evil. Heavy Metal guitarist, Dimebag Darrell Abbott, was attacked and murdered on stage, December 8th, 2004 at the Alrosa Villa Nightclub. Erin Halk, Jeff Thompson and Nathan Bray each lost their lives trying to help Dimebag and others from the attack of an armed madman. While Dimebag is certainly a part of the story contained within the book, the focus is squarely on the background of Halk, Bray & Thompson, in addition to the killer, his motives and the actual incident at the venue. "A Vulgar Display Of Power: Courage And Carnage At The Alrosa Villa" is a deep, moving story which does an amazing job of honoring the memories Jeff, Nate, Erin, and Darrell. Of the victims who lost their lives, Nathan Bray is the only person who is survived by a wife and child. MJS Music Publications is contributing proceeds from every copy sold to a college fund set up for his son, Anthony. Music History/True Crime/Biography 352 pages, 240+ pictures.

    From the 1960s graffiti proclaiming 'Clapton is God', to his seminal work in supergroup Cream and his phenomenally successful solo career, Eric Clapton has achieved the status of bona fide living legend and enduring icon.Now in his sixth decade in the music business, he occupies an exulted position at the pinnacle of the rock world thanks to songs like Layla, Wonderful Tonight and Tears In Heaven, and for many is considered the greatest guitarist who ever lived.This book will chart his rise to stardom in the 60s and his unparalleled success since walking out of the Yardbirds as a 20-year-old to follow his chosen path of the blues with John Mayall's Bluesbreakers and later with Jack Bruce and Ginger Baker in supergroup Cream, as well as his successful solo career. However, his success has come at a price. Once a happy well-adjusted boy, the young Clapton was devastated by the realisation at the age of nine that the woman he thought was his sister was in fact his mother, and that the couple he thought were his parents were his maternal grandparents. His treatment by his mother was also to shape his future turbulent relationships with the women in his life, including his failed first marriage to model Pattie Boyd, who was married to Clapton's close friend George Harrison when he fell for her. Motherless Child also chronicles his battles with the demons of drugs and alcohol, his successful journey to sobriety, and examines his legacy as one of the most influential musicans of his generation.This is essential reading for any Clapton fan.

    Illustrated with previously unseen photographs and drawing on over 300 hours of interviews with band members, producers, friends, former lovers and associates, this biography traces the artist's life from his Minneapolis roots through controversial stardom to his rejection of the Prince persona.

    The rocker settled in Berlin, where he would make his “Berlin Trilogy”—the albums Low, Heroes, and Lodger, which are now considered some of the most critically acclaimed and innovative of the late twentieth century. But Bowie’s time in Berlin was about more than producing new music. As Tobias Rüther describes in this fascinating tale of Bowie’s Berlin years, the musician traveled to West Berlin—the capital of his childhood dreams and the city of Expressionism—to repair his body and mind from the devastation of drug addiction, delusions, and mania.             Painting a vivid picture of Bowie’s life in the Schöneberg area of the city, Rüther describes the artist’s friendships and collaborations with his roommate, Iggy Pop, as well as Brian Eno and Tony Visconti. Rüther illustrates Bowie’s return to painting, days cycling to the Die Brücke museum, and his exploration of the city’s nightlife, both the wild side and the gay scene. In West Berlin, Bowie also met singer and actress Romy Haag; came to know Hansa Studios, where he would record Low and Heroes; and even landed the part of a Prussian aristocrat in Just a Gigolo, starring alongside Marlene Dietrich. Eventually Rüther uses Bowie and his explorations of the cultural and historical undercurrents of West Berlin to examine the city itself: divided, caught in the Cold War, and how it began to redefine itself as a cultural metropolis, turning to the arts to start a new history. Tying in with an exhibition at the Museum of Contemporary Art, Chicago, in September, 2014, Heroes tells the fascinating story of how the music of the future arose from the spirit of the past. It is an unforgettable look at one of the world’s most renowned musicians in one of its most inspiring cities.

    Part poet, part clown, part modern-day Renaissance man, Morrison created an image that was ultimately his undoing. Though he died more than twenty years ago, Jim Morrison still has the power to fascinate. He remains one of youth culture's most revered heroes--a hero who got out just in time.

