When sixteen-year-old artist Olivia Tithe is visited by the ghost of her first love, Lucas Stern, it’s only through scattered images and notes left behind that she can unravel the mystery of his death. There’s a catch: Olivia has gone colorblind, and there’s a good chance she’s losing her mind completely—just like her mother did. How else to explain seeing (and falling in love all over again with) someone who isn’t really there?With the murder trial looming just nine days away, Olivia must follow her heart to the truth, no matter how painful. It’s the only way she can save herself.

    Her grandmother is sick, maybe dying. Like the rest of her family, Caroline's been at Gram's bedside since her stroke. With the pressure building, all Caroline wants to do is escape--both her family and the reality of Gram's failing health. So when Caroline's best friend offers to take her to a party one fateful Friday night, she must choose: stay by Gram's side, or go to the party and live her life.The consequence of this one decision will split Caroline's fate into two separate paths--and she's about to live them both.Friendships are tested and family drama hits an all-new high as Caroline attempts to rebuild old relationships, and even make a few new ones. If she stays, her longtime crush, Joel, might finally notice her, but if she goes, Chris, the charming college boy, might prove to be everything she's ever wanted.Though there are two distinct ways for her fate to unfold, there is only one happy ending...

    To Hendrix and Corrina, both seventeen but otherwise alike only in their loneliness, that sounds like another line from a pop song that tries to promise kids that life doesn’t actually suck. Okay, so: love. Sure.The thing about Corrina—her adoptive parents are suffocating, trying to mold her into someone acceptable, predictable, like them. She’s a musician, itching for any chance to escape, become the person she really wants to be. Whoever that is.And Hendrix, he’s cool. Kind of a poet. But also kind of lost. His dad is dead and his mom is married to her job. Gpa is his only real family, but he’s fading fast from Alzheimer’s. Looking for any way to help the man who raised him, Hendrix has made Gpa an impossible promise—that he’ll get him back east to the hill where he first kissed his wife, before his illness wipes away all memory of her.One hot July night, Hendrix and Corrina decide to risk everything. They steal a car, spring Gpa from his assisted living facility, stuff Old Humper the dog into the back seat, and take off on a cross-country odyssey from LA to NY. With their parents, Gpa’s doctors, and the police all hot on their heels, Hendrix and Corrina set off to discover for themselves if what Gpa says is true—that the only stories that last are love stories.

    So when the unexpected shows up in her living room, Kate must confront another reality she never thought possible—or thought of at all. Kate does have a father. He’s a powerful politician. And he’s running for U.S. President. Suddenly, Kate’s moving in with a family she never knew she had, joining a campaign in support of a man she hardly knows, and falling for a rebellious boy who may not have the purest motives. This is Kate’s new life. But who is Kate? When what she truly believes flies in the face of the campaign’s talking points, she must decide. Does she turn to the family she barely knows, the boy she knows but doesn’t necessarily trust, or face a third, even scarier option?

    . . .Anna is everything her identical twin is not. Outgoing and athletic, she is the opposite of quiet introvert Jess. The same on the outside, yet so completely different inside--it's hard to believe the girls are sisters, let alone twins. But they are. And they tell each other everything.Or so Jess thought.After Anna falls to her death while sneaking out her bedroom window, Jess's life begins to unravel. Everyone says it was an accident, but to Jess, that doesn't add up. Where was Anna going? Who was she meeting? And how long had Anna been lying to her?Jess is compelled to learn everything she can about the sister she thought she knew. At first it's a way to stay busy and find closure . . . but Jess soon discovers that her twin kept a lot of secrets. And as she digs deeper, she learns that the answers she's looking for may be truths that no one wants her to uncover.Because Anna wasn't the only one with secrets.

    Katie, seventeen, in love with someone whose identity she can't reveal. Her mother Caroline, uptight, worn out and about to find the past catching up with her. Katie's grandmother, Mary, back with the family after years of mysterious absence and 'capable of anything', despite suffering from Alzheimers. As Katie cares for an elderly woman who brings daily chaos to her life, she finds herself drawn to her. Rules get broken as allegiances shift. Is Mary contagious? Is 'badness' genetic? In confronting the past, Katie is forced to seize the present. As Mary slowly unravels and family secrets are revealed, Katie learns to live and finally dares to love. Funny, sad, honest and wise, Unbecoming is a celebration of life, and learning to honour your own stories.

    Every camera is an eye. Every microphone an ear. Find me and we can stop him together.The Game: Get ready for Zero Hour as 200 geniuses from around the world go head to head in a competition hand-devised by India's youngest CEO and visionary.The Players:Rex- One of the best programmers/hackers in the world, this 16-year-old Mexican-American is determined to find his missing brother.Tunde- This 14-year-old self-taught engineering genius has drawn the attention of a ruthless military warlord by single-handedly bringing electricity and internet to his small Nigerian village.Painted Wolf- One of China's most respected activist bloggers, this mysterious 16-year-old is being pulled into the spotlight by her father's new deal with a corrupt Chinese official.The Stakes: Are higher than you can imagine. Like life and death. Welcome to the revolution. And get ready to run.

