From celebrated author Elliot Perlman, Three Dollars is the deft, passionate portrait of a man coming to terms with his place in an increasingly hostile and corporate world, while struggling to retain his humanity, his heart, and his sense of humor.

    He understands his desperate plight and the ocean's unrelenting power. But what is its true colour?A beguiling young woman nurses a baby by a lake while hiding brutal scars. Uneasy descendants of a cannibal victim visit the Pacific island of their ancestor's murder. A Caribbean cruise of elderly tourists faces life with wicked optimism.Witty, clever, ever touching and always inventive, the eleven stories in The True Colour of the Sea take us to many varied coasts: whether a tense Christmas holiday apartment overlooking the Indian Ocean or the shabby glamour of a Cuban resort hotel. Relationships might be frayed, savaged, regretted or celebrated, but here there is always the life-force of the ocean - seducing, threatening, inspiring.In The True Colour of the Sea, Robert Drewe - Australia's master of the short story form - makes a gift of stories that tackle the big themes of life: love, loss, desire, family, ageing, humanity and the life of art.

    The year is 1929. The Great War with Germany has been fought and won, but at an immense cost to the small community.Death is too familiar here. So many sons were lost. So many daughters would never be wives; so many grandchildren would never be born.Racial hatred is like a bushfire in the belly of some. And the dead girl is found only yards from the property of old Joe Reichenberg, a German. Tom Thompson, the local cop, lost his two sons in Gallipoli. He believes he has come to terms with his bereavement - until that Sunday.Slowly, the true face of Molliston is exposed. By midnight, a full moon is offering its light - and a glimmer of hope.

    He even dreams a history of the world as a chronicle of sexual frustration.A Lifetime on Clouds is funny, honest, and sweetly told: a less ribald, Catholic Australian Portnoy's Complaint.

    Hard-drinking, foul-mouthed, and allergic to bullshit, Jean is not your usual grandma. She’s never been good at getting on with other humans, apart from her beloved granddaughter, Kimberly. Instead, she surrounds herself with animals, working as a guide in an outback wildlife park. And although Jean talks to all her charges, she has a particular soft spot for a young dingo called Sue.As disturbing news arrives of a pandemic sweeping the country, Jean realises this is no ordinary flu: its chief symptom is that its victims begin to understand the language of animals — first mammals, then birds and insects, too. As the flu progresses, the unstoppable voices become overwhelming, and many people begin to lose their minds, including Jean’s infected son, Lee. When he takes off with Kimberly, heading south, Jean feels the pull to follow her kin.Setting off on their trail, with Sue the dingo riding shotgun, they find themselves in a stark, strange world in which the animal apocalypse has only further isolated people from other species. Bold, exhilarating, and wholly original, The Animals in That Country asks what would happen if - for better or worse - we finally understood what animals were saying.

    A woman grapples with survivor’s guilt after a body is found in her garden bed; an ageing beauty queen contemplates her past; a world champion free-diver disappears during routine training...In moments disquieting or quietly inspiring, this collection considers the complexity of the connections we make—with our family, friends and neighbours, and with those met briefly or never at all.In her timely debut, Emily Paull voices a chorus of characters that reveal and re-evaluate the expectations of women in Australia today—after all, well-behaved women rarely make history.

    In playful, musical prose, the book explores the early contact between the Aboriginal Noongar people and the first European settlers.The novel's hero is a young Noongar man named Bobby Wabalanginy. Clever, resourceful and eager to please, Bobby befriends the new arrivals, joining them hunting whales, tilling the land, exploring the hinterland and establishing the fledgling colony. He is even welcomed into a prosperous local white family where he falls for the daughter, Christine, a beautiful young woman who sees no harm in a liaison with a native.But slowly – by design and by accident – things begin to change. Not everyone is happy with how the colony is developing. Stock mysteriously start to disappear; crops are destroyed; there are "accidents" and injuries on both sides. As the Europeans impose ever stricter rules and regulations in order to keep the peace, Bobby's Elders decide they must respond in kind. A friend to everyone, Bobby is forced to take sides: he must choose between the old world and the new, his ancestors and his new friends. Inexorably, he is drawn into a series of events that will forever change not just the colony but the future of Australia...

