Raised on a Sioux reservation, she was educated at boarding schools that enforced assimilation and was witness to major events in white-Indian relations in the late 1800s and early 1900s. Tapping her troubled personal history, Zitkala-Sa created stories that illuminate the tragedy and complexity of the American Indian experience. In evocative prose laced with political savvy, she forces new thinking about the perceptions, assumptions, and customs of both Sioux and white cultures and raises issues of assimilation, identity, and race relations that remain compelling today.

    Broadly labeled yokai, these creatures come in infinite shapes and sizes, from tengu mountain goblins and kappa water spirits to shape-shifting foxes and long-tongued ceiling-lickers. Currently popular in anime, manga, film, and computer games, many yokai originated in local legends, folktales, and regional ghost stories.Drawing on years of research in Japan, Michael Dylan Foster unpacks the history and cultural context of yokai, tracing their roots, interpreting their meanings, and introducing people who have hunted them through the ages. In this delightful and accessible narrative, readers will explore the roles played by these mysterious beings within Japanese culture and will also learn of their abundance and variety through detailed entries, some with original illustrations, on more than fifty individual creatures. The Book of Yokai provides a lively excursion into Japanese folklore and its ever-expanding influence on global popular culture. It also invites readers to examine how people create, transmit, and collect folklore, and how they make sense of the mysteries in the world around them. By exploring yokai as a concept, we can better understand broader processes of tradition, innovation, storytelling, and individual and communal creativity.

    Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field’s history and major terms to theories, interpretive approaches, and fieldwork.Many teachers of undergraduates find the available folklore textbooks too complex or unwieldy for an introductory level course. It is precisely this criticism that Living Folklore addresses; while comprehensive and rigorous, the book is specifically intended to meet the needs of those students who are just beginning their study of the discipline. Its real strength lies in how it combines carefully articulated foundational concepts with relevant examples and a student-oriented teaching philosophy.

    Ten masterful, complex drawings by Bill Reid and ten tales demonstrate the richness and range of Haida mythology, from bawdy yet profound tales of the trickster Raven to poignant, imagistic narratives of love and its complications in a world where animals speak, dreams come real, and demigods, monsters, and men live side by side.

    How the Butterflies Came to Be is one of twenty-four Native American tales included in Native American Animal Stories. The stories, coming from Mohawk, Hopi, Yaqui, Haida and other cultures, demonstrate the power of animals in Native American traditions.Parents, teachers and children will delight in lovingly told stories about "our relations, the animals." The stories come to life through magical illustrations by Mohawk artists John Kahionhes Fadden and David Fadden."The stories in this book present some of the basic perspectives that Native North American parents, aunts and uncles use to teach the young. They are phrased in terms that modern youngsters can understand and appreciate ... They enable us to understand that while birds and animals appear to be similar in thought processes to humans, that is simply the way we represent them in our stories. But other creatures do have thought processes, emotions, personal relationships...We must carefully ccord these other creatures the respect that they deserve and the right to live without unnecessary harm. Wanton killings of different animals by some hunters and sportsmen are completely outside the traditional way that native people have treated other species, and if these stories can help develop in young people a strong sense of the wonder of other forms of life, this sharing of Native North American knowledge will certainly have been worth the effort." —excerpt from the forward by Vine Deloria, Jr.These stories first appeared in Keepers of the Animals: Native American Stories and Wildlife Activities for Children by Michael J. Caduto and Joseph Bruchac

    Then come the twin heroes Hunahpu and Xbalanque. Wielding blowguns, they begin a journey to hell and back, ready to confront the folly of false deities as well as death itself, in service to the world and to humanity.This is the story of the Mayan Popol Vuh, "the book of the woven mat," one of the only epics indigenous to the Americas. Originally sung and chanted, before being translated into prose--and now, for the first time, translated back into verse by Michael Bazzett--this is a story of the generative power of language. A story that asks not only Where did you come from? but How might you live again? A story that, for the first time in English, lives fully as "the phonetic rendering of a living pulse."

