Each one of the 976 works of art represented in the book -- including 661 classical paintings on display in the permanent painting collection and 315 other masterpieces -- is annotated with the name of the painting and artist, the date of the work, the birth and death dates of the artist, the medium that was used, the size of the work, and the catalog number (if applicable). In addition, 180 of the most iconic and significant paintings and other pieces of art are highlighted with 300-word essays by art historian Anja Grebe on such topics as the key attributes of the work, what to look for when viewing the work, the artist's inspirations and techniques, biographical information on the artist, and the artist's impact on art history.

    It covers 3,000 years of history from the city’s quasi-mythical origins, through the Etruscan kings, the opulent glory of classical Rome, the decadence and decay of the Middle Ages and the beauty and corruption of the Renaissance, to its time at the heart of Mussolini’s fascist Italy. Exploring the city’s streets and buildings, peopled with popes, gladiators, emperors, noblemen and peasants, this volume details the turbulent and dramatic history of Rome in all its depravity and grandeur.

    Yet the story of his reign is also a tale of intrigue, domestic discord, and murder. In Following Hadrian, Elizabeth Speller captures the fascinating life of Hadrian, ruler of the most powerful empire on earth at the peak of its glory. Speller displays a superb gift for narrative as she traces the intrigue of Hadrian's rise: his calculated marriage to Emperor Trajan's closestfemale relative, a woman he privately tormented; Trajan's suspicious deathbed adoption of Hadrian as his heir, a stroke some thought to be a post-mortem forgery; and the ensuing slaughter of potential rivals by an ally of Hadrian's. Speller makes brilliant use of her sources, vividly depictingHadrian's bouts of melancholy, his intellectual passions, his love for a beautiful boy (whose death sent him into a spiral), and the paradox of his general policies of peace and religious tolerance even as he conducted a bitter, three-year war with Judea. Most important, the author captures the emperor as both a builder and an inveterate traveler, guiding readers on a grand tour of the Roman Empire at the moment of its greatest extent and accomplishment, from the barren, windswept frontiers of Britain to the teeming streets of Antioch, from thedangers of the German forest to the urban splendor of Rome itself.

    With the fortunes of the Peloponnesian War turning inexorably against it, a beleaguered Athens badly needed a victory – and it got one. The Battle of Arginusae, won by raw recruits against a battle-hardened Spartan armada, saved Athens from disaster at a heavy cost in sunken ships. Yet in the confusion following the battle, neither the survivors nor the bodies of the dead were ever recovered.When the fleet returned to an apprehensive, overcrowded Athens, recriminations between its leaders escalated into a vicious, hysterical witch-hunt which convulsed the democracy and swept aside custom, sense, and law. In an extraordinary and chilling sequence of events, six victorious generals were arrested and put on trial for their lives before the Athenian people.On a day of violent passions, before a crowd of thousands, a handful of brave men including the philosopher Socrates struggled to save Athens from itself. As public anger and political tensions were stoked by inflammatory speeches, the principles of democracy would be tested to breaking point. The final verdict of the Trial of the Generals would haunt Athens for ever – and decide the outcome of the war.Anselm Audley holds BA and Master’s degrees in ancient history from Oxford, as well as a degree in planetary science from University College London. He is a published fantasy novelist, the author of Heresy, Inquisition, Crusade, and Vespera.

    He has vowed to uphold a simple life of peace. Then the Roman Legions find him.A war that should not be sweeps Varro from his idyllic farm and carries him across the Aegean Sea to a land under siege. His vow of peace is stretched to its limits as he is plunged into blood and battle. The ceaseless march of the Republican Roman Army spares none.Yet a greater threat stalks Varro, more dangerous and more personal than any enemy soldier. Can he survive in an army where he faces swords to his front and daggers at his back?

    Providing support material for teachers in the study of Shakespeare, this book is part of a series designed for students with special educational needs and those with English as a second or other language, which provides access to this challenging part of the English National Curriculum.

    This series features classic tales retold with color illustrations to introduce literature to struggling readers. Each 64-page eBook retains key phrases and quotations from the original classics. Moby Dick is an exciting story about Captain Ahab's compelling obsession to get his revenge and defeat the Great White Whale. The story truly portrays the tragedy of hatred. This timeless epic is considered one of the strangest yet most powerful stories ever written.