    He lives with his gran and his uncle Rory. His best friend is Clinton Tull. Adrian loves to draw, and he wants a dog. He’s afraid of quicksand, shopping centers, and self-combustion. But as closely as he watches his suburban world, there is much he cannot understand. He does not, for instance, know why three neighborhood children might set out to buy ice cream one summer’s day and never be seen again. . . .In this suburb that is no longer safe and innocent, in a broken family of self-absorbed souls, Sonya Hartnett sets the story of a lone little boy - unwanted, unloved, and intensely curious - a story as achingly beautiful as it is shattering. As her quiet tale ominously unfolds, we are reminded of how fragile are the threads that hold us secure - and how brave, how precious, is the heart of each child who soldiers on.

    Two young lovers, Catherine and Daniel, have trespassed into the rose garden of Burnt Norton, an abandoned house in the English countryside.Hearing the sound of footsteps, they hide, and then witness the poet T.S. ('Tom') Eliot and his close friend Emily enter the garden and bury a mysterious tin in the earth. Tom and Emily knew each other in America in their youth; now in their forties, they have come together again. In the enclosed world of an English village one autumn, their story becomes entwined with that of Catherine and Daniel, who are certain in their newfound love and full of possibility.

    At once the story of a region, a town and people, it is also the story of Anna Tolley - "leggy, wilful and auburn-haired, always answering back" - who lives through momentous changes and earns the envy, love and hatred of those around her.

    It goes down into the guts of the world. But a child’s love for a parent is different. It goes up. It’s more ethereal. It’s not quite present on the earth.’In present-day Melbourne, a man attempts to piece together the mystery of his father’s apparent suicide, as his young family slowly implodes. At the ashram of Bhagwan Shree Rajneesh, in 1976, a man searching for salvation must confront his capacity for violence and darkness. And in a not-too-distant future, a woman with a life-altering decision to make travels through a climate-ravaged landscape to visit her estranged father.In Moonland is a portrait of three generations, each grappling with their own mortality. Spanning the wild idealism of the 70s through to the fragile hope of the future, it is a novel about the struggle for transcendence and the reverberating effects of family bonds. This long-awaited second outing from Miles Allinson, the multi-award-winning author of Fever of Animals, will affirm his reputation as one of Australia’s most interesting contemporary fiction writers, and urge us to see our own political and environmental reality in a new light.

    It is 1827, and, in a remote hut high on the plains of New South Wales, two strangers spend the night in talk. One, an illiterate Irishman, and ex-convict and bushranger, is to be hanged at dawn. The other is the police officer who has been sent to supervise the hanging. As the night wears on, the two men share memories and uncover unlikely connections between their lives. 240 pp. Author tour. 20,000 print.From the Hardcover edition.

    Can they find the path to forgiveness and healing, or will grief keep them apart forever?After eight years of marriage, Sarah Walsh had thought she and Matt would be together forever. But when a fatal accident serves up the cruellest punishment any mother could face, their relationship falters. Sarah is helpless as Matt flies off the rails – she braves one last–ditch attempt to try and make him see they need to work together to get through the heartache. But will it be enough? And what about her – how does she go on alone?Reeling from devastation and guilt, Matt gets the wakeup call he needs to save his marriage before it's too late. But the way forward is littered with obstacles, and he can see it's only by returning to the outback beauty and isolation of Rosalee Station that he has any chance to reclaim the man he once was. But will this separation end up costing him everything?

    There's Alex, miserable in his cold and calmly professional marriage, unable to leave because of his two children. Next comes Andrew, recently home from ten years in America, leaving an ex-wife and a beloved daughter on the other side of the world. And finally there's Barbara, the enchanting and lustrous object of their affections, formally self-possessed but strangely aimless and unfulfilled.With elegance and acuity, Madeleine St John chronicles their progress through numerous false starts, reversals, and misapprehensions. The result is a deeper understanding of longing and its significant companion -- loss.

    He lives a quiet life with his two dogs in the tumbledown wreck his family home has become. It's a peaceful existence - ideal for the rehabilitating man. But his recovery is rudely interrupted by a brutal attack on Charles Bourgoyne, a prominent member of the local community. Suspicion falls on three young men from the local Aboriginal community. But Cashin's not so sure and as the case unfolds amid simmering corruption and prejudice, he finds himself holding on to something that it might be better to let go.