The crime is eerily similar to a twenty-year-old cold case: another victim, brutally murdered, found in the Delaware River. Lead detective Parker Reed is intent on connecting the two murders, but the locals are on lockdown, revealing nothing.The past meets the present when Becca Kingsley, who returns to Portland to be with her estranged but dying father, runs into Parker, her childhood love. As the daughter of the former police chief, Becca's quickly drawn into the case. Coming home has brought something ominous to the surface - memories long buried, secrets best kept hidden. Becca starts questioning all her past relationships, including one with a man who's watched over her for years. For the first time, she wonders if he's more predator than protector.In a small town where darkness hides in plain sight, the truth could change Becca's life - or end it.

    While great cities were springing up ih in places with names such as St. Louis, Denver, and San Francisco, the lower peninsula of Florida endured. Here, the panther, the alligator, and the bald eagle remained safe from the restless, meddlesome hands of civilization, continuing as they had for eons past. Renegade Indians, pirates, hurricanes, and man-eating animals – not to mention poisonous snakes and bloodthirsty hordes of mosquitoes – reigned supreme. It took a certain kind of person to boldly venture into such an inhospitable environment, a place where a man had only himself and his family upon which to depend. It took men and women with not only vision, but backbone and grit, people like the MacLeods, Dawsons, and Hackensaws, true pioneers who confronted whatever came their way, together, as a family. From shipwrecks, to Indian uprisings, to buried treasure; from blockade runners, to murderous beach tramps, and the sad, lonely life of the solitary beachcomber, Tales of Old Florida takes the reader back to a singular time and place that will never be seen again. Above all, Tales of Old Florida is an epic saga of survival and prosperity, love and love lost, and most importantly, the power of the human spirit to prevail.

    Days later, the arrival of her passport and a note that reads "I'm sorry--S" sets off real alarm bells. He vows to do whatever it takes to find her. Adam is puzzled when he connects Sarah to a cruise ship called the Celebrate--and to a woman, Estelle, who disappeared from the same ship in eerily similar circumstances almost exactly a year before. To get answers, Adam must confront some difficult truths about his relationship with Sarah. He must do things of which he never thought himself capable. And he must try to outwit a predator who seems to have found the perfect hunting ground ...

    Palmer, the author of The New Husband.Grace never dreamt she’d visit her teenaged daughter Penny in the locked ward of a decaying state psychiatric hospital, charged with the murder of a stranger. There was not much question of her daughter’s guilt. Police had her fingerprints on the murder weapon and the victim’s blood on her body and clothes. But they didn’t have a motive.Grace blames herself, because that’s what mothers do—they look at their choices and wonder, what if? But hindsight offers little more than the chance for regret.None of this was conceivable the day Penny came into her life. Then, it seemed like a miracle. Penny was found abandoned, with a mysterious past, and it felt like fate brought Penny to her, and her husband Arthur. But as she grew, Penny's actions grew more disturbing, and different "personalities" emerged.Arthur and Grace took Penny to different psychiatrists, many of whom believed she was putting on a show to help manage her trauma. But Grace didn’t buy it. The personas were too real, too consistent. It had to be a severe multiple personality disorder. One determined psychiatrist, Dr. Mitch McHugh, helped discover someone new inside Penny—a young girl named Abigail. Is this the nameless girl who was abandoned in the park years ago? Mitch thinks Abigail is the key to Penny’s past and to the murder. But as Grace and Mitch dig deeper, they uncover dark and shocking secrets that put all their lives in grave danger.

    But no one is listening to her. After her husband, Mark, died suddenly in a terrible accident a few months earlier, the only thing keeping Tess together is Jamie. As they struggle to make sense of their new life without Mark, they find joy in brief moments of normalcy like walking to school and watching television together. Life is hard without Mark, but Tess has Jamie, and that's what matters.But there in the hospital, confused and surrounded by people who won't listen, Tess’s world falls apart. To save her son, she must piece together what happened between Mark's death and Jamie's birthday, but the truth might just be too much for her to bear.

