Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War center around Sir Nigel's loyal squire, Alleyne Edricson. Raised in the sheltered confines of a monastery, young Alleyne comes of age amid the rough-and-tumble of armed conflict and the bewildering ways of courtly love.Best known as the creator of Sherlock Holmes, Sir Arthur Conan Doyle was also a passionate historian. The White Company was his favorite among his own works; here, he offers flavorful, realistic depictions of life during the 14th century — from its weapons and apparel to its religious practice, and the close connection between the cycles of human existence, and the rhythm of the seasons. Readers of all ages will thrill to this spirited tale and its evocative portrait of the Middle Ages.

    It is a fiery history of Queens, the perils of power and of how the Wars of the Roses were ended – not by knights in battle, but the sinewy political skills of women.The events of the Wars of the Roses are usually described in terms of the men involved; Richard, Duke of York, Henry VI, Edward IV and Henry VII. The reality though, argues Sarah Gristwood, was quite different. These years were also packed with women's drama and – in the tales of conflicted maternity and monstrous births – alive with female energy.In this completely original book, acclaimed author Sarah Gristwood sheds light on a neglected dimension of English history: the impact of Tudor women on the Wars of the Roses. She examines Cecily Neville, the wife of Richard Duke of York, who was deprived of being queen when her husband died at the Battle of Wakefield; Elizabeth Woodville, a widow with several children who married Edward IV in secret and was crowned queen consort; Margaret Beaufort, mother of Henry VII, whose ambitions centred on her son and whose persuasions are likely to have lead her husband Lord Stanley, previously allied with the Yorkists, to play his part in Henry's victory.Until now, the lives of these women have remained little known to the general public. Sarah Gristwood tells their stories in detail for the first time. Captivating and original, this is historical writing of the most important kind.

    His struggle to succeed and his conquest of Henrietta, the spirited daughter of a rich manufacturer, drive a richly woven tale that takes the reader from the dusty plains of India to the teeming slums of nineteenth-century London, from the chaos of the great industrial cities to the age of the peaceful certainties of the English countryside. Filled with epic scenes and memorable characters, God is an Englishman triumphs in its portrayal of human strength and weakness, and in its revelations of the power of love.

    But were the princes really murdered? David Baldwin presents a fresh new approach to the mystery and reveals, for the first time, the true fate of the younger prince, Richard, Duke of York.On 22 December 1550 an old bricklayer named Richard Plantagenet was buried at Eastwell in Kent. Unusually for a bricklayer, he had been able to read Latin and, when pressed, he had claimed to be a natural son of King Richard III and to have met him the day before the Battle of Bosworth. Yet had he simply been Richard III's bastard he would have been styled 'of Gloucester' or given the name of his birthplace. Richard III openly acknowledged and provided for his other bastards. Why did he not do the same for Richard Plantagenet? Most tellingly, where is the evidence that Prince Richard actually died? In an original and intriguing scenario, David Baldwin argues that, while some elements of Richard Plantagenet's story may be authentic, it is possible that he dared not reveal his real identity - that he was in fact Richard, Duke of York, the rightful king.David Baldwin has searched contemporary documents to unearth the clues that underpin his theory and has visited all the places associated with Richard Plantagenet. In doing so, he has opened up an entirely new line of investigation and exonerated Richard HI of the greatest of the crimes imputed to him. Dead princes were a potential embarrassment, but a living prince would have been a real danger and a closely guarded secret, not only in Richard's reign but in the reigns of Henry VII and Henry VIII.

    With More as her affectionate guardian, Honor grows to womanhood, when the glitter of the royal court lures her to attend Her Majesty, Queen Catherine of Aragon. But life at Henry VIII’s court holds more than artifice for an intelligent observer, and Honor knows how to watch—and when to act. . . .Angered by the humiliation heaped upon her mistress as Henry cavorts with Anne Boleyn and presses Rome for a divorce, Honor volunteers to carry letters to the Queen’s allies. It’s a risky game, but Honor is sure she’s playing it well—until she’s proved wrong. Richard Thornleigh may cut a dashing figure at court, but Honor isn’t taken in by his reckless charm. Only later does Honor realize that Richard has awakened something within her—and that he, too, has something to hide. . . For the King’s actions are merely one knot in a twisted web that stretches across Europe, ensnaring everyone from the lowliest of peasants to the most powerful of nobles. Swept away in a tide of intrigue and danger, the Queen’s lady is about to learn everything: about pride, passion, greed—and the conscience of the King. . . .