    It is a great achievement but comes at great cost. His ties of comradeship with his oldest friend, Tribune Lucius “Boxer” Longius, are beginning to weaken. His rank in the legion allows him to take his full part in councils of war but will anyone listen to him? The question for Otto Longius is, has he become a true Roman and will he be accepted on an equal footing with his brother officers? An uprising by the Marcomanni of eastern Germany sets the Rhine borders alight. A prolonged siege and a mission for the Emperor Augustus test his courage and loyalty to the limit. Then a chance meeting throws his belief in his own fate into doubt. Otto must confront a formidable enemy and decide once and for all on his true path.

    Excerpt and one of them, Gavin, was reputed to be the strongest man in the neighborhood. The daughter, a long-limbed slip of a girl who rode like a cow-puncher, was about the boy's age. Though Godfrey French had a ranch it was worked scarcely at all. The boys did not like work, and apparently did not have to. Godfrey French was reputed to have money. His ranch was a hang-out for what were known as "remittance men," young Englishmen who received more or less regular allowances from home--or perhaps to keep away from home. There were rumors of gambling and hard drinking at French's ranch. "Well, I'll take you home," the boy said. "You can ride my pony. He's on a rope a mile from here. But I'll have to hang up this buck, or the coyotes will chew him." He found two small saplings close together, bent them down, trimmed them and lashed their tops. Over these he placed the tied legs of the buck. With a little search he found a long dry pole. With this he had a tripod. As he hoisted with the pole the spring

    

    D. Salinger's novel, The Catcher in the Rye celebrated its fiftieth anniversary of publication in 2001. The Catcher in the Rye: New Essays presents a variety of new approaches to this extremely popular and intensely influential novel, ranging from the examination of the intertextual relationship between The Catcher in the Rye and Cormac McCarthy's All the Pretty Horses, to the evaluation of Salinger's mythic place in American film and popular culture, to the interrogation of what it means for a reader to claim that a novel such as The Catcher in the Rye has changed his or her life. These essays provide new commentary and new insights, and demonstrate the continuing relevance of Salinger, The Catcher in the Rye, and Holden Caulfield to American culture and literature and, in turn, to American cultural and literary studies.

    Wells, Conan Doyle, Washington Irving and many more. Hailing from different countries such as America, Ireland, the United Kingdom and India, this book is an entertaining consolidation of diverse stories which cover a broad range of topics and themes. While ‘The Gift of the Magi’ resonates with the sense of love and loss, ‘The Selfish Giant’ and ‘Rip Van Winkle’ relives our childhood. Some stories warm your heart, some make you think and some delight you with their magical language while at the same time they explore universal themes and arouse a gamut of responses. A must-have, this book offers a plethora of classics to read and enjoy for any lover of a good story.

    His three freedmen, Narcissus, Pallas and Callistus, must find a way to manufacture a quick victory for Claudius - but how? Pallas has the answer: retrieve the Eagle of the Seventeenth, lost in Germania nearly 40 years before. Who but Vespasian could lead a dangerous mission into the gloomy forests of Germania? Masters of RomeRome, AD 51: After eight years of resistance Vespasian captures Rome's greatest enemy, the British warrior Caratacus. But even Vespasian's victory cannot remove him from politics. Emperor Claudius is a drunken fool, his wife Agrippina rules in his absence and Narcissus and Pallas, his freedmen, are battling for control of his throne. Separately, they decide to send Vespasian east to Armenia to defend Rome's interests. In Armenia, Vespasian is captured. Immured in the oldest city on earth, how can he escape? And is a Rome ruled by Agrippina any safer than a prison cell? Rome's Lost SonBritannia, 45 AD: Vespasian's brother is captured by druids, who want to offer a potent sacrifice to their gods - not just one Roman Legate, but two. They know that Vespasian will come after his brother and they plan to sacrifice the siblings on Midsummer's Day. Meanwhile in Rome, Claudius' three freedmen remain at the focus of power. As Messalina's time as Empress comes to a bloody end, the three freedmen each back a different mistress. Who will be victorious? And at what price for Vespasian? BOOKS 4-6 IN THE VESPASIAN SERIES

    

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