In the rock-and-roll 1970s, a new breed of comic, inspired by the fearless Lenny Bruce, made telling jokes an art form. Innovative comedians like George Carlin, Richard Pryor, and Robert Klein, and, later, Steve Martin, Albert Brooks, Robin Williams, and Andy Kaufman, tore through the country and became as big as rock stars in an era when Saturday Night Live was the apotheosis of cool and the Improv, Catch a Rising Star, and the Comedy Store were the hottest clubs around. In Comedy at the Edge, Richard Zoglin gives a backstage view of the time, when a group of brilliant, iconoclastic comedians ruled the world—and quite possibly changed it, too. Based on extensive interviews with club owners, agents, producers—and with unprecedented and unlimited access to the players themselves—Comedy at the Edge is a no-holdsbarred, behind-the-scenes look at one of the most influential and tumultuous decades in American popular culture.

    You can gather materials from just about anywhere, glue them down on a surface and magically create a work of art. There are no mistakes, only discoveries. What could be more exciting?In Collage Discovery Workshop, acclaimed collage artist Claudine Hellmuth shares 15 of her favorite collage techniques and invites you to play with basic collage materials in new and imaginative ways. Along the way, Claudine guides you with friendly advice on how to develop your artistic voice and turn an ordinary collage into something special.Learn how to:Overcome "blank canvas" syndrome with recipes for four luscious backgroundsCombine words and images to capture a mood or tell a story in your collageIncorporate buttons, old photos, game pieces and other found objects in your artExplore the magical appeal of collaging with beeswaxLayer patterns and images in your collages with amazing transfer techniquesHonor a special friend with a personal keepsake collageUse a written journal to grow as an artistDon't wait another day to express yourself with collage. You never know what surprising discoveries await!

    But Gregor Muir knew them at the start; his unique memoir chronicles the birth of Young British Art. Muir, YBA’s ‘embedded journalist’, happened to be in Shoreditch and Hoxton before Jay Jopling arrived with his White Cube Gallery, when this was still a semi-derelict landscape of grotty pubs and squats. There he witnessed, amid a whirl of drunkenness, scrapes and riotous hedonism, the coming-together of a remarkable array of young artists – Hirst, the Chapman brothers, Rachel Whiteread, Sam Taylor-Wood, Angus Fairhurst - who went on to produce a fresh, irreverent, often notorious form of art - Hirst’s shark, Sarah Lucas’s two fried eggs and a kebab. By the time of the seminal Sensation show at the Royal Academy YBA had changed the art world for ever.

    Included are theoretical texts, aberrant journalism, and highly-wrought Symbolist poems; a practical guide to building a time machine; and the bizarre dramatic buffoonery that presaged Jarry's invention of his most famous character, Pere Ubu. Andre Breton had to devise his notion of "Black Humor" to adequately describe and account for the arcane absurdity of Jarry's work.

    The following sixteen years saw politics and pop music come together as never before to challenge racism, gender inequality and social and class divisions. For the first time in UK history, musicians became instigators of social change and their political persuasion as important as the songs they sang.Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel charts this extraordinary and pivotal period between 1976 and 1992, following the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone and Red Wedge, revealing how they both shaped, and were shaped by, the music of a generation.Consisting of new and exclusive in-depth conversations with over 100 contributors, including Pauline Black, Billy Bragg, Jerry Dammers, Phill Jupitus, Neil Kinnock, Linton Kwesi-Johnson, Tom Robinson, Clare Short, Tracey Thorn and many more, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain's history, from the acclaimed writer of Isle of Noises.Walls Come Tumbling Down also features more than 150 images – many rare or previously unpublished – from some of the greatest names in photography, including Adrian Boot, Chalkie Davies, Jill Furmanovsky, Syd Shelton, Pennie Smith, Steve Rapport and Virginia Turbett.

    The book unveils a truth of universal importance, namely, by helping others in need we can become their miracles.

    

    It was the first Brian Eno album tobe composed almost completely in the confines of a recording studio,over a scant few months in the summer of 1975. The album was a proofof concept for Eno's budding ideas of "the studio as musicalinstrument," and a signpost for a bold new way of thinking aboutmusic.In this book, Geeta Dayal unravels Another Green World's abundantmysteries, venturing into its dense thickets of sound. How was analbum this cohesive and refined formed in such a seemingly ad hoc way?How were electronics and layers of synthetic treatments used to createan album so redolent of the natural world? How did a deck of cardsfigure into all of this? Here, through interviews and archivalresearch, she unearths the strange story of how Another Green Worldformed the link to Eno's future -- foreshadowing his metamorphosisfrom unlikely glam rocker to sonic painter and producer.

    Starting from his first musical endeavors as a child, Neal bears his soul as he recalls the pitfalls, heartaches and temptations along his journey.This hard-hitting, inspirational expose' takes the reader from Neal's club days to the formation of Spock's Beard and from the rigors of musical and personal burnout to the wondrous joy of spiritual fulfillment and purpose. The book spans approximately 230 pages in paperback form, and includes photos from all stages of Neal's life.

    

    Intense repression of labor organizations, newspapers, and meeting places by authorities set off a wave of illegal acts meant to secure funds and settle scores. Escaping similar repression at home, future Spanish Civil War hero Buenaventura Durruti joins the cast on a spree of robberies, ending in a narrow escape back to Europe.Osvaldo Bayer is an anarchist pacifist, author, and screenwriter living in Buenos Aires, Argentina. He is the author of Rebellion in Patagonia (forthcoming from AK Press).

    Legends about Cornell abound--as the shy hermit, the devoted family caretaker, the artistic innocent--but never before Utopia Parkway has he been presented for what he was: a brilliant, relentlessly serious artist whose stature has now reached monumental proportions. Cornell was haunted by dreams and visions, yet the site of his imaginings couldn't have been more ordinary: a small house he shared with his mother and invalid brother in Queens, New York. In its cluttered basement, he spent his nights arranging photographs, cut-outs and other humble disjecta into some of the most romantic works to exist in three dimensions. Cornell was no recluse, however: admired by successive generations of vanguard artists, he formed friendships with figures as diverse as Duchamp, de Kooning, and Warhol and had romantically charged encounters with Susan Sontag and Yoko Ono--not to mention unrequited crushes on countless shop girls and waitresses. All this he recorded compulsively in a diary that, along with his shadow boxes, forms one of the oddest and most affecting records ever made of a life. It is from such documents, and from a decade of sustained attention to Cornell, that Deborah Solomon has fashioned the definitive biography of one of America's most powerful and unusual modern artists.

    Music. Through manifestos, scores, interviews, notes and critical papers, contributors to this in-depth anthology address composing, playing, improvising, teaching, and thinking in and through music. Rather than attempting to distill or define musician's work, ARCANA illuminates it with personal vision and experience.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    From a sailor missing the love he left ashore, to a school boy's crush on his teacher, the stunning pages of this book will inspire you to dust off the vintage ephemera you've been collecting for years and combine it with basic collage elements to create romantic pieces you can wear as well as display.In addition to delectable inspiration for a multitude of projects, you'll learn several practical techniques that can aid you in all your creative endeavors, including:Simple soldering techniques that anyone can do right awayThe art of layering with beeswax to add an intriguing depth to your workMagic tricks for turning metal repair tape into aged sheet metalIn-the-know sources for finding vintage ephemera, as well as tips for transforming new items into ones that appear to have stood the test of timeGive in to the seduction of the past. Let Collage Lost and Found take you to a world where collage sings to you of a simpler time where your creativity knows no bounds!