    . . and a murderer in their midst?Summer’s looking forward to a break from hustling for acting work in Manhattan when she, her husband Gabe, and Gabe’s nine-year-old son arrive at the annual family get-together at her in-laws’ sprawling estate. On the agenda are leisurely gourmet meals, tennis matches, and plenty of relaxation by the pool.But this year, Gabe’s brother Nick has invited his new flame Hannah, whom Summer immediately recognizes from a few years before. Oddly, her brother-in-law’s girlfriend claims not to know her. Yet she charms the other family members, and after Nick announces that he’s proposed to Hannah, Summer doesn’t have much choice but to grin and bear it.Then the reunion is rocked by tragedy when a family member is found dead. Though the doctors attribute the loss to natural causes, a grieving Summer fears that the too-good-to-be-true Hannah is involved, even as Gabe dismisses her suspicions.How far will Summer go to expose the truth? As she investigates just what Nick’s fiancée might have done to keep her perfect image intact, she begins to fear that the first death might only be the beginning . . .

    Crystal senses the makings of an award winning essay, one that could win her a scholarship - and a ticket out of their small Iowa town.Officer Dale Goodkind can't believe his bad luck: another town and another paperboy kidnapping. But this time he vows that it won't go unsolved. As the abductions set in motion an unpredictable chain of violent, devastating events touching each life in unexpected ways, Dale is forced to face his own demons.Told through interwoven perspectives--and based on the real-life Des Moines Register paperboy kidnappings in the early 1980's--The Monsters We Make deftly explores the effects of one crime exposing another and the secrets people keep hidden from friends, families, and sometimes, even themselves.

    Something no one wants to talk about. But she's determined to uncover her family's dark secrets, even if they bury her.Five-year-old Sloane McBride couldn't sleep that night. Her parents were arguing again, their harsh words heating the cool autumn air. And then there was that other sound--the ominous thump before all went quiet.In the morning, her mother was gone.The official story was that she left. Her loving, devoted mother! That hadn't sat any better at the time than it did when Sloane moved out at eighteen, anxious to leave her small Texas hometown in search of anywhere else. But not even a fresh start working as a model in New York could keep the nightmares at bay. Or her fears that the domineering father she grew up with wasn't just difficult--he was deadly.Now another traumatic loss forces Sloane to realize she owes it to her mother to find out the truth, even if it means returning to a small town full of secrets and lies, a jilted ex-boyfriend and a father and brother who'd rather see her silenced. But as Sloane starts digging into the past, the question isn't whether she can uncover what really happened that night...it's what will remain of her family if she does?

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    A debut novel of domestic suspense in the vein of Liane Moriarty, Shari Lapena and Claire Douglas about two sisters bound together by a murderPenny and Hattie have always only had each other—their father left long ago and their mother died in a sudden tragic accident. Penny has always watched out for Hattie, even when she felt usurped by her younger, more vivacious sibling. When Penny’s marriage turns sour and her once-charming husband becomes controlling and abusive, who does she turn to for help but Hattie? An unguarded cigarette, helped along by a few conveniently lit matches and some sleeping pills, creates a deadly fire that frees Penny from an unimaginable life, but not without a cost. The weight of their secret binds the two sisters together, for better or worse. When a new man enters their lives, the twists deepen and the secrets compound. Meanwhile, incidents of arson begin to break out locally and the detective who investigated the death of Penny’s husband develops renewed interest in the case, threatening to unravel all their secrets.

    Ruthless and riddled with vices, Czarcik always gets his man. And fast. Until now…A double slaying isn’t the open-and-shut case of urban crime he’s used to. Connecting it to a high-profile Texas judge, Czarcik realizes something bigger is going on. It’s the work of a serial killer for whom Chicago is just the beginning. Now he’s inviting Czarcik to play catch-me-if-you-can on a cross-country murder spree.Going rogue, Czarcik accepts the challenge. But as the bodies pile up, he must come to grips with the fact that nothing—not the killer, the victims, or the rules—is what it seems in this bloody game of cat and mouse.

