Now it’s her final year at a wealthy Catholic high school. The nuns couldn’t be any stricter—but that doesn’t seem to stop all kinds of men from coming into her life.Caught between the old-world values of her Italian grandmother, the nononsense wisdom of her mom, and the boys who continue to mystify her, Josephine is on the ride of her life. This will be the year she falls in love, the year she discovers the secrets of her family’s past—and the year she sets herself free.Told with unmatched depth and humor, this novel—which swept the pool of Australian literary awards and became a major motion picture—is one to laugh through and cry with, to cherish and remember.

    Neither as pretty as cousin Alicia nor as domineering as mother Drusilla, she seems doomed to a quiet life of near poverty at Missalonghi, her family's pitifully small homestead in Australia's Blue Mountains. But it's a brand new century--the twentieth--a time for new thoughts and bold new actions. And Missy Wright is about to set every self-righteous tongue in the town of Byron wagging. Because she has just set her sights on a mysterious, mistrusted, and unsuspecting stranger... who just might be Prince Charming in disguise.

    After lunch, a group of three of the girls climbed into the blaze of the afternoon sun, pressing on through the scrub into the shadows of Hanging Rock. Further, higher, till at last they disappeared.They never returned.Whether Picnic at Hanging Rock is fact or fiction the reader must decide for themselves.

    I can remember Hetty’s hand in mine as we moved slowly down the steps of the escalator, as if standing completely still would have been harder than moving.Hetty and Ness, best friends since childhood, have left suburban Melbourne for the first time to live abroad. Hetty is charming and captivating, the life of the party. Ness is a wallflower, hopelessly in love with her. In the student quarter of Toronto, the pair take a room in a share house full of self-assured creatives. Hetty disappears into barkeeping work and a whirlwind nightlife, while Ness drifts aimlessly. But when Ness finds Hope one day in the art gallery, an intense affair develops. There are new friends, too, and a job: at last her life starts to make some sense. And Hetty’s starts spectacularly to fall apart, in a mess of bad drugs and bad men.As winter freezes the lakeside city, the dark undercurrents of Hetty’s character—abusive relationships, a dangerous obsession with bodies of water—become ever stronger. Ness may lose the person she loves more than anyone else in the world.Beautifully written and intimate, Cherry Beach is a revelatory story of friendship and desire.

    The car is packed to capacity, and as midnight approaches, a family flees the city in a fit of panic and paranoid, conflicting emotions. The ensuing journey spans decades and offers a sharp-eyed perspective on a hardscrabble future, as a boy jettisons his family and all other ties in order to survive as a journeyman in an uncertain landscape. By turns led by love, larceny, and a new sexual order, he must avoid capture and imprisonment, starvation, pandemic, and some particularly bad weather. In Things We Didn’t See Coming, Steven Amsterdam links together nine luminous narratives through the mind of one peripatetic and resourceful wanderer who always has one eye on the exit door and the other on a future that shifts more drastically and more often than anyone would like to imagine.

    Like fireflies to the light, Mona, Benny and Jimmy are drawn into the elegantly wasted orbit of the Crystal Ballroom and the post-punk scene of 80s Melbourne, a world that includes Nick Cave and Dodge, a photographer pushing his art to the edge. With precision and richness Kirsten Krauth hauntingly evokes the power of music to infuse our lives, while diving deep into loss, beauty, innocence and agency. Filled with unforgettable characters, the novel is above all about the shapes that love can take and the many ways we express tenderness throughout a lifetime.As it moves between the Blue Mountains and Melbourne, Sydney and Castlemaine, Almost a Mirror reflects on the healing power of creativity and the everyday sacredness of family and friendship in the face of unexpected tragedy.

    Frank is the king of cool and dysfunctionally libidinous. Philby is nervous, nerdy and dysfunctionally insecure. Somehow, they form a team, and go about chasing girls, passing their degrees and surviving many a green drink experience.The hilarious misadventures of Frank and Philby are just part of what lies between the covers of Headgames. There's also a difficult unicorn, a shampoo fetish, a cyber romance, a shopping mall that goes on forever, a fishing trip with Keanu Reeves and much, much more.

    Whether it was riding Rooting King to another Melbourne Cup victory, commentating the Olympics or hobnobbing with the country's upper crust, Rampaging Roy Slaven has lived an extraordinary life.But even some of the greatest men come from humble beginnings. Before he shot to fame as Australia's most talented sportsman, he was just another kid in Lithgow, trying to avoid Brother Connell's strap and garner the attention of Susan Morgan from the local Catholic girls school.Blessed follows one year in the life of the boy who would become Rampaging Roy Slaven, a boy who, even at the age of fifteen, knew he was destined for greatness but had to get through high school first.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    So when you throw in a Turk snap-frozen in a local meat plant, drugs planted under the bed, fascist funeral rites, a killer car and blood-sucking parasites, things are suddenly spinning wildly out of control. That's when red-hot Ayisha knocks on the door...

    A few years after the war, Jean is back in England, the nightmare behind her. However, an unexpected inheritance inspires her to return to Malaya to give something back to the villagers who saved her life. Jean's travels leads her to a desolate Australian outpost called Willstown, where she finds a challenge that will draw on all the resourcefulness and spirit that carried her through her war-time ordeals.

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012

    But when the facts refuse to give up their secrets, she follows the threads of history and memory into imagination. There she teases out the story of Poppy, who married at twenty and sang to her children, until suddenly one day in 1959, she was taken away to a sanatorium.What had gone wrong in a family that everyone described as happy? What pulled Poppy through the years of shock treatment and despair? These are some of the questions the daughter must ask before she can make peace with her own past.

    This strange and beautiful woman is rumoured to have abandoned her husband and fallen in love with a priest at a nearby temple. The artist becomes entranced by her tragic aura. She reminds him of Millais's portrait of Ophelia drowning and he wants to paint her. Yet, troubled by a certain quality in her expression, he struggles to complete the portrait until he is finally able to penetrate the enigma of her life."Interspersed with philosophies of both East and West, Soseki's writing skillfully blends two very different cultures in this unique representation of an artist struggling with his craft and his environment.

    Luke Carman’s first book of fiction is about to change all that: a collection of monologues and stories which tells it how it is on Australia’s cultural frontier. His young, self-conscious but determined hero navigates his way through the complications of his divorced family, and an often perilous social world, with its Fobs, Lebbos, Greek, Serbs, Grubby Boys and scumbag Aussies, friends and enemies. He loves Whitman and Kerouac, Leonard Cohen and Henry Rollins, is awkward with girls, and has an imaginary friend called Tom. His sensitivity in a tough environment makes life difficult for him – he is anything but an elegant young man. Carman’s style is packed with thought and energy: it captures the voices of the street, and conveys fear and anger, beauty and affection, with a restless intensity.