The entire city around her is empty, except for one other person: Leo Sterling. Leo might be hottest boy ever (and not just because he's the only one left), but he's also too charming, too selfish, and too devastating for his own good, let alone Hannah's.Stuck with only each other, they explore a world with no parents, no friends, and no school and realize that they can be themselves instead of playing the parts everyone expects of them. Hannah doesn't have to be just an overachieving, music-box-perfect ballerina, and Leo can be more than a slacker, 80s-glam-metal-obsessed guitarist. Leo is a burst of honesty and fun that draws Hannah out, and Hannah's got Leo thinking about someone other than himself for the first time. Together, they search for answers amid crushing isolation, but while their empty world may appear harmless . . . it's not. Because nothing is quite as it seems, and if Hannah and Leo don't figure out what's going on, they might just be torn apart forever.

    No one he has ever known or loved has been born yet. Perhaps now they never will be.Stanton knows that a great and terrible war is coming. A collective suicidal madness that will destroy European civilization and bring misery to millions in the century to come. He knows this because, for him, that century is already history.Somehow he must change that history. He must prevent the war. A war that will begin with a single bullet. But can a single bullet truly corrupt an entire century?And, if so, could another single bullet save it?

    Women are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. The plot centers on a “misfit” who asks, “How could this have happened?”

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    Louisa, a young maid at the hotel determined to befriend him, wins his attention through a shared love of pigeons; with her, we hear his tragic and tremendous life story unfold. Meanwhile, Louisa discovers that her father—and her handsome, enigmatic love interest, Arthur Vaughan—are on an unlikely mission to travel back in time and find his beloved late wife. A masterful hybrid of history, biography, and science fiction, The Invention of Everything Else is an absorbing story about love and death and a wonderfully imagined homage to one of history's most visionary scientists.

    The story was called "Nightfall", and many years later it has long been recognized as a classic, its author a legend. Now, the Gran Master of Science Fiction teams with Robert Silverberg, one of the field's top award-winning authors, to explore and expand an apocalyptic tale that is more spellbinding today than ever before -- Nightfall: The Novel.Imagine living on a planet with six suns that never experiences Darkness. Imagine never having seen the Stars. Then, one by one the suns start to set, gradually leading into Darkness for the first time ever. Kalgash is a world on the edge of chaos, torn between the madness of religious fanaticism and the unyielding rationalism of scientists. Lurking beneath it all is a collective, instinctual fear of the Darkness. For Kalgash knows only the perpetual light of day; to its inhabitants, a gathering twilight portends unspeakable horror. And only a handful of people on the planet are prepared to face the truth, their six suns are setting all at once for the first time in over two thousand years, signaling the end of civilization as it explodes in the awesome splendor of Nightfall.Encompassing the psychology of disaster, the tenacity of the human spirit, and, ultimately, the regenerative power of hope, Nightfall is a tale rich in character and suspense that only the unique collaboration of Isaac Asimov and Robert Silverberg could create.

    Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, "By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?"Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

    All kids given a "score" that determines their future potential. This score has the ability to get kids into colleges, grant scholarships, or destroy all hope for the above. Scored's reluctant heroine is Imani, a girl whose high score is brought down when her best friend's score plummets. Where do you draw the line between doing what feels morally right and what can mean your future? Friendship, romance, loyalty, family, human connection and human value: all are questioned in this fresh and compelling dystopian novel set in the scarily foreseeable future.

    A Patron, he has everything a boy could possibly want—the latest tech, the coolest clothes, and a Proxy to take all his punishments. When Knox breaks a vase, Syd is beaten. When Knox plays a practical joke, Syd is forced to haul rocks. And when Knox crashes a car, killing one of his friends, Syd is branded and sentenced to death.Syd is a Proxy. His life is not his own.Then again, neither is Knox’s. Knox and Syd have more in common than either would guess. So when Knox and Syd realize that the only way to beat the system is to save each other, they flee. Yet Knox’s father is no ordinary Patron, and Syd is no ordinary Proxy. The ensuing cross-country chase will uncover a secret society of rebels, test both boys’ resolve, and shine a blinding light onto a world of those who owe and those who pay. Some debts, it turns out, cannot be repaid.