    The result is a masterpiece: a vivid, gripping biography, set against the rich backdrop of Southern society--indeed, American society--in the second half of the twentieth century.Author of The Crucible of Race and William Faulkner and Southern History, Joel Williamson is a renowned historian known for his inimitable and compelling narrative style. In this tour de force biography, he captures the drama of Presley's career set against the popular culture of the post-World War II South. Born in Tupelo, Mississippi, Presley was a contradiction, flamboyant in pegged black pants with pink stripes, yet soft-spoken, respectfully courting a decent girl from church. Then he wandered into Sun Records, and everything changed. I was scared stiff, Elvis recalled about his first time performing on stage. Everyone was hollering and I didn't know what they were hollering at. Girls did the hollering--at his snarl and swagger. Williamson calls it the revolution of the Elvis girls. His fans lived in an intense moment, this generation raised by their mothers while their fathers were away at war, whose lives were transformed by an exodus from the countryside to Southern cities, a postwar culture of consumption, and a striving for upward mobility. They came of age in the era of the 1954 Brown vs. Board of Education ruling, which turned high schools into battlegrounds of race. Explosively, white girls went wild for a white man inspired by and singing black music while wiggling erotically. Elvis, Williamson argues, gave his female fans an opportunity to break free from straitlaced Southern society and express themselves sexually, if only for a few hours at a time.Rather than focusing on Elvis's music and the music industry, Elvis Presley: A Southern Life illuminates the zenith of his career, his period of deepest creativity, which captured a legion of fans and kept them fervently loyal for decades. Williamson shows how Elvis himself changed--and didn't. In the latter part of his career, when he performed regular gigs in Las Vegas and toured second-tier cities, he moved beyond the South to a national audience who had bought his albums and watched his movies. Yet the makeup of his fan base did not substantially change, nor did Elvis himself ever move up the Southern class ladder despite his wealth. Even as he aged and his life was cut short, he maintained his iconic status, becoming arguably larger in death than in life as droves of fans continue to pay homage to him at Graceland.Appreciative and unsparing, culturally attuned and socially revealing, Williamson's Elvis Presley will deepen our understanding of the man and his times.

    He went on to start the notorious hardcore band Cro-Mags.From the memoir’s introduction by American Hardcore‘s Steven Blush: “Harley Flanagan is not like you or me. Most of us grew up in relative safety and security. Harley came up like a feral animal, fending for himself in the ’70s Lower East Side jungle of crime, drugs, abuse and poverty. By age 10 he was a downtown star at Max’s Kansas City and CBGB, drumming in his aunt’s punk band The Stimulators, and socializing with Blondie’s Debbie Harry and Cleveland’s Dead Boys. Everyone thought it was so cute, but it wasn’t.”Harley was never shy: making friends with important figures like Lemmy Kilmister of Motörhead, defending himself in street battles, and, most recently, finding media play and court battles after former band members betrayed their one-time friend and bandmate.“Harley Flanagan’s incredible story is not just the history of New York hardcore, of which he is a founding father, but a history of New York itself. It’s all here, an amazing series of unlikely coincidences, catastrophes, accomplishments and associations. Chances are if it happened in New York and it was important and interesting, Harley Flanagan was somewhere in the room. If you care anything about music history, punk rock, hardcore or just a ripping good story, this book is the punch in the face you want and need.” – Anthony Bourdain

    

    In 1983, four self-described "knuckleheads" burst out of the mosh-pitted mosaic of the neo-punk rock scene in L.A. with their own unique brand of cosmic hardcore mayhem funk. Over twenty years later, the Red Hot Chili Peppers, against all odds, have become one of the most successful bands in the world. Though the band has gone through many incarnations, Anthony Kiedis, the group's lyricist and dynamic lead singer, has been there for the whole roller-coaster ride. Whether he's recollecting the influence of the beautiful, strong women who have been his muses, or retracing a journey that has included appearances as diverse as a performance before half a million people at Woodstock or an audience of one at the humble compound of the exiled Dalai Lama, Kiedis shares a compelling story about the price of success and excess. Scar Tissue is a story of dedication and debauchery, of intrigue and integrity, of recklessness and redemption--a story that could only have come out of the world of rock.

    A godlike entity in the history of rock and roll, this twentieth-century icon with a dazzling voice blended gospel and traditionally black rhythm and blues with country to create a completely new kind of music and new way of expressing male sexuality, which simply blew the doors off a staid and repressed 1950s America.In Being Elvis veteran rock journalist Ray Connolly takes a fresh look at the career of the world’s most loved singer, placing him, forty years after his death, not exhaustively in the garish neon lights of Las Vegas but back in his mid-twentieth-century, distinctly southern world. For new and seasoned fans alike, Connolly, who interviewed Elvis in 1969, re-creates a man who sprang from poverty in Tupelo, Mississippi, to unprecedented overnight fame, eclipsing Frank Sinatra and then inspiring the Beatles along the way.Juxtaposing the music, the songs, and the incendiary live concerts with a personal life that would later careen wildly out of control, Connolly demonstrates that Elvis’s amphetamine use began as early as his touring days of hysteria in the late 1950s, and that the financial needs that drove him in the beginning would return to plague him at the very end. With a narrative informed by interviews over many years with John Lennon, Bob Dylan, B. B. King, Sam Phillips, and Roy Orbison, among many others, Connolly creates one of the most nuanced and mature portraits of this cultural phenomenon to date.What distinguishes Being Elvis beyond the narrative itself is Connolly’s more subtle examinations of white poverty, class aspirations, and the prison that is extreme fame. As we reach the end of this poignant account, Elvis’s death at forty-two takes on the hue of a profoundly American tragedy. The creator of an American sound that resonates today, Elvis remains frozen in time, an enduring American icon who could “seamlessly soar into a falsetto of pleading and yearning” and capture an inner emotion, perhaps of eternal yearning, to which all of us can still relate.Intimate and unsparing, Being Elvis explores the extravagance and irrationality inherent in the Elvis mythology, ultimately offering a thoughtful celebration of an immortal life.

