empire today. Documenting the pretexts and lies used to justify violent intervention and maldevelopment abroad, Parenti shows how the conversion to a global economy is a victory of finance capital over democracy.As much of the world suffers unspeakable misery and the Third-Worldization of the United States accelerates, civil society is impoverished by policies that benefit rich and powerful transnational corporations and the national security state. Hard-won gains made by ordinary people are swept away.

    By the end of the 56-day siege, a determined Viet Minh guerrilla force had destroyed a large, tactical French colonial army in the heart of Southeast Asia. The Vietnamese victory would not only end French occupation of Indochina and offer a sobering premonition of the U.S.'s future military defeat in the region, but would also provide a new model of modern warfare on which size and sophistication didn't always dictate victory.Before his death in Vietnam in 1967, Bernard Fall, a critically acclaimed scholar and reporter, drew upon declassified documents from the French Defense Ministry and interviews with thousands of surviving French and Vietnamese soldiers to weave a compelling account of the key battle of Dien Bien Phu. With maps highlighting the strategic points of conflict, with thirty-two pages of photos, and with Fall's thorough and insightful analysis, Hell in a Very Small Place has become one of the benchmarks in war reportage.

    Tuchman won the Pulitzer Prize for Stilwell and the American Experience in China, 1911-45 in 1972. She uses the life of Joseph Stilwell, the military attache to China in 1935-39 and commander of United States forces and allied chief of staff to Chiang Kai-shek in 1942-44, to explore the history of China from the revolution of 1911 to the turmoil of World War II, when China's Nationalist government faced attack from Japanese invaders and Communist insurgents. Her story is an account of both American relations with China and the experiences of one of our men on the ground. In the cantankerous but level-headed Vinegar Joe, Tuchman found a subject who allowed her to perform, in the words of The National Review, one of the historian's most envied magic acts: conjoining a fine biography of a man with a fascinating epic story.

    We go into the homes of suicide bombers and into street-to-street fighting with a battalion of marines. We meet Iraqi insurgents, an American captain who loses a quarter of his men in eight days, and a young soldier from Georgia on a rooftop at midnight reminiscing about his girlfriend back home. A car bomb explodes, bullets fly, and a mother cradles her blinded son.Like no other book, The Forever War allows us a visceral understanding of today’s battlefields and of the experiences of the people on the ground, warriors and innocents alike. It is a brilliant, fearless work, not just about America’s wars after 9/11, but ultimately about the nature of war itself.

    Now, THE OPERATORS will lead us even deeper into the war, its politics, and its major players at a time when such insight is demanded and desperately needed. Based on exclusive reporting in Afghanistan, Europe, the Middle East, and Washington, DC, this landmark work of journalism will elucidate as never before the United States' involvement in Afghanistan in vivid, unforgettable detail. Part wild travelogue, part expos, and part sobering analysis, THE OPERATORS promises an unprecedented behind-the-scenes account of the war from the only journalist uniquely poised to tell it.

    involvement in endless wars, driven by a deep infatuation with military power, has been a catastrophe for the body politic. These pressing problems threaten all of us, Republicans and Democrats. If the nation is to solve its predicament, it will need the revival of a distinctly American approach: the neglected tradition of realism.Andrew J. Bacevich, uniquely respected across the political spectrum, offers a historical perspective on the illusions that have governed American policy since 1945. The realism he proposes includes respect for power and its limits; sensitivity to unintended consequences; aversion to claims of exceptionalism; skepticism of easy solutions, especially those involving force; and a conviction that the books will have to balance. Only a return to such principles, Bacevich argues, can provide common ground for fixing America’s urgent problems before the damage becomes irreparable.

    Washington feared the country would fall to communism, triggering a domino effect in the rest of Southeast Asia. So in January 1961, Eisenhower approved the CIA’s Operation Momentum, a plan to create a proxy army of ethnic Hmong to fight communist forces in Laos. While remaining largely hidden from the American public and most of Congress, Momentum became the largest CIA paramilitary operation in the history of the United States. The brutal war, which continued under Presidents Kennedy and Nixon, lasted nearly two decades, killed one-tenth of Laos’s total population, left thousands of unexploded bombs in the ground, and changed the nature of the CIA forever. Joshua Kurlantzick gives us the definitive account of the Laos war and its central characters, including the four key people who led the operation—the CIA operative who came up with the idea, the Hmong general who led the proxy army in the field, the paramilitary specialist who trained the Hmong, and the State Department careerist who took control over the war as it grew. The Laos war created a CIA that fights with real soldiers and weapons as much as it gathers secrets. Laos became a template for CIA proxy wars all over the world, from Central America in the 1980s to today’s war on terrorism, where the CIA has taken control with little oversight. Based on extensive interviews and CIA records only recently declassified, A Great Place to Have a War is a riveting, thought-provoking look at how Operation Momentum changed American foreign policy forever.