    Everyone in town knows the Dickinsons are a bad lot, but Bo doesn’t care what anyone thinks.Agnes Atwood has never gone on a date, never even stayed out past ten, and never broken any of her parents’ overbearing rules. Rules that are meant to protect their legally blind daughter—protect her from what, Agnes isn’t quite sure.Despite everything, Bo and Agnes become best friends. And it’s the sort of friendship that runs truer and deeper than anything else.So when Bo shows up in the middle of the night, with police sirens wailing in the distance, desperate to get out of town, Agnes doesn’t hesitate to take off with her. But running away and not getting caught will require stealing a car, tracking down Bo’s dad, staying ahead of the authorities, and—worst of all—confronting some ugly secrets.

    It’s the story of how her parents met: he, a forensic pathologist, she, a mysterious woman who came to identify a body. A woman who left Imogene and her father when Imogene was a baby, a woman who was always possessed by a powerful loneliness, a woman who many referred to as “troubled waters.”Now Imogene is seventeen, and her father, a famous author of medical mysteries, has struck out in the middle of the night and hasn’t come back. Neither Imogene’s stepmother nor the police know where he could’ve gone, but Imogene is convinced he’s looking for her mother. And she decides it’s up to her to put to use the skills she’s gleaned from a lifetime of reading her father’s books to track down a woman she’s only known in stories in order to find him and, perhaps, the answer to the question she’s carried with her for her entire life.

    Of course, that was all before—before Quinn stopped going to school, before his mom started sleeping on the sofa…and before Annabeth was killed in a car accident.Enter Geoff, Quinn’s best friend who insists it’s time that Quinn came out—at least from hibernation. One haircut later, Geoff drags Quinn to his first college party, where instead of nursing his pain, he meets a guy—a hot one—and falls hard. What follows is an upside-down week in which Quinn begins imagining his future as a screenplay that might actually have a happily-ever-after ending—if, that is, he can finally step back into the starring role of his own life story.

    How I wrecked their whole family. Now I’m serving out my summer like a jail sentence: Just ninety-nine days till I can leave for college, and be done.Day 4: A nasty note on my windshield makes it clear Julia isn’t finished. I’m expecting a fight when someone taps me on the shoulder, but it’s just Gabe, home from college and actually happy to see me. “For what it’s worth, Molly Barlow,” he says, “I’m really glad you’re back.”Day 12: Gabe got me to come to this party, and I’m actually having fun. I think he’s about to kiss me—and that’s when I see Patrick. My Patrick, who’s supposed to be clear across the country. My Patrick, who’s never going to forgive me.

    They’ve given Cass a life she wouldn’t trade for the world. She has everything she needs—except maybe the one thing she wants. Like, to know who she is. Where she came from. Questions her adoptive parents can’t answer, no matter how much they love her.But eighteen years ago, someone wrote Cass a series of letters. And they may just hold the answers Cass has been searching for.Alternating between Cass’s search for answers and letters from the pregnant teen who gave her up for adoption, this voice-driven narrative is the perfect read for fans of Nina LaCour and Jandy Nelson.

    The war seemed far away from Margot in Iowa and Haruko in Colorado--until they were uprooted to dusty Texas, all because of the places their parents once called home: Germany and Japan.Haruko and Margot meet at the high school in Crystal City, a "family internment camp" for those accused of colluding with the enemy. The teens discover that they are polar opposites in so many ways, except for one that seems to override all the others: the camp is changing them, day by day, and piece by piece. Haruko finds herself consumed by fear for her soldier brother and distrust of her father, who she knows is keeping something from her. And Margot is doing everything she can to keep her family whole as her mother's health deteriorates and her rational, patriotic father becomes a man who distrusts America and fraternizes with Nazis.With everything around them falling apart, Margot and Haruko find solace in their growing, secret friendship. But in a prison the government has deemed full of spies, can they trust anyone--even each other?

    One moment, she was wrapped in Emilio’s arms, melting into his kiss. The next, she was witnessing the unthinkable: a murder in cold blood, ordered by her father and carried out by her boyfriend. When Emilio pulled the trigger, Valentina disappeared. She made a split-second decision to shed her identity and flee her life of privilege, leaving the glittering parties and sultry nightlife of Miami far behind. She doesn’t know how to explain to herself what she saw. All she knows now is that nothing she believed about her family, her heart, or Emilio’s love, was real. She can change her name and deny her past, but Valentina can’t run from the truth. The lines between right and wrong, and trust and betrayal, will be blurred beyond recognition as she untangles the deceptions of the two men she once loved and races to find her own truth.

    So Anna "borrows" her stepmom's credit card and runs away to Los Angeles, where her half-sister takes her in. But LA isn't quite the glamorous escape Anna had imagined.As Anna spends her days on TV and movie sets, she engrosses herself in a project researching the murderous Manson girls—and although the violence in her own life isn't the kind that leaves physical scars, she begins to notice the parallels between herself and the lost girls of LA, and of America, past and present.In Anna's singular voice, we glimpse not only a picture of life on the B-list in LA, but also a clear-eyed reflection on being young, vulnerable, lost, and female in America—in short, on the B-list of life. Alison Umminger writes about girls, sex, violence, and which people society deems worthy of caring about, which ones it doesn't, in a way not often seen in YA fiction.