1 bestselling author of The Guilty One is back with a gripping and emotional new moral thriller about a woman, a child, the gulf that stands between them, and about how far people will go to keep a secret...Magpie is an independent, unconventional and troubled woman with secrets. Returning home late one night she finds a young girl covered in bruises who claims to have run away from home. Deciding to protect her at all costs, Magpie takes the child home with her. At first this is easy, because of her bohemian lifestyle, but it soon becomes clear that someone is looking for the child.In a story that reaches from the mid-20th Century to the present day, we discover why Magpie has risked everything to hide the child, and what she herself is running away from.

    Now she wants a second chance to be a mother, and finds it in Robert Nash, a maverick fertility doctor who works under the radar with Jillian Hendricks, a cunning young scientist bent on making her mark—and seducing her boss.Claire, Robert, and Jillian work together to create the world’s first baby with three genetic parents—an unprecedented feat that could eliminate inherited disease. But when word of their illegal experiment leaks to the wrong person, Robert escapes into hiding with the now-pregnant Claire, leaving Jillian to serve out a prison sentence that destroys her future.Ten years later, a spunky girl named Abigail begins to understand that all is not right with the reclusive man and woman she knows as her parents. But the family’s problems are only beginning. Jillian, hardened by a decade of jealousy and loss, has returned—and nothing will stop her from reuniting with the man and daughter who should have been hers. Past, present—and future converge in a mesmerizing psychological thriller from acclaimed bestselling author Kira Peikoff.

    And she had dreams back then—but it didn’t take long for her to learn that things don’t always turn out the way you want them to.Now, at thirty-three, Edie is working as a waitress, pregnant and alone. And when she becomes overwhelmed by the needs of her new baby and sinks into a bleak despair, she thinks that there’s no one to turn to…But someone’s been watching Edie, waiting for the chance to prove once again what a perfect friend she can be. It’s no coincidence that Heather shows up on Edie’s doorstep, just when Edie needs her the most. So much has passed between them—so much envy, longing, and betrayal. And Edie’s about to learn a new lesson: those who have hurt us deeply—or who we have hurt—never let us go, not entirely…

    Anna loves Girls’ Night with her friends. With the kids safely in bed, it’s a chance for the women to let loose, enjoy some wine, and just laugh. But after one lively evening, Anna doesn’t arrive for school drop-off the next morning—or the next, or the next. Everyone, especially her husband and young son, are frantic with worry but none more so than Grace, her childhood best friend. Grace is certain that someone is hiding the truth about Anna’s unexplained disappearance. As rumors fly and accusations are whispered among neighbors, Grace decides to take matters into her own hands and find out what happened to Anna…or die trying.

    But they won’t stop there. Roz is young, penniless and pregnant. All she wants is to be the perfect mother to her child, but the more she thinks about her own chaotic upbringing, the more certain she is that the best life for her baby is as far away as possible from her hometown in Ireland.Determined to do the right thing, Roz joins an elite adoption service and can’t believe her luck. Within days she is jetting to New York to meet a celebrity power couple desperate for a child of their own. Sheridan and Daniel are wealthy and glamorous—everything Roz isn’t. Her baby will never go hungry, and will have every opportunity for the perfect life. But soon after Roz moves into their plush basement suite, she starts to suspect that something darker lurks beneath the glossy surface of their home.When Roz discovers she isn’t the first person to move in with the couple, and that the previous woman has never been seen since, alarm bells start ringing. As the clock ticks down to her due date, Roz realises her unborn baby may be the only thing keeping her alive, and that despite her best intentions, she has walked them both into the perfect nightmare…

    Until he meets Emily.Emily is perfect.Scott offers Emily a summer job as a housekeeper on his remote, beautiful French estate. Enchanted by his lovely wife Nina, and his eccentric young daughter, Aurelia, Emily falls headlong into this oasis of wine-soaked days by the pool. But soon Emily realizes that Scott and Nina are hiding dangerous secrets, and if she doesn't play along, the consequences could be deadly.Superbly tense and oozing with atmosphere, Anna Downs's debut is the perfect summer suspense, with the modern gothic feel of Ruth Ware and the morally complex family dynamics of Lisa Jewell.Welcome to paradise...will you ever be able to leave?

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?

    And when she finds a tiny part of a doll house outside her flat, it feels as if it’s a sign.But as more pieces begin to turn up, Corinne realises that they are far too familiar. Someone knows about the miniature rocking horse and the little doll with its red velvet dress. Someone has been inside her house…How does the stranger know so much about her life? How long have they been watching? And what are they waiting for…?

    And yet he stands accused of a terrible crime. Sophie is convinced he is innocent and desperate to protect her precious family from the lies that threaten to rip them apart.Kate is the lawyer hired to prosecute the case: an experienced professional who knows that the law is all about winning the argument. And yet Kate seeks the truth at all times. She is certain James is guilty and is determined he will pay for his crimes.Who is right about James? Sophie or Kate? And is either of them informed by anything more than instinct and personal experience? Despite her privileged upbringing, Sophie is well aware that her beautiful life is not inviolable. She has known it since she and James were first lovers, at Oxford, and she witnessed how easily pleasure could tip into tragedy.Most people would prefer not to try to understand what passes between a man and a woman when they are alone: alone in bed, alone in an embrace, alone in an elevator… Or alone in the moonlit courtyard of an Oxford college, where a girl once stood before a boy, heart pounding with excitement, then fear. Sophie never understood why her tutorial partner Holly left Oxford so abruptly. What would she think, if she knew the truth?

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    One of them killed him . . .Louise has had to watch her husband, Andrew, start a new family in the four years since he left her. The ‘other woman’ is now his wife – but Louise isn’t ready to let Caz enjoy the life that was once hers, or to let go of the man she still loves.As Louise starts to dig into Caz’s past, the two women’s pretence of civility starts to slip. But in trying to undermine each other, they discover more about the man they both married.And when Andrew is murdered at a family party, both women are found standing over the body.And when Andrew is murdered during the anniversary celebrations, both women are found standing over the body.It’s always the wife. But which one?

    It's also where twenty-one-year-old Sophie Collier vanished eighteen years ago.Francesca has spent the last twenty years haunted by the disappearance of her best friend. But when she receives a phone call from Sophie's brother saying that a body has been found, she knows she can't keep hiding from what happened. With her own secrets to keep, Francesca doesn't relish the idea of digging up the past or returning to Oldcliffe. But it is time to go back to where she grew up, and it looks like she isn't the only one there hiding truths.

    . .Connie lost her words at the age of five, the day she witnessed her mother and father's untimely death.Since then she has been all but mute, only being able to choke out a few select words. Now, years on, Connie's husband is on his deathbed and all she can do is quietly sit by his side.But there are so many dreadful secrets locked up in Connie's silent prison. And time is running out to set them free . . .

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    The police think I killed her.I was there. I watched the knife go in. I saw the man who did it.He's someone I know. But he won't be caught.Because he knows I have prosopagnosia - I can't recognise faces.But if I don't find him, I'll be found guilty of murder.