    Stories of miracles, visions of hell, jokes, fables, and legends, these tales reflect the Japanese worldview during a classic period in Japanese civilization. Masterfully edited and translated by the acclaimed translator of The Tale of Genji, these stories ably balance the lyrical and the dramatic, the ribald and the profound, offering a window into a long-vanished though perennially fascinating culture.

    Now comes a new edition that includes many pieces cut from the original as well as fresh material added by the author. Here finally, after twenty-two years of gathering dust, is the complete version of the groundbreaking bestseller.In this, her best-loved work, Anne Cameron has created a timeless retelling of northwest coast Native myths that together create a sublime image of the social and spiritual power of woman. Cameron weaves together the lives of legendary and imaginary characters, creating a work of fiction with an intensity of style matched by the power of its subject.

    McLaughlin, in writing Myths and Legends of the Sioux, aimed to create a written account of the many oral myths and legends that have been passed down by the Sioux people for hundreds of years, in order to guard against their loss to history.Containing nearly 40 tales, McLaughlin has assembled a robust collection of Sioux legends. Most of these stories are quite brief, with some chalking in at less than two pages. As with all good fables, the majority of these stories contain a fairly simple message. There is the story The Rabbit and the Elk, a brief tale about an elk tricking a rabbit into thinking it had been caught, which is a classic "don't count your chickens until they've hatched" story. There is also the tale The Artichoke and the Muskrat, a story which carries the message of respecting the differences between people. The legends included in this collection all proceed in a similar fashion and carry similarly simple yet important messages about how best to live life and treat others.The myths and legends included in this collection do not serve only to teach life lessons, but also offer valuable insight into the beliefs and priorities of the Sioux people. A profound respect for nature and its creatures is apparent throughout McLaughlin's book, and one cannot help but admire this aspect of the Sioux.Whether being read to children as bedtime stories, or being examined by a scholar for insight into the Sioux people, Myths and Legends of the Sioux is a valuable collection. McLaughlin's book is enjoyable on a number of levels, and is thus highly recommended to all fans of myths, legends and fairy tales.

    He can be held up as a "terrible example" of conduct, a model of what not to do, and yet admired for a careless. anarchistic energy that suggests unlimited possibilities. Mourning Dove, an Okanagan, knew him well from the legends handed down by her people. She preserved them for posterity in Coyote Stories, originally published in 1933. Here is Coyote, the trickster, the selfish individualist, the imitator, the protean character who indifferently puts the finishing touches on a world soon to receive human beings. And here is Mole, his long-suffering wife, and all the other Animal People, including Fox, Chipmunk, Owl-Woman, Rattlesnake, Grizzly Bear, Porcupine, and Chickadee. Here it is revealed why Skunk's tail is black and white, why Spider has such long legs, why Badger is so humble, and why Mosquito bites people. These entertaining, psychologically compelling stories will be welcomed by a wide spectrum of readers.Jay Miller has supplied an introduction and notes for this Bison Books edition and restored chapters that were deleted from the original.

    Anne Ross is a Gaelic-speaking scholar and archaeologist who has lived and worked in crofting communities, which has enabled her to collect information firsthand and assess the veracity of material already published. In this substantially revised edition of a classic work first published 25 years ago, she portrays the beliefs and customs of Scottish Gaelic society, including seasonal customs deriving from Celtic festivals, the famous waulking songs, the Highland tradition of seers and second sight, omens and taboos, chilling experiences of witchcraft, and rituals associated with birth and death.

    Illustrated with woodcuts.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Grimm's Grimmest presents nineteen of the original, unsanitized, unholy tales as they were first collected by the Brothers Grimm -- all fiendishly illustrated in full color. Grimm's Grimmest has the irresistible look and feel of a creaky old leatherbound volume, perhaps discovered in a forgotten trunk or dusty attic. With aged paper and a leathery stamped case, this delightfully shocking collection harkens back to a time when travelers risked roasting or worse and bad manners could yield frightful consequences. From the true horror of Aschenputtel (the original Cinderella story) to Rapunzel's dark secret, here are the authentic stories born long ago in the land of the Black Forest, at a time when fairy tales were not necessarily for children.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    Illustrated by award-winning artists.