She's known since she was young; being a woman just fit better. She was happier in skirts than trousers, but that was before her stepmother moved in. Eleanor can't stand her, and after Ella's father passes she's forced to revert to Cole, a lump of a son. She cooks, she cleans, and she tolerates being called the wrong name for the sake of a roof over her head. Where else can she go? An opportunity to attend the royal ball transforms Ella's life. For the first time, strangers see a woman when she walks down the stairs. While Princess Lizabetta invited Cole to the ball, she doesn't blink an eye when Cinderella is the one who shows. The princess is elegant, bold, and everything Ella never knew she wanted. For a moment she glimpses a world that can accept her, and she holds on tight. She should have known it wouldn't last. Dumped by her wicked stepmother on the farthest edge of the kingdom, Ella must find a way to let go of the princess and the beautiful life they shared for an hour. She'll never find her way back. But it's hard to forget the greatest night of her life when every rose she plants is a reminder.

    It is not the first, and will not be the last.Reactions to the attacks are polarized. Police activity intensifies. Della’s revolutionary parents welcome the upheaval but are trapped within their own insular beliefs. Her activist restaurant co-workers, who would rather change their identities than the world around them, resume a shallow rebellion of hair-dye, sex parties, and self-absorption. As those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape.Zazen unfolds as a search for clarity soured by irresolution and catastrophe, yet made vital by the thin, wild veins of imagination run through each escalating moment, tensing and relaxing, unfurling and ensnaring. Vanessa Veselka renders Della and her world with beautiful, freighting, and phantasmagorically intelligent accuracy, crafting from their shattered constitutions a perversely perfect mirror for our own selves and state.

    She can never go to school, make friends, or get the eye implants that will mark her as a true member of Eden. Her kaleidoscope eyes will give her away to the ruthless Center government.Outside of Eden, Earth is poisoned and dead. All animals and most plants have been destroyed by a man-made catastrophe. Long ago, the brilliant scientist Aaron Al-Baz saved a pocket of civilization by designing the EcoPanopticon, a massive computer program that hijacked all global technology and put it to use preserving the last vestiges of mankind. Humans will wait for thousands of years in Eden until the EcoPan heals the world.As an illegal second child, Rowan has been hidden away in her family’s compound for sixteen years. Now, restless and desperate to see the world, she recklessly escapes for what she swears will be only one night of adventure. Though she finds an exotic world, and even a friend, the night leads to tragedy. Soon Rowan becomes a renegade on the run.

    But Jude doesn't fit in. He's not part of The Crew because he isn't about to do anything unless it's court-appointed; he's not an Extra because nothing about him is anonymous; and he's not a Movie Star because even though everyone know his name like an A-lister, he isn't invited to the cool parties. As the director calls action, Jude is the flamer that lights the set on fire.Before everything turns to ashes from the resulting inferno, Jude drags his best friend Angela off the casting couch and into enough melodrama to incite the paparazzi, all while trying to fend off the haters and win the heart of his favourite co-star Luke Morris. It's a total train wreck!But train wrecks always make the front page.

    While her current spends the summer researching public housing in Stockholm, a moderately wealthy, object-oppressed, and terminally hip New York female of a certain age seeks adventure in the sedate dyke bars of lower Manhattan. Finding none, she answers a personal ad. She is ordered to put on a blindfold before the first meeting with the woman she knows only as Sir. Not knowing what someone looks like turns out to be freeing, as do the escalating constraints that alienate her not just from her former life, but from her very conception of who she is. Part Georges Bataille, part Fran Leibowitz, this is the Story of O told with a self-referentially perverse sense of humor. Leash extends the logic of S&M to its inexorable and startling conclusion, darkly and hilariously revealing the masochistic impulse as the urge to disappear from the chores, obligations, and emotional vacuity of daily life. First published in 2002.

    In this anthology, seventeen authors find new ways to pair one weapon-wielding woman and one whose strengths lie in softer skills.“Which is more powerful, the warrior or the gentlewoman?” these stories ask. And the answer is inevitably, “Both, working together!”Herein, you’ll find duels and smugglers, dance battles and danger noodles, and even a new Swordspoint story!From big names and bold new voices, these stories are fun, clever, and always positive about the power of love.Contents:“Margo Lai’s Guide To Dueling Unprepared” by Alison Tam“Princess, Shieldmaiden, Witch and Wolf” by Neon Yang“Elinor Jones vs. the Ruritanian Multiverse” by Freya Marske“Plan Z” by Django Wexler“Little Birds” by Cara Patterson"Positively Medieval" by Kaitlyn Zivanovich“Book and Hammer, Blade and Bone” by Ann LeBlanc“What Finds You in the Deep” by K.A. Doore“The Sweet Tooth of Angwar Bec” by Ellen Kushner“Danger Noodle” by S.K. Terentiev“Chicago Iron” by Chris Wolfgang“In the Salt Crypts of Ghiarelle” by Jennifer Mace“The City Unbreachable” by Yoon Ha Lee“The Commander and the Mirage Master’s Mate” by Elaine McIonyn“The Epic Fifth Wedding Anniversary of Zaynne The Barbarian and Tikka the Accountant ” by Elizabeth Davis“The Parnassian Courante” by Claire Bartlett“The Scholar of the Bamboo Flute” by Aliette de Bodard

