Adrian is rich, innocent, handsome—the son of a leading family; Anna has been widowed in the rebel struggle and was herself detained and tortured by the military; Eliza, the beautiful daughter of a courtesan, is now the object of the perverted desires of the depraved Colonel Amor, Anna's tormentor.As the heat of the carnival brio rises, so do intimations of revolution, for somewhere in the jungle the rebel leader Guevara is plotting a terrorist act: a bomb will be placed at the speakers' stand timed to explode when the governor appears. Anna makes contact with the rebels, while Eliza plots to kill Amor for what he has done to her friend. And Adrian is captured and drugged by the colonel.As the tension builds, the novel moves back in time, in the Book of Numbers, on a headlong, magical, sometimes hallucinatory reprise of Filipino history and the history of the families of the three young people. We learn of the Japanese atrocities, Filipino greed and treachery, American coldness and venality. We learn how Adrian's fortune was made, how Anna became the strange and silent thinker she is, how Eliza is distantly related by European blood to Anna. And we meet characters whose literally fabulous—a woman who forces icons to respond prayers, a distillery owner who is also master of forty-two ways of self-indulgence, a self-contained maid who determines her master's fat, a boy who falls in love with saxophone, a teenage Chinese girl with bound feet who dreams of the return of the Manchu Dynasty, a German chemist unable to brew beer...Finally, in the Book of Revelations, we reawaken to the present: once again we are at the festival on K_____, about to witness the novel's shattering conclusion, its terrifying finale.Like Isabel Allende's The House of The Spirits, Ninotchka Rosca's novel is both a work of art and a powerful illumination of an entire culture and a country in conflict. Her achievement is timeless as well as masterful.

    Along the way we meet Communist rioters, ultraviolent gangsters, stallholders at the city’s many covered markets, pop singers enmeshed in the high-stakes machinery of star-making, and a people always caught in the shifting balance of political power, whether in London or Beijing.A gripping and brilliantly constructed novel from a talented new voice in crime fiction, The Borrowed paints a dynamic portrait of Hong Kong and reveals just how closely the past and present are connected in this fascinating city.

    But for some, there's a lot more at stake than a Hermes Birkin. Leila has been in search of a wealthy husband for over a decade. Nadia moves to Dubai to support her husband s career, only to have her sacrifices thrown in her face. Sugar escapes the UK in an attempt to escape her past. Lady Luxe, the rebellious Emirati heiress, scoffs at everything her culture holds sacred. Until the day her double life starts unravelling at the seams. Set against a backdrop of luxury hotels and manmade islands, Desperate in Dubai tells the tale of four desperate women as they struggle to find truth, love, and themselves.

    Originally published against government wishes in Vietnam because of its non-heroic, non-ideological tone, The Sorrow of War has won worldwide acclaim and become an international bestseller

    His adventure is a joyous testament to the resiliency and implicit goodness of the human spirit.

    others recall his on-field arrogance. Some say he fixed matches . . . others say he was dropped for being Tamil! Who exactly was Pradeep Mathew? And what became of him?WG Karunasena, a man who spent 64 years drinking arrack and watching cricket decides to find out ...If you have never seen a cricket match; or if you have and it has made you snore ...If you can’t understand why anyone would watch, let alone obsess over this dull game ...... then this IS the book for you

    In this monumental new novel she offers an intimate, imagined account of the final months in the life of President Ho Chi Minh at an isolated mountaintop compound where he is imprisoned both physically and emotionally, weaving his story in with those of his wife’s brother-in-law, an elder in a small village town, and a close friend and political ally, to explore how we reconcile the struggles of the human heart with the external world.These narratives portray the thirst for absolute power, both political and otherwise, and the tragic consequences on family, community, and nationhood that can occur when jealousy is coupled with greed or mixed with a lust for power. The Zenith illuminates and captures the moral conscience of Vietnamese leaders in the 1950s and 1960s as no other book ever has, as well as bringing out the souls of ordinary Vietnamese living through those tumultuous times.

    Their dream worlds and realities intermingle, just as the histories of each generation run through the next. At the center of the novel is the Samoan woman's tattoo, the malu, believed to be brought from Fiji by Siamese twins. The ghosts of the twins watch over the women whose lives are stained by an unfinished tattoo. The shame and grief of not completing the tattoo ceremony go hand in hand with the shame and grief of illicit love and broken promises.