    Despite the conquest of two sovereign states in as many years, despite the presence of more than 750 military installations in two thirds of the world's countries and despite his stated intention to extend the benefits of freedom...to every corner of the world, George W. Bush maintains that America has never been an empire. We don't seek empires, insists Defense Secretary Rumsfeld. We're not imperialistic.Nonsense, says Niall Ferguson. In Colossus he argues that in both military and economic terms America is nothing less than the most powerful empire the world has ever seen. Just like the British Empire a century ago, the United States aspires to globalize free markets, the rule of law, and representative government. In theory it's a good project, says Ferguson. Yet Americans shy away from the long-term commitments of manpower and money that are indispensable if rogue regimes and failed states really are to be changed for the better. Ours, he argues, is an empire with an attention deficit disorder, imposing ever more unrealistic timescales on its overseas interventions. Worse, it's an empire in denial--a hyperpower that simply refuses to admit the scale of its global responsibilities. And the negative consequences will be felt at home as well as abroad. In an alarmingly persuasive final chapter Ferguson warns that this chronic myopia also applies to our domestic responsibilities. When overstretch comes, he warns, it will come from within--and it will reveal that more than just the feet of the American colossus is made of clay.

    When French paratroopers landed in the jungle on the border between Vietnam and Laos, the Vietnamese quickly isolated the French force and confronted them at their jungle base in a small place called Dien Bien Phu. The hunters-the French army-had become the hunted, desperately defending their out-gunned base. The siege in the jungle wore on as defeat loomed for the French. Eventually the French were depleted, demoralized, and destroyed. As they withdrew, the country was ominously divided at U.S. insistence, creating the short-lived Republic of South Vietnam for which 55,000 Americans would die in the next twenty years.

    It marked the beginning of Hezbollah as a political force, but even more important, it eliminated America’s most influential and effective intelligence officer in the Middle East – CIA operative Robert Ames.  What set Ames apart from his peers was his extraordinary ability to form deep, meaningful connections with key Arab intelligence figures. Some operatives relied on threats and subterfuge, but Ames worked by building friendships and emphasizing shared values – never more notably than with Yasir Arafat’s charismatic intelligence chief and heir apparent Ali Hassan Salameh (aka “The Red Prince”). Ames’ deepening relationship with Salameh held the potential for a lasting peace.  Within a few years, though, both men were killed by assassins, and America’s relations with the Arab world began heading down a path that culminated in 9/11, the War on Terror, and the current fog of mistrust. Bird, who as a child lived in the Beirut Embassy and knew Ames as a neighbor when he was twelve years old, spent years researching The Good Spy.  Not only does the book draw on hours of interviews with Ames’ widow, and quotes from hundreds of Ames’ private letters, it’s woven from interviews with scores of current and former American, Israeli, and Palestinian intelligence officers as well as other players in the Middle East “Great Game.” What emerges is a masterpiece-level narrative of the making of a CIA officer, a uniquely insightful history of twentieth-century conflict in the Middle East, and an absorbing hour-by-hour account of the Beirut Embassy bombing.  Even more impressive, Bird draws on his reporter’s skills to deliver a full dossier on the bombers and expose the shocking truth of where the attack’s mastermind resides today.

