Today she is more conscious than usual of the thinness of the thread that separates good from bad, the law-abiding from the criminal. Sitting in court, hearing a short, sad case of indecent exposure and a long, confused theft, she finds herself simultaneously examining her own sex life, her own actions and intentions. A tour de force, Nina Bawden¹s ingeniously constructed novel counterpoints public appearance with private behavior. The result is a marvelous picture of a not always admirable but engagingly complex, very human heroine.

    This is Huxley at his biting, brilliant best: a novel, loud with derisive laughter, which satirically scoffs at all conventional morality and at stuffy people everywhere, a novel that's always charged with excitement.

    Billed as The Lucky Chances, the sisters are the illegitimate and unacknowledged daughters of Sir Melchior Hazard, the greatest Shakespearean actor of his day. At once ribald and sentimental, glittery and tender, this rambunctious family saga is Angela Carter at her bewitching best.

    A shell-shocked romantic—slow, distant, and dreamy—he begins to have trouble telling Rose's half-sister Nancy apart from Rose herself, now buried in the village churchyard. Coping and failing to cope with the quiet realities of daily life, Charley's delusions elevate his timid courtship of a practical and unremarkable young woman into an amnesiac love story both comic and disturbing. A contemporary of Anthony Powell and Evelyn Waugh, Henry Green was one of the greatest English novelists of the twentieth century, and Back is his most haunting and personal work.

    This rich tapestry weaves a compelling saga of five families—the Wilsons, the Masons, the family of Porteus, the Shockleys, and the Godfreys—who reflect the changing character of Britain. As their fates and fortunes intertwine over the course of the centuries, their greater destinies offer a fascinating glimpse into the future. An absorbing historical chronicle, Sarum is a keen tale of struggle and adventure, a profound human drama, and a magnificent work of sheer storytelling.

    When her mother decides to take her and her sister away from life as they know it and move to Morocco, a five-year-old English school girl embarks on an adventure-filled romp through northern Africa.

    On the way their ship is set upon by pirates, and the children are accidentally transferred to the pirate vessel. Jonsen, the well-meaning pirate captain, doesn't know how to dispose of his new cargo, while the children adjust with surprising ease to their new life. As this strange company drifts around the Caribbean, events turn more frightening and the pirates find themselves increasingly incriminated by the children's fates. The most shocking betrayal, however, will take place only after the return to civilization.The swift, almost hallucinatory action of Hughes's novel, together with its provocative insight into the psychology of children, made it a best seller when it was first published in 1929 and has since established it as a classic of twentieth-century literature - an unequaled exploration of the nature, and limits, of innocence.

    Mrs. Miniver's adventures have charmed millions. This edition, published on the fiftieth anniversary of the book's orginal publication in the U.S., features a new introduction by Greer Garson, who won the Academy Award as best actress for her role as Mrs. Miniver.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    In acclaimed stories such as 'Rain', 'The Letter', 'The Vessel of Wrath' and 'The Alien Corn', Maugham illustrates his wry perception of human weakness and his genius for evoking compelling drama and an acute sense of time and place.

    It is about a girl called Jane who gets a badly-paid job in a draper’s shop in the early years of the last century. Yet the title of the book is based on a Carlyle quotation – ‘Experience doth take dreadfully high wages, but she teacheth like none other’ – and Jane, having saved some money and been lent some by a friend, opens her own dress-shop.As Jane Brocket writes in her Persephone Preface: the novel ‘is a celebration of the Lancastrian values of hard work and stubbornness, and there could be no finer setting for a shop-girl-made-good story than the county in which cotton was king.’

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    Henrietta is the third daughter in a large Victorian family, the misfit girl without the beauty or the talent to be loved. Querulous, bad-tempered, her meaningless life passes aimlessly by. But Henrietta has one saving grace. She knows herself for what she is, and self-knowledge, however bitter, turns her life of defeat into a certain kind of victory.

    is a passionate assertion of the futility of war' (the Spectator). Its author had been an actress and suffragette; after 1914 she worked at the Scottish Women's Hospital at Royaumont and organised Concerts at the Front. William - an Englishman was written in a tent within sound of guns and shells; this 'stunning... terrifically good' novel (Radio 4's A Good Read) is in one sense a very personal book, animated by fury and cynicism, and in another a detached one; yet is always 'profoundly moving' (Financial Times).In the view of Persephone Books, William is one of the greatest novels about war ever written: not the war of the fighting soldier or the woman waiting at home, but the war encountered by Mr and Mrs Everyman, wrenched away from their comfortable preoccupations - Socialism, Suffragettism, so gently mocked by Cicely Hamilton - and forced to be part of an almost dream-like horror (because they cannot at first believe what is happening to them). The scene when William and Griselda emerge after three idyllic weeks in a honeymoon cottage in the remote hills of the Belgian Ardennes, and encounter German brutality in a small village, is unforgettable. The book, which won the Prix Femina-Vie Heureuse in 1919, is a masterpiece, written with an immediacy and a grim realism reminiscent of an old-fashioned, flickering newsreel.

    In her most accomplished and appealing novel since the Booker Prize-winning Moon Tiger, acclaimed author Penelope Lively tells an emotionally powerful, beautifully wrought story of love and marital infidelity through the eyes of a mother whose daughter's husband has strayed.