Yet she refuses to forget her best friend Elizabeth, who she is convinced is missing and in terrible danger.But no one will listen to Maud—not her frustrated daughter, Helen, not her caretakers, not the police, and especially not Elizabeth's mercurial son, Peter. Armed with handwritten notes she leaves for herself and an overwhelming feeling that Elizabeth needs her help, Maud resolves to discover the truth and save her beloved friend.This singular obsession forms a cornerstone of Maud's rapidly dissolving present. But the clues she discovers seem only to lead her deeper into her past, to another unsolved disappearance: her sister, Sukey, who vanished shortly after World War II.As vivid memories of a tragedy that occurred more than fifty years ago come flooding back, Maud discovers new momentum in her search for her friend. Could the mystery of Sukey's disappearance hold the key to finding Elizabeth?

    It meant the end.As Exeter suffers a rising count of gruesome deaths, troubled DS Imogen Grey and DS Adrian Miles must solve the case and make their city safe again.But as they’re drawn into a network of corruption, lies and exploitation, every step brings them closer to grim secrets hidden at the heart of their community.And once they learn what’s motivating this killer, will they truly want to stop him?SMART. GRIPPING. GRUESOME.This is a psychological crime thriller in a class of its own.WARNING: Most definitely not for the faint-hearted!

    Mothers with strollers still make her flinch; her love of writing has turned into a half-hearted teaching career; and she and her husband, Art, have slipped into the kind of rut that seems inescapable.But then a stranger shows up on their doorstep, telling Gen the very thing she’s always wanted to hear: that her daughter Beth was not stillborn, but was taken away as a healthy infant and is still out there, somewhere, waiting to be found. It’s insane, unbelievable. But why would anyone make that up? A fissure suddenly opens up in Gen’s carefully reconstructed life, letting in a flood of unanswerable questions. Where is Beth now? Why is Art so reluctant to get involved? To save his wife from further hurt? Or is it something more sinister? And who can she trust to help her?Ignoring the warnings of her husband and friends, Gen begins to delve into the dark corners of her past, hopeful she’ll find a clue to her daughter’s whereabouts. But hope quickly turns into fear and paranoia, as she realizes that finding the answers might open the door to something even worse than not knowing. A truth that could steal everything she holds close – even her own life.

    Her husband works hard, too... but why does it seem like she is always working so much harder?When the Spanglers go house hunting in Dynasty Ranch, an exclusive suburban neighborhood, Nora meets a group of high-powered women--a tech CEO, a neurosurgeon, an award-winning therapist, a bestselling author--with enviably supportive husbands. When she agrees to help with a resident's wrongful death case, she is pulled into the lives of the women there. She finds the air is different in Dynasty Ranch. The women aren't hanging on by a thread.But as the case unravels, Nora uncovers a plot that may explain the secret to having-it-all. One that's worth killing for. Calling to mind a Stepford Wives gender-swap, The Husbands imagines a world where the burden of the "second shift" is equally shared--and what it may take to get there.

    One girl lived. No one believes her story. The police think she’s crazy. Her therapist thinks she’s suicidal. Everyone else thinks she’s a dangerous drunk. They’re all right—but did she see the killer? As the anniversary of the murders approaches, Faith Winters is released from the psychiatric hospital and yanked back to the last spot on earth she wants to be—her hometown where the slayings took place. Wracked by the lingering echoes of survivor’s guilt, Faith spirals into a black hole of alcoholism and wanton self-destruction. Finding no solace at the bottom of a bottle, Faith decides to track down her sister’s killer—and then discovers that she’s the one being hunted. How can one woman uncover the truth when everyone’s a suspect—including herself? From the mind of Wall Street Journal bestselling author Christopher Greyson comes a story with twists and turns that take the reader on a journey of light and dark, good and evil, to the edge of madness. The Girl Who Lived should come with a warning label: Once you start reading, you won’t be able to stop. Not since Girl on the Train and Gone Girl has a psychological thriller kept readers so addicted—and guessing right until the last page.

