Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    Before long, something must be done before they eat the Poppers out of house and home!A classic of American humor, this story of a gentle housepainter and his high stepping penguins has delighted children for generations.

    It's a fan, says another. One by one, the seven blind mice investigate the strange Something by the pond. And one by one, they come back with a different theory. It's only when the seventh mouse goes out-and explores the whole Something-that the mice see the whole truth. Based on a classic Indian tale, Ed Young's beautifully rendered version is a treasure to enjoy again and again.Immensely appealing.(The Horn Book, starred review)

    Uses rabbits, a species introduced to Australia, to represent an allegory of the arrival of Europeans in Australia and the widespread environmental destruction caused by man throughout the continent.

    Who is this Stranger? Why did he arrive after a winter storm and what wonderful surprises does he bring?Your children will love this photographic fantasy created by two noted wildlife photographers.You'll discover this tale is beta-carotene for the spirit in everyone.

    A fly who, when she's not landing on your head or swimming in your soup, is trying to escape her 327 brothers and sisters who are driving her crazy!Even though she's little -- just like her best friends Worm and Spider -- Fly wants to be a superhero. And why not? She walks on walls, sees in all directions at once, and can already fly!Doreen Cronin and Harry Bliss, the team behind the New York Times bestsellers Diary of a Worm and Diary of a Spider, reach hilarious heights with their story of a little fly who's not afraid to dream big. Really big.

    Generations of readers have fallen in love with the gentle magic of its reassuring words and loving pictures.

    One day, a man exhausts himself trying to chop down a giant kapok tree. While he sleeps, the forest’s residents, including a child from the Yanomamo tribe, whisper in his ear about the importance of trees and how "all living things depend on one another" . . . and it works. Cherry’s lovingly rendered colored pencil and watercolor drawings of all the "wondrous and rare animals" evoke the lush rain forests, as well as stunning world maps bordered by tree porcupines, emerald tree boas, and dozens more fascinating creatures.Awards: IRA Teacher’s Choice (1991), ABA’s Pick of the Lists, Reading Rainbow Review Book, NSTA-CBC Outstanding Trade Book for Children

    Hoffmann in 1816, has fascinated and inspired artists, composers, and audiences for almost two hundred years. It has retained its freshness because it appeals to the sense of wonder we all share.Maurice Sendak designed brilliant sets and costumes for the Pacific Northwest Ballet's Christmas production of Nutcracker and has created even more magnificent pictures especially for this book. He has joined with the eminent translator Ralph Manheim to produce this illustrated edition of Hoffmann's wonderful tale, destined to become a classic for all ages.The world of Nutcracker is a world of pleasures. Maurice Sendak's art illuminates the delights of Hoffmann's story in this rich and tantalizing treasure.

    Beautiful illustrations by Linda Edwards bring the myths to life for children of all ages. Specially written for reading aloud Different colourful page design for each story Pronunciation guide at the back to help with Greek names Available in standard or mini format edition

    He liked his life on the riverboat just and liked his large family and his kind master. He didn't like to be the last in line to board the boat at night, for that unlucky duck got a loud spank. So what did Ping do when it seemed that he would be the last on line? What else but set out on his own to explore the fascinating world of life on the Yangtze River.The Story about Ping is one of the best-loved and enduring children's books, both for its spirited and irrepressible hero and for its beautiful evocation of a distant land and way of life. Every child can sympathize with a dawdling duck who wants to avoid a spanking, and share his excitement and wonder as he sails down the river.

    And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.Leo and Diane Dillon have created powerful new illustrations in full color for every page of this picture book presentation of Virginia Hamilton’s most beloved tale. The author’s original historical note as well as her previously unpublished notes are included.Awards for The People Could Fly collection:A Coretta Scott King AwardA Booklist Children’s Editors’ ChoiceA School Library Journal Best Books of the YearA Horn Book FanfareAn ALA Notable BookAn NCTE Teachers’ ChoiceA New York Times Best Illustrated Children’s Books of the Year

    When a newly orphaned baby in the moon makes friends with the children of Earth, he seeks a way to ward off their fears and nightmares.Up there in the sky.Don’t you see him?No, not the moon.The Man in the Moon.He wasn’t always a man.Nor was he always on the moon.He was once a child.Like you.Until a battle,a shooting star,and a lost balloonled him on a quest.Meet the very first Guardian of Childhood.MiM, the Man in the Moon.

    Spitballs stuck to the ceiling. Paper planes whizzing through the air. They were the worst-behaved class in the whole school.So begins this quirky classic, first published in 1977 and still relevant today as a lighthearted reminder to show our appreciation to those we value. The students don’t proffer a shred of respect for their good-natured teacher Miss Nelson, but when the witchy substitute Miss Viola Swamp appears on the scene, they start to regret their own wicked ways. James Marshall’s scritchy, cartoonish full-color ink and wash illustrations are hilarious. A back-to-school perennial!

    He loves them so much that his home and office overflow with animals of every description. When Polynesia the parrot teaches him the language of the animals, Doctor Dolittle becomes a world-famous doctor, traveling even as far away as Africa to help his friends. This edition of the beloved children's classic contains black-and-white illustrations by Michael Hague and has been edited by award-winning authors Patricia and Fredrick McKissack for modern audiences.