Fourteen-year-old nerd-boy Dan Cereill is not quite coping with a reversal of family fortune, moving house, new school hell, a mother with a failing wedding cake business, a just-out gay dad, and an impossible crush on the girl next door.His life is a mess, but for now he's narrowed it down to just six impossible things..."I loved this book so much I wanted to be in it." Kaz Cooke

    I wouldn't recognise you from a hole in the ground. If I was telling this story to some friends, then they would already know Kiffo and they would know me and they would know the school and everything. I'd just be able to get straight into what happened when a new English teacher, the Pitbull, slobbered and snarled her way into our class. But you don't know anything.AKA "The Crimes and Punishments of Miss Payne"

    'That,' she announced, 'is a seriously glamorgeous name.'From the day Annabelle Andrews sashays into her classroom, Tallulah 'Lulu' de Longland is bewitched by Annabelle, by her family, and their sprawling, crumbling house tumbling down to the river.Their unlikely friendship intensifies through a secret language where they share confidences about their unusual mothers, first loves, and growing up in the small, coastal town of Juniper Bay. Their lives become as entwined as Annabelle's initials engraved beneath the de Longland kitchen table.But the euphoria of youth rarely lasts, and the implosion that destroys their friendship leaves lasting scars and a legacy of self-doubt that haunts Lulu into adulthood.Years later, Lulu is presented with a choice: remain the perpetual good girl who misses out, or finally step out from the shadows and do something extraordinary. And possibly unforgiveable.It's not how far you fall, but how high you bounce.

    Madeleine and her mother have run away from their former life, under mysterious circumstances, and settled in a rainy corner of Cambridge (in our world).Elliot, on the other hand, is in search of his father, who disappeared on the night his uncle was found dead. The talk in the town of Bonfire (in the Kingdom of Cello) is that Elliot's dad may have killed his brother and run away with the Physics teacher. But Elliot refuses to believe it. And he is determined to find both his dad and the truth.As Madeleine and Elliot move closer to unraveling their mysteries, they begin to exchange messages across worlds -- through an accidental gap that hasn't appeared in centuries. But even greater mysteries are unfolding on both sides of the gap: dangerous weather phenomena called "color storms;" a strange fascination with Isaac Newton; the myth of the "Butterfly Child," whose appearance could end the droughts of Cello; and some unexpected kisses...

    Lona kills her days by sneaking into the dark room at her old art school to develop photographs. She kills her nights DJ-ing the roller disco at Planet Skate. She is in inexplicably, debilitatingly love with a bespectacled Doctor Who-obsessed former classmate, and in comfortable, platonic love with her best friend Tab. Lona works hard to portray a permanent attitude of cynicism and ennui but will her carefully constructed persona be enough to protect her from the inevitable sorrows and unexpected joys of adult life? Loner re-examines notions of social isolation experienced by young people, suggesting sometimes our own company can be a choice and not a failing.

    But we were drawn to the rolling water. And our heart stayed behind when we left.Heather and Dave have found the perfect place to raise their first child. The house has character, but it's the garden that really makes it: red-faced impatiens, pockmarked gums, six upright pittosporums to keep the neighbours out. It's a jungle. A hiding place. A refuge.And then, without warning, that life is over.Heartbreaking, fearless, and ablaze with a coruscating beauty all its own, The Paper House tells the story of a woman sinking into the depths of grief, and the desperate efforts of her loved ones to bring her up for air. A sharp-eyed, bittersweet depiction of the love between parents and children, and the havoc that love can wreak.

    She plans only to check on her ailing mother and leave. But Tilly decides to stay, and though she is still an outcast, her lush, exquisite dresses prove irresistible to the prim women of Dungatar. Through her fashion business, her friendship with Sergeant Farrat—the town’s only policeman, who harbors an unusual passion for fabrics—and a budding romance with Teddy, the local football star whose family is almost as reviled as hers, she finds a measure of grudging acceptance. But as her dresses begin to arouse competition and envy in town, causing old resentments to surface, it becomes clear that Tilly’s mind is set on a darker design: exacting revenge on those who wronged her, in the most spectacular fashion.