    Not again. Not again. Why did I ever come back here? Surely because of you. Because I thought of something I'd always meant to tell you. Because you were the only one I ever really wanted to tell it to.Therapist Dr. Mark Fabian is dead, bludgeoned in his office. But that doesn't stop former patient Nadine Raines from talking to him -- in her head. Why did she come back to her hometown after so many years away? Everyone here thinks she's crazy. And she has to admit, they might have good reason to think so. She committed a shockingly violent act when she was sixteen and has never really been able to explain that dark impulse, even to Fabian. Now that Fabian's dead, why is she still trying? Meanwhile, as Detective Henry Peacher investigates Fabian's death, he discovers that shortly before he died Fabian pulled the files of two former patients. One was of Nadine Raines, one of Henry's former high school classmates. Henry still remembers the disturbing attack on a teacher that marked Nadine as a deeply troubled teen. More shockingly, the other file was of Johnny Streeter who is now serving a life sentence for a mass shooting five years ago. The shooting devastated the town and everyone -- including Henry who is uncomfortable with the "hero" status the tragedy afforded him -- is ready to move on. But the appearance of his file brings up new questions. Maybe there is a decades-old connection between Nadine and Streeter. And maybe that somehow explains what Nadine is doing in Fabian's office nearly twenty years after being his patient. Or how Fabian ended up dead two days after her return. Or why Nadine has fled town once again. But as Nadine and Henry head toward a confrontation, both will discover that the secrets of people's hearts are rarely simple and even in the hidden depths of a psychologist's files, rarely as they appear.

    Three years later, he’s released to a world that refuses to let him move on. Belinda’s mother, once Thea’s good friend, galvanizes the community to rally against him to protest in her daughter’s memory. The media paints Stefan as a symbol of white privilege and indifferent justice. Neighbors, employers, even some members of Thea's own family turn away.Meanwhile Thea struggles to understand her son. At times, he is still the sweet boy he has always been; at others, he is a young man tormented by guilt and almost broken by his time in prison. But as his efforts to make amends meet escalating resistance and threats, Thea suspects more forces are at play than just community outrage. And if there is so much she never knew about her own son, what other secrets has she yet to uncover—especially about the night Belinda died?

    After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? The mercurial Malcolm Mercer is the director and he’s known for pushing his performers past their limits—on stage and off. Kira’s convinced she can handle Malcolm, but the theater’s cofounder, Joanna Cuyler, is another story. Joanna sees Kira as a threat—to her own thwarted artistic ambitions, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both come to the realization that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves. An edgy, addictive, and fiendishly clever tale of ambition, deceit, and power suited for fans of the film Black Swan, Temper “revels in its mind games, delivering twist after twist as it races toward a Shakespearian climax. The final page will leave you gasping” (Amy Gentry, author of Last Woman Standing).

    The intelligent action filled with facts and evidence appears to You. It proves that global events did not happen at all like it is generally understood.So, Kennedy wasn't killed by Oswald, who had been framed in advance, but by a woman - a professional sniper who worked on an unusual order. The man who planned and carried out the September 11 attacks in New York was just one kilometer from crumbling skyscrapers. The assassination attempt on Pope John Paul was being prepared to hide billion bank scams, and the pontiff knew about it. These and other significant events of the last 60 years turn out to be interconnected, leaving the trail to a criminal syndicate ... from one person, and from him to the highest establishment and intelligence services of the United States and other countries.In these times already, the "disappeared" archives belonging to those who died because of paying too much attention to the tragic events of September 11 end up with the American journalist of Russian origin Max Malin. Exciting events and mysterious coincidences, which many choose to forget about forever, lead the hero to dark shadows from the past. As a result of a complex and risky investigation, Malin discovers the perpetrators and mandators in the most remembered political assassination of the 20th century, the September 11 terrorist attack in New York, the assassination attempt on John Paul II, and the murder of a world-known banker. The novel is set in our time, and in parallel, it takes place in the days of the above horrific events - in 1963, 1981, 1999, and 2001. The book's ending is entirely unpredictable and shocking.The characters and protagonists of the novel are real and recognizable persons - from great politicians, billionaires, ministers of the Vatican to leaders of national and world crime syndicates. Most are acting under their real names. Of course, there are fantasy characters, but they are the connecting links in the chain of events. Some of the names are encrypted and easy to guess.