And I'll belong to Charlie... The three of us, we'll have a wonderful time.Alvin Darby is a 29 year old insurance clerk, with a comfortable apartment, a beautiful wife and enough money in the bank not to have to worry. So why does he wake up in the middle of the night tortured by the image of a woman with platinum blonde hair? And why is he suddenly convinced that his wife is having an affair?Consumed by jealousy and determined to track down the woman with the platinum blonde hair, Alvin leaves his comfortable life to walk the streets of Skid Row intent on murder. Caught up in an underworld of drugs and crime, Alvin is soon out of his depth, and back with his old girlfriend Geraldine, whose seductive silver yellow hair and orange lips seem to hold the key to unlock the dark and terrible sin of his past.Long unavailable, Of Tender Sin is a brilliant tale of paranoia and jealousy, femmes fatales and dark secrets. With its seering portrayal of the mean streets of Philadelphia and its underworld of drugs and crime, Of Tender Sin is as hard-hitting today as it was when it was first published in 1952.Introduction by Adrian Wootton.Goodis captures the bleak desperation of the urban jungle like no other writer before or since. - NeonA lethally potent cocktail of surreal description, brilliant language, cracker barrel philosophy and gripping obsession. - Adrian WoottonNo-one does existential loners better - The Herald

    Lord and Lady Berrybender have abandoned their home in England to broaden the horizons for themselves and their three children. With irascible determination—and a great deal of outright chaos—the party experiences both the awesome majesty and brutal savagery of the unexplored land, from buffalo stampedes and natural disasters to Indian raids and encounters with frontiersmen and trappers, explorers, pioneers, and one part-time preacher known as "the Sin Killer." Sin Killer, the strong, silent Westerner, captures the heart of the strong-willed, beautiful Berrybender daughter, Tasmin. But their fast developing relationship can only bring more trouble for the Berrybender's. Packed with breathtaking adventure, charming romance, and a sense of humor stretching clear over the horizon, Sin Killer is a truly unique view of the West that could only come from the boundless skill and imagination of Larry McMurtry.

    This anthology includes the masterpieces Wise Blood. The Violent Bear it Away, and Everything that Rises Must Converge.

    This is the most complete and generous sampling of the first half of an indispensable American writer's career.

    At the other end of the spectrum are classic adventures, such as The Golden Tapestry, set in 1960s Istanbul, as well as several uniquely different attempts at what would have been the most profoundly intimate of all of L'Amour's novels, a saga of reincarnation that stretches from a time before time, to the period of Alexander the Great, and on to Warlord-Era China.Illustrated with rare photographs, this book reveals the L'Amour you have never known, his personal struggles as a writer, and the contest between mortality and a literary legacy too big for one life to contain.Louis L'Amour's Lost Treasures is a project created to release some of the author's more unconventional manuscripts from the family archives.In Louis L'Amour's Lost Treasures: Volumes 1, Beau L'Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L'Amour's never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. These exciting publications will be followed by Louis L'Amour's Lost Treasures: Volume 2.Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.

    The book introduces readers to an unlikely hero in the titular “ugly American”—and to the ignorant politicians and arrogant ambassadors who ignore his empathetic and commonsense advice. In linked stories and vignettes set in the fictional nation of Sarkhan, William J. Lederer and Eugene Burdick draw an incisive portrait of American foreign policy gone dangerously wrong—and how it might be fixed.Eerily relevant sixty years after its initial publication, The Ugly American reminds us that “today, as the battle for hearts and minds has shifted to the Middle East, we still can’t speak Sarkhanese” (New York Times).

      The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the family station wagon, and drinking borrowed liquor from old mayonnaise jars. But no matter how wild, they always managed to escape any real danger—until the adoring Berie sees that Sils really does need her help—and then everything changes.

    It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons' youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.Stretching from the early 1970s in the Iowa farmlands to suburban Chicago to the coast of contemporary Italy—and moving through the Vietnam War's aftermath, the farm crisis, the numerous economic booms and busts—The Year We Left Home follows the Erickson siblings as they confront prosperity and heartbreak, setbacks and triumphs, and seek their place in a country whose only constant seems to be breathtaking change. Ambitious, richly told, and fiercely American, this is a vivid and moving meditation on our continual pursuit of happiness and an incisive exploration of the national character.

    The Most Dangerous Game features a big-game hunter from New York who becomes shipwrecked on an isolated island in the Caribbean and is hunted by a Russian aristocrat.

    Gently satirical and rich with drama, the novel moves from the Gilded Age to the Great Depression as it projects George Apley's world—and subtly reveals a life in which status and accomplishment mask disappointment and regret, a life of extreme and enviable privilege that is nonetheless an imperfect life.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    The human drama, the psychological insight -- Eisner captures the soul of the city and its troubled inhabitants with pen and ink. The comics medium was altered forever with the publication of this seminal work.

    A prolific journalist who made himself a dominant figure in the emerging literary culture of postwar san Francisco, Bierce developed a style of slashing sarcasm that made him a feared antagonist. As a short story writer—whether drawing on wartime experiences or exploring realms of supernatural and psychological horror—he used extreme situations to give voice to his uniquely engrossing brand of pessimism.This volume gathers the most celebrated and significant of Bierce’s writings. In the Midst of Life (Tales of Soldiers and Civilians), his collection of short fiction about the Civil War, which includes the masterpieces “An Occurrence at Owl Creek Bridge” and “Chickamauga,” is suffused with a fiercely ironic sense of the horror and randomness of war. Close-up portraits of life in camp and on the battlefield offer unique, often startling, perspectives on the war whose after-echoes pervade Bierce’s writing.Can Such Things Be? brings together “The Death of Halpin Frayser,” “The Damned Thing,” “The Moonlit Road,” and other tales of terror that make Bierce the genre’s most significant American practitioner between Poe and Lovecraft. These tales are notable, in editor S. T. Joshi’s words, for “the meticulous etching of the precise effects of the supernatural upon the sensitive consciousness of his fear-raddled protagonists.”The Devil’s Dictionary, the brilliant lexicon of subversively cynical definitions on which Bierce worked for decades, displays to the full his corrosive wit.In Bits of Autobiography, the series of memoirs that includes the memorable “What I Saw of Shiloh,” he recreates his experiences in the war and its aftermath. The volume is rounded out with a selection of the best stories not gathered in the two major collections. Acclaimed Bierce scholar Joshi provides detailed notes and a newly researched chronology of Bierce’s life and mysterious disappearance.

    Jeremy Best, a Manhattan-based trusts and estates lawyer, leads a second life as published poet Jinx Bell.  To his boss’s daughter, Spaulding Simonson, at 33 years old, Jeremy is already halfway to dead.  When Spaulding, an aspiring 19-year-old writer, discovers Mr. Best’s alter poetic ego, the two become bound by a devotion to poetry, and an awareness that time in this world is limited.  Their budding relationship strikes at the universality of love and loss, as Jeremy and Spaulding confront their vulnerabilities, revealing themselves to one another and the world for the very first time. A skilled satirist with a talent for biting humor, Greenland creates fully realized characters that quickly reveal themselves as complex renderings of the human condition – at its very best, and utter worst. I Regret Everything explores happiness and heartache with a healthy dose of skepticism, and an understanding that the reality of love encompasses life, death, iambic pentameter, regret, trusts and estates.

    The classic novel of 1950s New York by the author of Clockers and Samaritan