    His young grandson Yassin, deaf from the sounds of the bombing, is one of the few survivors. The two set out through an unforgiving landscape, searching for the coal mine where Murad, the old man's son and the boy's father, works. They reach their destination only to learn that they must wait and rely for help on all that remains to them: a box of chewing tobacco, some unripe apples, and the kindness of strangers. Haunting in its spareness, Earth and Ashes is a tale of devastating loss, but also of human perseverance in the face of madness and war.

    Central to the story is one Chinese family: Claude, raised to be more British than the British and ashamed of his own heritage; his father, Humphrey, whose Anglophilia blinds him to possible defeat and his wife's dalliances; and the redoubtable Grandma Siok, whose sage advice falls on deaf ears. Expatriates, spies, fifth columnists, and nationalists—including the elusive young woman Ling-Li—mingle in this exotic culture as the Japanese threat looms. Beset by the horror of war and betrayal and, finally, torture, Claude must embrace his true heritage. In the extraordinary final paragraphs of the novel, the language itself breaks into Chinese. With penetrating observation, Vyvyane Loh unfolds the coming-of-age story of a young man and a nation, a story that deals with myth, race, and class, with the ways language shapes perceptions, and with the intrigue and suffering of war. Reading group guide included.

    Here, the awkward, tentative relationship between Eungyo and Mujae, who both dropped out of formal education to work as repair-shop assistants, is made yet more uncertain by their economic circumstances, while their matter-of-fact discussion of a strange recent development – the shadows of the slum’s inhabitants have started to ‘rise’ – leaves the reader to make up their own mind as to the nature of this shape-shifting tale. Hwang’s spare prose is illuminated by arresting images, quirky dialogue and moments of great lyricism, crafting a deeply affecting novel of perfectly calibrated emotional restraint. Known for her interest in social minorities, Hwang eschews the dreary realism usually employed for such issues, without her social criticism being any less keen. As well as an important contribution to contemporary working-class literature, One Hundred Shadows depicts the little-known underside of a society which can be viciously superficial, complicating the shiny, ultra-modern face which South Korea presents to the world.

    ফ্ল্যাপে লিখা কথাঃI hear a sudden cry of pain!There is a rabbit in a snare:Now I hear the cry again,But i cannot tell from where.But i cannot tell from whereHe is calling out for aid;Crying of the frightened air,Making everything afraid.Making everything afraid,Wrinkling up his little face.As he cries again for aid;And i cannot find the place!And i cannot find the placeWhere his paw is in the snare;Little one! Oh, little one!I am searching everywhere.JAMES STEPHENS

    When nine-year-old Yvonne flees with her family into the jungle to join the resistance effort, she witnesses death and destruction on an almost unimaginable scale.In the face of terror and despair, she finds comfort in the stories her people have passed down over generations. In particular, the legends of Bongkatolan, the Woman Warrior, and the merciful rainbow goddess offer her strength and hope. Yvonne becomes determined to preserve these ancient legends and to give voice to the epic she herself is living.When the Rainbow Goddess Wept is an exploration of the collective wounding of the Filipino people and their heroic response. It shows us the Philippines through an insider's eyes and brings to American audiences an unusual reading experience about a world that is utterly foreign and a child who is touchingly universal.Cecilia Manguerra Brainard was born in Cebu City, Philippines. Her published works include Woman with Horns and Other Stories and Philippine Woman in America. She is also the editor of the anthology Fiction by Filipinos in America and teaches creative writing at the Writers' Program of UCLA Extension.

    A cat materializes out of a handkerchief and old men stumble out of a tree- but that is just the beginning As his new friends get stranger and stranger, the eccentric tension culminates into one of the strangest trials in all of literature. Sukumar Ray's delightful nonsense story was originally called Ha Ja Ba Ra La, a random combination of letters from the Bengali alphabet. It is now adapted into English for the enjoyment of the Western world with adaptations of names and phrases which are just as zany as the Bengali originals.

    Since its publication in the early nineteenth century, this long narrative poem has stood unchallenged as the supreme masterpiece of Vietnamese literature. Thông’s new and absorbingly readable translation (on pages facing the Vietnamese text) is illuminated by notes that give comparative passages from the Chinese novel on which the poem was based, details on Chinese allusions, and literal translations with background information explaining Vietnamese proverbs and folk sayings.