    And, above all, here is the story of the minstrel whose life was linked with that of the King - the story of Blondel - the Lute Player.

    But when he falls in love with the Princess, Marie, daughter of his powerful patron, the Duke of Burgundy, his life begins to unravel.Made reckless by his passion for Marie, Hans accepts an invitation to visit old allies in London. But there he will find himself plunged into the final stages of the War of the Roses and embroiled in one of the greatest political mysteries of all time.At once a spellbinding historical thriller and a vivid examination of the artistic impulse, The Master of Bruges is an enthralling debut.

    The time is the 15th century, when intrepid merchants became the new knighthood of Europe. Among them, none is bolder or more cunning than Nicholas vander Poele of Bruges, the good-natured dyer's apprentice who schemes and swashbuckles his way to the helm of a mercantile empire.     Niccolò Rising, Book One of the series, finds us in Bruges, 1460. Jousting is the genteel pastime, and successful merchants are, of necessity, polyglot. Street smart, brilliant at figures, adept at the subtleties of diplomacy and the well-timed untruth, Dunnett's hero rises from wastrel to prodigy in a breathless adventure that wins him the hand of the strongest woman in Bruges and the hatred of two powerful enemies. From a riotous and potentially murderous carnival in Flanders, to an avalanche in the Alps and a pitched battle on the outskirts of Naples, Niccolò Rising combines history, adventure, and high romance in the tradition stretching from Alexandre Dumas to Mary Renault.

    This story brings to life not only the man, but one of the most fantastic periods of the fifteenth century.Among the last of the great medieval rulers and the first of the ardent nation builders, Henry V is seen from several perspectives: his queen; his beautiful Welsh mistress, Morgan; his court jester, the fool; a comrade-in-arms; and his own point of view as both boy and man.As actors in this drama, they illuminate the many sides of Henry V's personality - the devil-may-care prince portrayed by Shakespeare, the bold hero of Agincourt, the husband of Katharine of Valois, and the warrior-peacemaker who welded England, Wales, and France into a single kingdom.

    So when he meets Marguerite, a bright young American with whom he can talk freely about both, he is able to love again and takes her back to Ireland as his wife. But Marguerite soon discovers that married life is not what she expected, and that she has married into a troubled family bitterly divided by love and hatred. Cashelmara becomes the curse of three generations as they play out their fates in a spellbinding drama, which moves inexorably towards murder and retribution.

    What could possibly be so valuable about the picture? As friends and clients are slaughtered around her, Luciana turns to the one man who has never desired her beauty, novice librarian Brother Guido. Fleeing Venice together, Luciana and Guido race through the nine cities of Renaissance Italy, pursued by ruthless foes who are determined to keep them from decoding the painting's secrets.Gloriously fresh and vivid, with a deliciously irreverent heroine, The Botticelli Secret is an irresistible blend of history, wit, and suspense.

    For years, Isabella is a loyal wife, who repeatedly salvages her husband's kingship, even as she endures his neglect. When she finally speaks out against Edward's favorite, Lord Hugh Despenser, her income, lands and children are taken from her. In an age when women are not supposed to openly defy their husbands, Isabella vows to get her children back and have her revenge on Despenser - no matter what the cost.Imprisoned in the Tower of London for leading a rebellion against King Edward, Mortimer escapes with Isabella's help and finds refuge in the French court. But when Isabella arrives in Paris to negotiate a peace treaty, it is a temptation the ambitious Mortimer cannot resist.

    In 14th-century England, beautiful Queen Isabella--humiliated by her weak, unfaithful husband--emerges from the shadows to take her revenge.

    

    But was she a cunning vixen or a tragic wife and mother? As this extraordinary biography shows, the first queen to bear the name Elizabeth lived a life of tragedy, love, and loss that no other queen has since endured. This shocking revelation about the survival of one woman through vilification and adversity shows Elizabeth as a beautiful and adored wife, distraught mother of the two lost Princes in the Tower, an and innocent queen slandered by politicians.