She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone.Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken.Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own.Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed.In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women, mothers, daughters, caregivers, friends, view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. (jacket flap)Librarian's note: An alternate cover edition can be found here

    Her host family is a couple in upstate New York: Ginger, a failed artist on the fringe of Alcoholics Anonymous, and Paul, an academic who wonders what it will mean to “make a difference” in such a contrived situation. The Mare illuminates the couple’s changing relationship with Velvet over the course of several years, as well as Velvet’s powerful encounter with the horses at the stable down the road, as Gaitskill weaves together Velvet’s vital inner-city community and the privileged country world of Ginger and Paul.

    Leif Enger's debut, Peace Like a River, is one such work. His richly evocative novel, narrated by an asthmatic 11-year-old named Reuben Land, is the story of Reuben's unusual family and their journey across the frozen Badlands of the Dakotas in search of his fugitive older brother. Charged with the murder of two locals who terrorized their family, Davy has fled, understanding that the scales of justice will not weigh in his favor. But Reuben, his father, Jeremiah—a man of faith so deep he has been known to produce miracles—and Reuben's little sister, Swede, follow closely behind the fleeing Davy.Affecting and dynamic, Peace Like a River is at once a tragedy, a romance, and an unflagging exploration into the spirituality and magic possible in the everyday world, and in that of the world awaiting us on the other side of life. In Enger's superb debut effort, we witness a wondrous celebration of family, faith, and spirit, the likes of which we haven't seen in a long, long time—and the birth of a classic work of literature.

    But, as she comes to learn, liberation and happiness are not necessarily the same thing. A literary sensation when first published in 1973, Fear of Flying established Erica Jong as one of her generation’s foremost voices on sex and feminism. Nearly four decades later, the novel has lost none of its insight, verve, or jaw-dropping wit.

    The story of Robert Kincaid, the photographer and free spirit searching for the covered bridges of Madison County, and Francesca Johnson, the farm wife waiting for the fulfillment of a girlhood dream, THE BRIDGES OF MADISON COUNTY gives voice to the longings of men and women everywhere-and shows us what it is to love and be loved so intensely that life is never the same again.

    Rucker Blakeslee, elopes with Miss Love Simpson. He is barely three weeks a widower, and she is only half his age and a Yankee to boot. As their marriage inspires a whirlwind of local gossip, fourteen-year-old Will Tweedy suddenly finds himself eyewitness to a family scandal, and that’s where his adventures begin.Cold Sassy Tree is the undeniably entertaining and extraordinarily moving account of small-town Southern life in a bygone era. Brimming with characters who are wise and loony, unimpeachably pious and deliciously irreverent, Olive Ann Burns’s classic bestseller is a timeless, funny, and resplendent treasure.

    Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

    Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

    The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men.As the years pass, Lily and Snow Flower send messages on fans, compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. Together, they endure the agony of foot-binding, and reflect upon their arranged marriages, shared loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their deep friendship suddenly threatens to tear apart.

    But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness.  Look for special features inside. Join the Circle for author chats and more.

    Seen through the eyes of young Linda Fallon and the young man who loves her.Anita Shreve, the bestselling author of The Pilot's Wife, returns with a dazzling new novel about love, forgiveness, and paths not followed. Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel re-creates love at its exhilarating pinnacle - the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.

    Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways they could never imagine.

    Yet returning to her hometown also brings her back to Hollis, March’s former soul mate and lover. March’s father had taken the teenaged Hollis, an abandoned child, and the product of a series of detention homes, into his house as a boarder, and treated him like a son. Yet March and Hollis’s passionate love was hardly a normal sibling relationship. When Hollis left her after a petty fight, March waited for him three long years, wondering what she had done wrong.Encountering Hollis again makes March acutely aware of the choices that she has made, and the choices everyone around her has made—including Mrs. Dale, who knew more of love than March could ever have suspected, and her brother Alan, whose tragic history has left him grief-struck, with alcohol as his only solace. Her attraction to Hollis is overwhelming—and March jeopardizes her marriage, her relationship with her daughter and her own happiness in an attempt to reclaim the past.

    The novel follows a young man, living in Manhattan as if he owned it, through nightclubs, fashion shows, editorial offices, and loft parties as he attempts to outstrip mortality and the recurring approach of dawn. With nothing but goodwill, controlled substances, and wit to sustain him in this anti-quest, he runs until he reaches his reckoning point, where he is forced to acknowledge loss and, possibly, to rediscover his better instincts. This remarkable novel of youth and New York remains one of the most beloved, imitated, and iconic novels in America.