    Another book from another musician. Let's guess: He rose from the depths of hell with his talent and went big time. He changed the face of music and made millions. Yeah, a few drug addiction, arrest, and STD stories are sporadically sprinkled throughout for excitement and authenticity, but at the end of it all, he finished his ride a musical legend. He finally gave up dressing room groupies and nose candy; he currently resides with his wife and the children that aren't illegitimate in Calabasas, CA.[Insert snoring] Who the hell can really relate to that besides other prestigious, millionaire musicians?My name is J-Zone. If you actually know who the hell I am, either you listen to way too much rap music, you're a Tim Dog fan, or you stood outside my distributor's warehouse the day my CDs and records were destroyed. I was on the hip-hop come-up, then I came down - hard. Splat. Some critical success, incessant praise from pop stars and hip-hop legends alike, and then...abysmal commercial failure. I did tours on Greyhound buses filled with wide-bodied, Jheri curled women and knife-wielding gang members. I witnessed my life-long passion for music dissolve in 12 hours and my final album sell a whopping 47 copies in its first month for sale. I left my little-known spot in a small, niche quadrant of the hip-hop world and joined my fellow overqualified stiffs with useless college degrees in the world of dead end jobs. For some sick reason, I find all of the above hilarious and have made an omelette out of any egg that wound up on my face.I pin my cross-hairs on everyday bullsh*t just as accurately as I do the dysfunctional ways of the music biz. I ask the public at large questions like "Are men the new women?" and "Is going out on Friday night worth it when you're a socially homeless man in a deceptively segregated New York City?" Chapters dedicated to cassette tapes, defunct record stores, the SP-1200 sampling drum machine, hip-hop recording studios of the 1990s, and overlooked rap artists like The Afros, Mob Style, and No Face all point to my fascination with the obscure. The annoyances of a cell phone-driven society, dating in America, and Facebook are also explored. A collection of memoirs and think pieces written by a curmudgeonly commercial failure who is somehow laughing hysterically at both himself and the stupidity of the world large probably won't become a New York Times best-seller, either. Be honest though, you need something to place drinks on when you have company; at worst, my book is a perfect cocktail coaster.

    Little did she know that this was the beginning of an extraordinary friendship that would last for seventeen years. In "The Diana I Knew," Mary portrays a gentle, unassuming teenager who blossomed into an assured, world-class beauty. She describes a private side to a woman few people knew intimately. This is an American woman's personal account of her unexpected and touching friendship with Diana. Mary's unique memories of this remarkable woman include Diana's nonchalant reaction to Mary's discovery of her nanny's aristocratic background and the day-to-day building of a trusting, affectionate relationship, which developed into a true friendship. As Diana's life dramatically changed when the royal courtship began, she turned to Mary for guidance. Even after the Robertsons returned to the United States just before the engagement, Diana wrote frequently, wishing to continue the friendship. From receiving the gilt-edged invitation to the Royal Wedding to being charmed by Prince Charles at the glamorous pre-nuptial ball at Buckingham Palace, Mary captures the magic of the wedding of the century. Despite the unimaginable demands of her life and the unraveling of the fairy tale, Diana made time to see Mary and her family. From the Robertsons' private meeting with the Prince and Princess in Washington to an intimate family luncheon at her home in Kensington Palace, Diana's generosity of spirit and appreciation of simpler times always shone through.

    I want a baby but not in that crazy, desperate way where I cringe whenever I see someone else with one, or I think nasty, evil thoughts about people who are pregnant, but a child of my own would complete my life and make my husband extremely happy.Jay-Jay Feeney has been married to Dom Harvey since 2004. She always imagined they'd get married, have children, grow old. But so far, things haven't worked out quite as she expected. A high-profile job, an unpredictable family life, and medical procedures and emergencies have kept her on her toes. Here is Jay-Jay's story, told with a mix of brutal honesty and humor, in which she charts the highs and lows of life lived both in the public gaze and in the shadow of infertility.

    The book also features an exclusive foreword by rock legend Glenn Hughes (Black Sabbath, Deep Purple).

    School glee club and amateur singing contests soon gave way to the albums of Ray Charles and Little Richard. That raw R&B influence would profoundly shape Medley’s musical future.As the pioneering “blue-eyed soul” group the Righteous Brothers, Bill Medley and late partner Bobby Hatfield sang such huge hits as “(You’re My) Soul and Inspiration,” “Unchained Melody,” and “You’ve Lost That Lovin’ Feelin’,” the latter recognized by BMI as the most-played song of the twentieth century. Medley’s duet with Jennifer Warnes for the Dirty Dancing soundtrack, “(I’ve Had) the Time of My Life,” became a worldwide No. 1 single on its way to winning an Oscar, a Grammy, and a Golden Globe.But Medley’s story isn’t just about the hits and the awards. It’s about an immensely talented man who reached the pinnacle of fame, success, and excess, until the shocking murder of his wife, Karen. In time, this tragedy eventually helped him renew his commitment to both faith and family.