    Nicknamed the "Fort Knox of Uranium," Y-12 was reputedly one of the most secure nuclear weapons facilities in the world, a bastion of warhead parts that harbored hundreds of metric tons of highly-enriched uranium--enough to power thousands of nuclear bombs. The activists--a house painter, a Vietnam veteran, and an eighty-two-year-old Catholic nun--penetrated the complex's exterior with alarming ease; their strongest tools were two pairs of bolt cutters and three hammers. Once inside, the pacifists hung freshly spray-painted protest banners and streaked the complex's white walls with six baby bottles' worth of human blood. Then they waited to be arrested. With the symbolic break-in, the Plowshares activists had hoped to draw attention to a costly military-industrial complex that stockpiled deadly nukes and drones. But they also triggered a political, legal, and moral firestorm when they defeated a multimillion-dollar security system. What if they had been terrorists with a deadly motive? Why does the United States continue to possess such large amounts of nuclear weaponry in the first place? And above all, are we safe? In Almighty, Washington Post reporter Dan Zak explores these questions by reexamining America's love-hate relationship with the bomb, from the race to achieve atomic power before the Nazis did to the solemn seventieth anniversary of Hiroshima. At a time of concern about proliferation in such nations as Iran and North Korea, the US arsenal is plagued by its own security problems. This life-or-death quandary is unraveled in Zak's eye-opening account, with a cast that includes the biophysicist who first educated the public on atomic energy, the prophet who predicted the creation of Oak Ridge, the generations of activists propelled into resistance by their faith, and the Washington bureaucrats and diplomats who are trying to keep the world safe.Part historical adventure, part courtroom drama, part moral thriller, Almighty reshapes the accepted narratives surrounding nuclear weapons and shows that our greatest modern-day threat remains a power we discovered long ago.

    That choice was not inevitable, but its success proved monumental. It brought decades of great power peace, underpinned the rise in global prosperity, and defined what it meant to be an American in the eyes of the rest of the world for generations. It was an historic achievement. Now, America has abdicated this vital leadership role. The Empty Throne is an inside portrait of the greatest lurch in US foreign policy since the decision to retreat back into Fortress America after World War I. The whipsawing of US policy has upended all that America's postwar leadership created-strong security alliances, free and open markets, an unquestioned commitment to democracy and human rights. Impulsive, theatrical, ill-informed, backward-looking, bullying, and reckless are the qualities that the American president brings to the table, when he shows up at all. The world has had to absorb the spectacle of an America unmaking the world it made, and the consequences will be with us for years to come.

    Bush. As Niall Ferguson writes, “If you think America’s entanglement in the Middle East began with Roosevelt and Truman, Michael Oren’s deeply researched and brilliantly written history will be a revelation to you, as it was to me. With its cast of fascinating characters—earnest missionaries, maverick converts, wide-eyed tourists, and even a nineteenth-century George Bush—Power, Faith, and Fantasy is not only a terrific read, it is also proof that you don’t really understand an issue until you know its history.”

    He was struck by Pol Pot's charm and charisma, yet, soon after, the leader would emerge as the architect of one of the most radical and ruthless experiments in social engineering ever undertaken. His egalitarian utopia released a reign of terror that would result in one in every five Cambodians - more than a million people - perishing in the killing fields of from hunger.Why did it happen? How did an idealistic dream of justice and prosperity mutate into one of humanity's worst nightmares? To answer these questions, Short traveled through Cambodia, interviewing former Khmer Rouge leaders and sifting through previously closed archives around the world. Key figures, including Khlen Samphan and Ieng Sary, Pol Pot's brother-in-law and foreign minister, speak here for the first time.Philip Short's masterly narrative reveals how Pol Pot engineered his country's desolation, fashining the definitive portrait of the man who headed one of the most enigmatic and terrifying regimes of modern times.(back cover)

    One world had ended and a new, uncertain one was beginning. Regime change had come on a global scale: across Asia (including China, Korea, Indochina, and the Philippines, and of course Japan) and all of continental Europe. Out of the often vicious power struggles that ensued emerged the modern world as we know it.In human terms, the scale of transformation is almost impossible to imagine. Great cities around the world lay in ruins, their populations decimated, displaced, starving. Harsh revenge was meted out on a wide scale, and the ground was laid for much horror to come. At the same time, in the wake of unspeakable loss, the euphoria of the liberated was extraordinary, and the revelry unprecedented. The postwar years gave rise to the European welfare state, the United Nations, decolonization, Japanese pacifism, and the European Union. Social, cultural, and political "reeducation" was imposed on vanquished by victors on a scale that also had no historical precedent. Much that was done was ill advised, but in hindsight, as Ian Buruma shows us, these efforts were in fact relatively enlightened, humane, and effective.A poignant grace note throughout this history is Buruma's own father's story. Seized by the Nazis during the occupation of Holland, he spent much of the war in Berlin as a laborer, and by war's end was literally hiding in the rubble of a flattened city, having barely managed to survive starvation rations, Allied bombing, and Soviet shock troops when the end came. His journey home and attempted reentry into "normalcy" stand in many ways for his generation's experience.A work of enormous range and stirring human drama, conjuring both the Asian and European theaters with equal fluency, Year Zero is a book that Ian Buruma is perhaps uniquely positioned to write. It is surely his masterpiece.