    The Special Ones are not allowed to leave, but why would they want to? Here, they are safe from toxic modern life, safe from a meaningless existence, safe in their endless work. He watches them every moment of every day, ready to punish them if they forget who they are – all while broadcasting their lives to eager followers on the outside.Esther knows he will renew her if she stops being Special. And yet she also knows she's a fake. She has no ancient wisdom, no genuine advice to offer her followers. But like an actor caught up in an endless play, she must keep up the performance if she wants to survive long enough to escape.

    She nicked an Ordnance Survey map from the school library. She bought a compass, a Bear Grylls knife, waterproofs, and a first aid kit from Amazon using stolen credit cards. She read the SAS Survival Handbook and watched loads of YouTube videos. And now Sal knows a lot of stuff. Like how to build a shelter and start a fire; how to estimate distances, snare rabbits, and shoot an air gun; and how to protect her sister, Peppa--because Peppa is ten, which is how old Sal was when Robert started on her. Told in Sal's distinctive voice, and filled with the silent, dizzying beauty of rural Scotland, Sal is a disturbing, uplifting story of survival, of the kindness of strangers, and the irrepressible power of sisterly love, a love that can lead us to do extraordinary and unimaginable things.

    Yapas.They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal: their family connections tie them together for life.Born just five days apart in a remote corner of the Northern Territory, the girls are inseperable, until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie has lost interest in the community, preferring to hang out in the nearby mining town, where she goes to school with the glamorous Selena, and Selena’s gorgeous older brother Nick.When a political announcement highlights divisions between the Aboriginal community and the mining town, Rosie is put in a difficult position: will she be forced to choose between her first love and her oldest friend?

    See the world through his hilariously self-deprecating eyes as he learns to shed his comic-book-loving, computer-game playing ways. Join him as he makes new friends, tries to hide from his past, and ultimately learns to face the world with a genuine smile. With a fresh and funny combination of text and fully integrated art, Happyface is an original storytelling experience.

    A water rat swims upriver in quest of the cloud god. A fisherman named Karl hunts for tuna in partnership with a seal. And a father takes form from fire. The answers to these riddles are to be found in this tale of grief and love and the bonds of family, tracing a journey across the southern island that takes us full circle.Flames sings out with joy and sadness. Utterly original in conception, spellbinding in its descriptions of nature and its celebration of the power of language, it announces the arrival of a thrilling new voice in contemporary fiction.

    Teach Me invites readers inside an experience that fascinates everyone—an affair between a teacher and student—and gives an up-close-and-personal answer to the question: How does this happen?

    Her so-called friends bully her, whatever semblance of a mother she had has been drowned at the bottom of a gin bottle ever since her dad left them for another woman, and now a teenage ghost is speaking to her through a broken phone booth. Kirra and the ghost make a pact. She'll prove who murdered him almost twenty years ago if he does three things for her. He makes her popular, he gets her parents back together, and he doesn't haunt her. Things aren't so simple however, and Kirra realises that people can be haunted in more ways than one.

    Justine finds sanctuary in Pop's chooks and The Choke, where the banks of the Murray River are so narrow they can almost touch—a place of staggering natural beauty that is both a source of peace and danger. Although Justine doesn't know it, her father is a menacing criminal and the world she is exposed to is one of great peril to her. She has to make sense of it on her own—and when she eventually does, she knows what she has to do. A brilliant, haunting novel about a child navigating an often dark and uncaring world of male power, guns and violence, in which grown-ups can't be trusted and comfort can only be found in nature, The Choke is a compassionate and claustrophobic vision of a child in danger and a society in deep trouble. It once again showcases the Miles Franklin Award-winning author as a writer of rare empathy, originality and blazing talent.