. .In this often violent but always introspective memoir, Mobb Deep’s Prodigy tells his much anticipated story of struggle, survival, and hope down the mean streets of New York City. For the first time, he gives an intimate look at his family background, his battles with drugs, his life of crime, his relentless suffering with sickle-cell anemia, and much more. Recently released after serving three and a half years in state prison due to what many consider an unlawful arrest by a rumored secret NYPD hip hop task force, Prodigy is ready to talk about his life as one of rap’s greatest legends.My Infamous Life is an unblinking account of Prodigy’s wild times with Mobb Deep who, alongside rappers like Nas, The Notorious B.I.G., Tupac Shakur, Jay-Z, and Wu-Tang Clan, changed the musical landscape with their vivid portrayals of early ’90s street life. It is a firsthand chronicle of legendary rap feuds like the East Coast–West Coast rivalry; Prodigy’s beefs with Jay-Z, Nas, Snoop Dogg, Ja Rule, and Capone-N-Noreaga; and run-ins with prodigal hit makers and managers like Puff Daddy, Russell Simmons, Chris Lighty, Irv Gotti, and Lyor Cohen.Taking the reader behind the smoke-and-mirrors glamour of the hip hop world, so often seen as the only way out for those with few options, Prodigy lays down the truth about the intoxicating power of money, the meaning of true friendship and loyalty, and the ultimately redemptive power of self. This is the heartbreaking journey of a child born in privilege, his youth spent among music royalty like Diana Ross and Dizzy Gillespie, educated in private schools, until a family tragedy changed everything. Raised in the mayhem of the Queensbridge projects, Prodigy rose to the dizzying heights of fame and eventually fell into the darkness of a prison cell.A truly candid memoir, part fearless confessional and part ode to the concrete jungles of New York City, My Infamous Life is written by a man who was on the front line of the last great moment in hip hop history and who is still fighting to achieve his very own American Dream.

    

    This is the story of Def Jam in the words of its artists and top executives, taken from interviews and seamlessly told as a narrative of no-holds barred recollections and anecdotes, made even more compelling by the fact that Def Jam is one of the last great record labels to enjoy the widespread cultural influence that it does, in light of the increasing digitization of music. Def Jam celebrates a label that defined hip-hop and whose impact extends beyond its incredible roster of recording artists to all areas of culture--fashion, lifestyle, cinema, art--impacting the music business and pop culture forever. In 1984, Def Jam introduced a new kind of music and lifestyle--hip-hop--through aspiring record producer and punk-rocker Rick Rubin and party promoter/artist manager Russell Simmons. It has become the sound of young America, akin to Motown in the sixties. This is the first book to see the label whole: through an oral history woven from interviews (some exclusive) with its founders and artists such as LL Cool J, Beastie Boys, Jay-Z, Ludacris, Ja Rule, Rihanna, Ashanti, and Kanye West, as well as through rare memorabilia from personal archives of the label's movers and shakers: behind-the-scenes photos, flyers, advertisements, movie posters, album cover art, magazine covers, and press clips from around the world. It also showcases images from some of the best-known photographers of the era, including Albert Watson, Glen E. Friedman, Jonathan Mannion, and Annie Leibovitz. It is designed by Cey Adams, Def Jam’s founding creative director and is an insider's portrait of the last great record label.

    By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to "Obama's America," Hip Hop's Inheritance demonstrates that the hip hop generation is not the first generation of young black (and white) folk preoccupied with spirituality and sexuality, race and religion, entertainment and athletics, or ghetto culture and bourgeois culture. Taking interdisciplinarity and intersectionality seriously, Hip Hop's Inheritance employs the epistemologies and methodologies from a wide range of academic and organic intellectual/activist communities in its efforts to advance an intellectual history and critical theory of hip hop culture. Drawing from academic and organic intellectual/activist communities as diverse as African American studies and women's studies, postcolonial studies and sexuality studies, history and philosophy, politics and economics, and sociology and ethnomusicology, Hip Hop's Inheritance calls into question one-dimensional and monodisciplinary interpretations or, rather, misinterpretations, of a multidimensional and multivalent form of popular culture that has increasingly come to include cultural criticism, social commentary, and political analysis.