    Just when she's sure the credits have rolled on her life story, she gets a second chance with the Arcadia Project: a secret organization that polices the traffic to and from a parallel reality filled with creatures straight out of myth and fairy tales.For her first assignment, Millie is tasked with tracking down a missing movie star, who also happens to be a nobleman of the Seelie Court. To find him, she'll have to smooth talk Hollywood power players and uncover the surreal and sometimes terrifying truth behind the glamour of Tinseltown. But stronger forces than just her inner demons are sabotaging her progress, and if she fails to unravel the conspiracy behind the noble's disappearance, not only will she be out on the streets, but the shattering of a centuries-old peace could spark an all-out war between worlds.No pressure.

    She makes her meager living faking salvage legends and selling them to the highest bidder, but this time she might have stumbled on something real–the story of the Harrow, a famous warship, capable of untold destruction.Nilah Brio is the top driver in the Pan Galactic Racing Federation and the darling of the racing world–until she witnesses the murder of a fellow racer. Framed for the murder and on the hunt to clear her name, Nilah only has one lead: the killer also hunts a woman named Boots.On the wrong side of the law, the two women board a smuggler’s ship that will take them on a quest for fame, for riches, and for justice.

    The heroes who brought the gem home are renowned in story and song, but for two fellows on the quest, peace and prosperity do not come easily. Apprentice Knight Kalanthe Ironheart wasn't meant for heroism this early in life, and while she has no intention of giving up the notoriety she has earned, her reputation does not pay her bills. With time running out, Kalanthe may be forced to betray not her kingdom or her friends, but her own heart as she seeks a stable future for herself and those she loves. Olsa Rhetsdaughter was never meant for heroism at all. Beggar, pick pocket, thief, she lived hand to mouth on the city streets until fortune--or fate--pulled her into Kalanthe's orbit. And now she's quite reluctant to leave it. Even more alarmingly, her fame has made her recognizable, which makes her profession difficult, and a choice between poverty and the noose isn't much of a choice at all. Both girls think their paths are laid out, but the godsgem isn't quite done with them and that new golden age isn’t a sure thing yet. In a tale both sweepingly epic and intensely personal, Kalanthe and Olsa fight to maintain their newfound independence and to find their way back to each other.

    Moving through iconic and imagined landscapes, Anybody confronts the strangeness of being alive and of being a restlessly gendered, queer, emotive body. Wherever the poet turns—the cruising spaces of Fire Island, a city lake, a Greek island, a bodega-turned-coffee-shop—he finds the charge of boundedness and signification, the implications of what it means to be a this instead of a that. Witty, tender, and original, these poems pierce the constructs that define our lives.

    Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

    A woman drowns herself in a past affair, a tourist chases another guest into an unforeseen past, and a nonbinary academic researches postcolonial cartography. Imagining diverse futures and rewriting old mythologies, these comics delve into strange architectures, fetishism, and heartbreak.Painted in rich, sepia-toned watercolors, Apsara Engine is trans illustrator Bishakh Som's highly anticipated debut work of fiction. Showcasing a series of fraught, darkly humorous, and seemingly alien worlds—which ring all too familiar—Som captures the weight of twenty-first-century life as we hurl ourselves forward into the unknown.

    In a massive "screw you" to their parents and the authorities, they decide to hijack some high stakes bounty -- and end up in way over their heads. Kim & Kim is a day-glo action adventure that's bursting with energy and enthusiasm. Blending the punk exuberance of TANK GIRL with the buddy adventure wackiness of SUPERBAD (if Michael Cera was a trans woman and Jonah Hill a queer girl partner in crime), Kim & Kim is a bright, happy, punk rock sci-fi adventure that is queer as shit.

    Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

    It’s a road trip."Keisha Taylor lived a quiet life with her wife, Alice, until the day that Alice disappeared. After months of searching, presuming she was dead, Keisha held a funeral, mourned, and gradually tried to get on with her life. But that was before Keisha started to see her wife, again and again, in the background of news reports from all over America. Alice isn’t dead, and she is showing up at every major tragedy and accident in the country.Following a line of clues, Keisha takes a job as a long-haul truck driver and begins searching for Alice. She eventually stumbles on an otherworldly conflict being waged in the quiet corners of our nation’s highway system—uncovering a conspiracy that goes way beyond one missing woman.