    Loup Garron was born and raised in Santa Olivia, an isolated, disenfranchised town next to a US military base inside a DMZ buffer zone between Texas and Mexico. A fugitive "Wolf-Man" who had a love affair with a local woman, Loup's father was one of a group of men genetically-manipulated and used by the US government as a weapon. The "Wolf-Men" were engineered to have superhuman strength, speed, sensory capability, stamina, and a total lack of fear, and Loup, named for and sharing her father's wolf-like qualities, is marked as an outsider. After her mother dies, Loup goes to live among the misfit orphans at the parish church, where they seethe from the injustices visited upon the locals by the soldiers. Eventually, the orphans find an outlet for their frustrations: They form a vigilante group to support Loup Garron who, costumed as their patron saint, Santa Olivia, uses her special abilities to avenge the town. Aware that she could lose her freedom, and possibly her life, Loup is determined to fight to redress the wrongs her community has suffered. And like the reincarnation of their patron saint, she will bring hope to all of Santa Olivia.

    Her parents—vanished. The government—obsolete. Societal structure—nonexistent. No one knows where They came from, but these vicious creatures have been rapidly devouring mankind since They appeared. With fierce survivor instincts, Amy manages to stay alive—and even rescues "Baby," a toddler who was left behind. After years of hiding, they are miraculously rescued and taken to New Hope. On the surface, it appears to be a safe haven for survivors. But there are dark and twisted secrets lurking beneath that could have Amy and Baby paying with not only their freedom... but also their lives.

    He doesn’t know the details of the mission, only the directives that hum in his mind. Dart the humans. Leave them where they fall. His job is to protect his Offside. Let her do the shooting. Until a human kills her… Sixteen year-old Raven is at summer camp when the terrifying armored Nahx invade, annihilating entire cities, taking control of the Earth. Isolated in the wilderness, Raven and her friends have only a fragment of instruction from the human resistance. Shelter in place. Which seems like good advice at first. Stay put. Await rescue. Raven doesn’t like feeling helpless but what choice does she have? Then a Nahx kills her boyfriend. Thrown together in a violent, unfamiliar world, Eighth and Raven should feel only hate and fear. But when Raven is injured, and Eighth deserts his unit, their survival depends on trusting each other…

    In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed . . . because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down. Utterly blindsided by an accident of fate, Tom makes a rash decision that drastically changes not only his own life but the very fabric of the universe itself. In a time-travel mishap, Tom finds himself stranded in our 2016, what we think of as the real world. For Tom, our normal reality seems like a dystopian wasteland. But when he discovers wonderfully unexpected versions of his family, his career, and—maybe, just maybe—his soul mate, Tom has a decision to make. Does he fix the flow of history, bringing his utopian universe back into existence, or does he try to forge a new life in our messy, unpredictable reality? Tom’s search for the answer takes him across countries, continents, and timelines in a quest to figure out, finally, who he really is and what his future—our future—is supposed to be.

    It’s the last place you should be. Gabriel doesn't know how it began. Nobody does, not even Kane, and he was President. Gabriel was on a tour of the White House with Mags and the rest of Miss Kimble’s first-graders when it happened. They fled in helicopters to a long-abandoned mountain bunker, even as the first of the missiles found their targets.Ten years have passed, and Gabriel still lives deep inside the mountain, waiting for the world to thaw. But outside the ash-storms continue to rage, and supplies are running low. The President says it will be okay, but Gabriel isn’t so sure. He’s their scavenger; he’s seen what it’s like out there.Then one day Gabriel finds a bloodstained map. The blood’s not a problem, nor are the frozen remains of the person it once belonged to. Gabriel’s used to seeing dead bodies; there's far worse to be found in any Walmart or Piggly Wiggly you care to wander into. Except this one he recognizes, and it shouldn’t be here. Now all Gabriel can think is how he's going to make it back to the bunker to let the President know what he's found.But the map Gabriel has found is the key to a secret, one that has been buried for a decade. Gabriel's about to learn that inside the mountain things are not as they seem. And to get Mags and the others out he will need to face the thing that terrifies him most.