Meggy's mother was glad to be rid of her; her father, who sent for her, doesn't want her after all. Meggy is appalled by London,dirty and noisy, full of rogues and thieves, and difficult to get around in--not that getting around is ever easy for someone who walks with the help of two sticks.Just as her alchemist father pursues his Great Work of transforming base metal into gold, Meggy finds herself pursuing her own transformation. Earthy and colorful, Elizabethan London has its dark side, but it also has gifts in store for Meggy Swann. Reading Level: Age 10 and Up

    What is less known is that a boy by the name of Nicholas Young was a stowaway on that ship. Newbery winner Karen Hesse re-creates Cook's momentous voyage through the eyes of this remarkable boy, creating a fictional journal filled with fierce hurricanes, warring natives, and disease, as Nick discovers new lands, incredible creatures, and lifelong friends.

    Milton can understand why his kleptomaniac sister is here, but Milton is—or was—a model citizen. Has a mistake been made? Not according to Bea 'Elsa' Bubb, the Principal of Darkness. She doesn't make mistakes. She personally sees to it that Heck—whether it be home-ec class with Lizzie Borden, ethics with Richard Nixon, or gym with Blackbeard the Pirate—is especially, well, heckish for the Fausters. Will Milton and Marlo find a way to escape? Or are they stuck here for all eternity, or until they turn 18, whichever comes first?

    And if twelve-year-old Rose hadn't been so unhappy in her new home, where she'd been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn't, she never would have climbed up into another century, the world of the 1860s, and the chaos of Civil War...

    Joseph Johnson has lost just about everyone he's ever loved. He lost his pa in an accident. He lost his ma and his little sister to sickness. And now, he's lost his pony--fast, fierce, beautiful Sarah, taken away by a man who had no right to take her.Joseph can sure enough get her back, though. The odds are stacked against him, but he isn't about to give up. He will face down deadly animals, dangerous men, and the fury of nature itself on his quest to be reunited with the only family he has left.Because Joseph Johnson may have lost just about everything; but he hasn't lost hope. And he hasn't lost the fire in his belly that says he's getting his Sarah back--no matter what.

    "Fetch the whipping boy!" A young orphan named Jemmy rouses from his sleep. "Ain't I already been whipped twice today? Gaw! What's the prince done now?" It was forbidden to spank, thrash, or whack the heir to the throne. Jemmy had been plucked from the streets to serve as whipping boy to the arrogant and spiteful Prince Brat. Dreaming of running away, Jemmy finds himself trapped in Prince Brat's own dream at once brash and perilous. In this briskly told tale of high adventure, taut with suspense and rich with colorful characters, the whipping boy and Prince Brat must at last confront each other. Award-winning author Sid Fleischman again blends the broadly comic with the deeply compassionate in this memorable novel.

    What a boring summer it's going to be. But then, lying in bed one night, he hears the old grandfather clock in the hall strike the very strange hour of 13 o'clock. What can it mean? As Tom creeps downstairs and opens the door, he finds out...a magical garden, a new playmate, and the adventure of a lifetime. Una Stubbs stars as Aunt Gwen in this BBC Radio 4 full-cast dramatisation.© and (P)1999 BBC Audiobooks LTD2 h 16 min

    Every day 'It' will grant each of them a wish that lasts until sunset, often with disastrous consequences.Never out of print since 1902. The Introduction to this edition examines Nesbit's life and her reading, showing the change in childrens' literature from Victorian times.

    Maroo, a girl of the Ice Age, must take charge after her father is killed and lead the rest of the family to the tribe's winter camp.

    Konigsburg could create such an intriguing answer to the puzzle behind the most famous painting of all time.

    Kinshi, the puppet master's son, tutors him. When his sheltered life at the theater is shattered by mobs of hungry, rioting peasants, Jiro becomes aware of responsibilities greater that his craft. As he schemes to help his friend Kinshi and to find his own parent, Jiro stumbles onto a dangerous and powerful secret....

    The boys stumble across a town that has been reduced to smoking rubble, and a zoo that is still intact. When the boys take shelter in the zoo, they discover a menagerie of talking animals. Both the boys and the animals tell their tales and their desire for freedom.Like The Silver Donkey and The Ghost's Child, this is another beautiful fable-like tale that will move you to tears. It's a story that will appeal to all ages; as with any fine book that merges history with fantasy, adults will enjoy reading this as much as children.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    . . thanks to some help from their cranky teacher, a little bit of logic, and a lot of amusing misadventure.Yes, Rufus wrote CAIUS IS A DUMBBELL on his tablet at school, but no, he did not break into the schoolroom, did not tie up his teacher, and certainly did not paint his slur about Caius on the Temple of Minerva (even if it is in Rufus's own handwriting). Rufus is doomed unless his six classmates can find out who is really responsible. Every hour seems to bring a new, confusing clue . . . until the boys finally stumble upon someone who is not what he appears to be.

    And her dream is realized when a trader brings Pempa to her parents' tea house. But after a band of robbers steals the valuable dog and quickly escapes with him into the mountains, Momo is determined to catch them and recover her beloved Pempa. To do so, she must follow the Great Trade Route across the mountains—a path that most people avoid, and which will surely put her life at risk. Momo undertakes a dangerous journey from the mountains of Tibet to the city of Calcutta, in search of her stolen dog Pempa.