    The woman before her tried… Freya Miller needs a miracle. In the fallout of her husband’s betrayal, she’s about to lose her family home, and with it the security she craves for her five-year-old daughter, Skye. Adrift and alone, she’s on the verge of despair until a chance meeting with the charismatic Dr Marsden changes everything. He’s seeking a new tenant for a shockingly affordable flat in a fashionable area of London.Adder House sounds too good to be true… But Freya really can’t afford to be cynical, and Dr Marsden is adamant she and Skye will be a perfect fit with the other residents.But Adder House has secrets. Even behind a locked front door, Freya feels as if she’s being watched: objects moving, unfamiliar smells, the blinking light of a concealed camera… and it’s not long before she begins to suspect that her dream home is hiding a nightmarish reality. Was it really chance that led her here—or something unthinkably dark?As the truth about Adder House starts to unravel, can Freya and Skye get out—or will they be locked in forever? Revised edition: This edition of The Apartment includes editorial revisions.

    In this first novel, we are introduced to suave, handsome Tom Ripley: a young striver, newly arrived in the heady world of Manhattan in the 1950s. A product of a broken home, branded a "sissy" by his dismissive Aunt Dottie, Ripley becomes enamored of the moneyed world of his new friend, Dickie Greenleaf. This fondness turns obsessive when Ripley is sent to Italy to bring back his libertine pal but grows enraged by Dickie's ambivalent feelings for Marge, a charming American dilettante. A dark reworking of Henry James's The Ambassadors, The Talented Mr. Ripley—is up to his tricks in a 90s film and also Rene Clement's 60s film, "Purple Noon."

    Ten years ago a man and his son trekked into this wilderness and never returned.Search teams found their campsite ravaged by what looked like a bear. They were presumed dead until a decade later...the son appeared. Discovered while ransacking an outfitter store, he was violent and uncommunicative and sent to a psychiatric facility. Maya Stark, the assistant language therapist, is charged with making a connection with their high-profile patient. No matter how she tries, however, he refuses to answer questions about his father or the last ten years of his lifeBut Maya, who was abandoned by her own mother, has secrets, too. And as she’s drawn closer to this enigmatic boy who is no longer a boy, she’ll risk everything to reunite him with his father who has disappeared from the known world.

    But when Claire's symptoms overpower her while she's driving into work, her two children in tow, she must pull over. Moments later she wakes up on the floor of a gas station bathroom-her car, and her precious girls have vanished.The police have no leads and the weight of guilt presses down on Claire as each hour passes with no trace of her girls. All she has to hold on to are her strained marriage, a potentially unreliable witness who emerges days later, and the desperate but unquenchable belief that her daughters are out there somewhere.Little Lovely Things is the story of a family shattered by an unthinkable tragedy. Played out in multiple narrative voices, the novel explores how the lives of those affected fatefully intersect, and highlights the potential catastrophe of the small decisions we make every day.

    I can honestly say it’s one of the best books I’ve ever read - it is without shadow of a doubt, EASILY up there with Girl On a Train and Eleanor Oliphant.' - Ruth JonesSamuel, the day we met I knew I’d finally found what I’ve been waiting for.You.Happiness, at last.Then you left me.And now I am alone.Everyone I love leaves in the end.But not this time.I’m not giving up on us.I’m not giving up on you.When you love someone, you never let them go.That’s why for me, this is just beginning.

    But we all know that it never ends there. Because, of course, one lie leads to another…Growing up, Jane and Marnie shared everything. They knew the other’s deep-est secrets. They wouldn’t have had it any other way. But when Marnie falls in love, things begin to change.Because Jane has a secret: she loathes Marnie’s wealthy, priggish husband. So when Marnie asks if she likes him, Jane tells her first lie. After all, even best friends keep some things to themselves. If she had been honest, then perhaps her best friend’s husband might still be alive today…For, of course, it’s not the last lie. In fact, it’s only the beginning…Seven Lies is Jane’s confession of the truth—her truth. Compelling, sophisticated, chilling, it’s a seductive, hypnotic page-turner about the tangled, toxic friendships between women, the dark underbelly of obsession and what we stand to lose in the name of love.

    His surgical skills lead police to suspect he is a physician - a physician who, instead of saving lives, takes them.But as homicide detective Thomas Moore and his partner Jane Rizzoli begin their investigation, they make a startling discovery. Closely linked to these killings is Catherine Cordell, a beautiful doctor with a mysterious past. Two years ago she was subjected to a horrifying rape and shot her attacker dead.Now the man she believes she killed seems to be stalking her once again, and this time he knows exactly where to find her...