusion: she must make Leidah promise to keep a secret from Pieter—a perilous one that may eventually free them all.

    But the isle of immortals calls him on a quest as a warrior of the Light...and seals his destiny as the hero of King Arthur's Britain. Framed by historical realism, Gillian Bradshaw expertly weaves convincing magical elements into her fantastic tale of Gwalchmai, the Hawk of May.

    "Confused today," read the notes clipped to the end of her bed. She forgets things she should know—what year it is, major events in the lives of her children. But she remembers things that don’t seem possible. She remembers marrying Mark and having four children. And she remembers not marrying Mark and raising three children with Bee instead. She remembers the bomb that killed President Kennedy in 1963, and she remembers Kennedy in 1964, declining to run again after the nuclear exchange that took out Miami and Kiev.Her childhood, her years at Oxford during the Second World War—those were solid things. But after that, did she marry Mark or not? Did her friends all call her Trish, or Pat? Had she been a housewife who escaped a terrible marriage after her children were grown, or a successful travel writer with homes in Britain and Italy? And the moon outside her window: does it host a benign research station, or a command post bristling with nuclear missiles?Two lives, two worlds, two versions of modern history. Each with their loves and losses, their sorrows and triumphs. My Real Children is the tale of both of Patricia Cowan's lives...and of how every life means the entire world.

    Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wilde—fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer—like Jo in Little Women, or the Bröntes—but without the dying young bit.By sixteen, she’s smoking cigarettes, getting drunk and working for a music paper. She’s writing pornographic letters to rock-stars, having all the kinds of sex with all kinds of men, and eviscerating bands in reviews of 600 words or less.But what happens when Johanna realizes she’s built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks, enough to build a girl after all?Imagine The Bell Jar written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.

    Nancy Mitford's most famous novel, The Pursuit of Love satirizes British aristocracy in the twenties and thirties through the amorous adventures of the Radletts, an exuberantly unconventional family closely modelled on Mitford's own.The Radletts of Alconleigh occupy the heights of genteel eccentricity, from terrifying Lord Alconleigh (who, like Mitford's father, used to hunt his children with bloodhounds when foxes were not available), to his gentle wife, Sadie, their wayward daughter Linda, and the other six lively Radlett children. Mitford's wickedly funny prose follows these characters through misguided marriages and dramatic love affairs, as the shadow of World War II begins to close in on their rapidly vanishing world.

    Flora Poste, a recently orphaned socialite, moves in with her country relatives, the gloomy Starkadders of Cold Comfort Farm, and becomes enmeshed in a web of violent emotions, despair, and scheming, until Flora manages to set things right.

    Clarke Awards. For centuries, the kingdom of Iraden has been protected by the god known as the Raven. He watches over his territory from atop a tower in the powerful port of Vastai. His will is enacted through the Raven's Lease, a human ruler chosen by the god himself. His magic is sustained via the blood sacrifice that every Lease must offer. And under the Raven's watch, the city flourishes. But the power of the Raven is weakening. A usurper has claimed the throne. The kingdom borders are tested by invaders who long for the prosperity that Vastai boasts. And they have made their own alliances with other gods. It is into this unrest that the warrior Eolo--aide to Mawat, the true Lease--arrives. And in seeking to help Mawat reclaim his city, Eolo discovers that the Raven's Tower holds a secret. Its foundations conceal a dark history that has been waiting to reveal itself...and to set in motion a chain of events that could destroy Iraden forever.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.

    She and Mal were chasing rumours of monsters when they found something all too real. Now Mal is back, but where has she been, and who is she working for?When government physicist Kay Amal Khan is attacked, the security services investigate. This leads MI5’s Julian Sabreur deep into terrifying new territory, where he clashes with mysterious agents of an unknown power ­who may or may not be human. And Julian’s only clue is some grainy footage ­– showing a woman who supposedly died on Bodmin Moor.Khan’s extradimensional research was purely theoretical, until she found cracks between our world and countless others. Parallel Earths where monsters live. These cracks are getting wider every day, so who knows what might creep through? Or what will happen when those walls finally come crashing down...

    Their mother is all alone, only thirty-one years of age, with three young children and a Labrador. It is no wonder, when you put it like that, that she becomes a menace and a drunk. And a playwright.Worried about the bad playwriting - though more about becoming wards of court and being sent to the infamous Crescent Home for Children - Lizzie and her sister decide to contact, by letter, suitable men in the area. In order to stave off the local social worker they urgently need to find a new Man at the Helm.

    Throw in some vampires and a plot to overthrow the British monarchy, and what you have is the thrilling account that Charles Dickens was too scared to share with the world.From the brilliant mind of novelist and comic book veteran Peter David, Artful is the dark, funny, and action-packed story of one of the most fascinating characters in literary history.With vampires.

    Alex takes a job at a Pupil Referral Unit, which accepts the students excluded from other schools in the city. These are troubled, difficult kids and Alex is terrified of what she's taken on.There is one class - a group of five teenagers - who intimidate Alex and every other teacher on The Unit. But with the help of the Greek tragedies she teaches, Alex gradually develops a rapport with them. Finding them enthralled by tales of cruel fate and bloody revenge, she even begins to worry that they are taking her lessons to heart, and that a whole new tragedy is being performed, right in front of her...

    In the tradition of Jonathan Tropper and Tom Perrotta comes Matthew Norman's Domestic Violets—a darkly comic family drama about one man’s improbable trials of love, loss, and ambition; of attraction, impotence, and infidelity; and of mid-life malaise, poorly-planned revenge, and the Pulitzer Prize for Fiction.

    “I have a gift that allows me to see truth where others see the illusion--and there are many illusions. All the world’s a stage, as they say, and I seem to have the only seat in the house with a view behind the curtain.”Newly arrived in New Fiddleham, New England, 1892, and in need of a job, Abigail Rook meets R. F. Jackaby, an investigator of the unexplained with a keen eye for the extraordinary--including the ability to see supernatural beings. Abigail has a gift for noticing ordinary but important details, which makes her perfect for the position of Jackaby’s assistant. On her first day, Abigail finds herself in the midst of a thrilling case: A serial killer is on the loose. The police are convinced it’s an ordinary villain, but Jackaby is certain it’s a nonhuman creature, whose existence the police--with the exception of a handsome young detective named Charlie Cane--deny.Doctor Who meets Sherlock in William Ritter’s debut novel, which features a detective of the paranormal as seen through the eyes of his adventurous and intelligent assistant in a tale brimming with cheeky humor and a dose of the macabre.

    In the trunk of the car rests a cache of diaries dating back 200 years, tied and retied with strings through generations. The diaries carry the rules for survival that have been handed down from mother to daughter since the 19th century. But how can Hannah escape an enemy with the ability to look and sound like the people she loves? Stephen Lloyd Jones's debut novel is a sweeping thriller that extends from the present day, to Oxford in the 1970s, to Hungary at the turn of the 19th century, all tracing back to a man from an ancient royal family with a consuming passion -- a boy who can change his shape, insert himself into the intimate lives of his victims, and destroy them. If Hannah fails to end the chase now, her daughter is next in line. Only Hannah can decide how much she is willing to sacrifice to finally put a centuries-old curse to rest.