This book consists of magazine and newspaper articles, interviews, record reviews, excerpts from books, and other material related to the history of The Doors, to whose memory it is dedicated.

    This book reveals how the relationship between the UK’s foremost broadcasting organization and the world’s most celebrated pop group developed between 1962 and 1970.This in-depth account of The Beatles’ BBC appearances features transcripts of broadcast interviews plus photographs of the group and fascinating documents from the archives. From the unprecedented excitement of Beatlemania to the mature reflection of the last interviews before the group’s split, it was all seen and heard on the BBC. Experience the history of The Beatles the way it really happened.

    Here is a celebration (illustrated in glorious black and white) of the best of the worst cinematic catastrophes -- the shimmering stars, the dreadful directors, and the dubious dialogue that made these movies so abysmal.Remember John Travolta as a melting monster in The Devil's Rain? Henry Fonda as a fearless bee battler in The Swarm? Mary Tyler Moore as a heartsick nun in love with Elvis Presley in Change of Habit? How about Scuttlebutt the Talking Duck in Everything's Ducky?See if you can guess the winners in each of the 30 award categories -- from The Most Obnoxious Child Performer of All Time to the Life Achievement Awards: Worst Actor, Actress, and Director. Applaud the winner in a national poll for The (very) Worst Film of All Time and The Worst Films Compendium, an annotated index of the best of the unbelievable baddies.MC'd by the Brothers Medved--Harry, author of The Fifty Worst Films of All Time, and Michael, author of What Really Happened to the Class of '65? -- The Golden Turkey Awards is a cornucopia of cinemediocrity.WARNING: Over 425 actual films are described in this book, but one is a complete hoax. Can you find it?

    These crippling fears are laid to rest through insightful discussions of personal experiences, the struggles of famous artists, and the rewards of producing art that comes from an authentic creative core. Providing sensitive reassurances that these struggles are normal, these essays encourage artists to focus on the development of their crafts and find inspiration to work through self-doubt.

    But it’s a bit less widely understood that in about 1950, this stream of great songs more or less dried up. All of a sudden, what came over the radio wasn’t Gershwin, Porter, and Berlin, but “Come on-a My House” and “How Much Is That Doggie in the Window?” Elvis and rock and roll arrived a few years later, and at that point the game was truly up. What happened, and why? In The B Side, acclaimed cultural historian Ben Yagoda answers those questions in a fascinating piece of detective work. Drawing on previously untapped archival sources and on scores of interviews—the voices include Randy Newman, Jimmy Webb, Linda Ronstadt, and Herb Alpert—the book illuminates broad musical trends through a series of intertwined stories. Among them are the battle between ASCAP and Broadcast Music, Inc.; the revolution in jazz after World War II; the impact of radio and then television; and the bitter, decades-long feud between Mitch Miller and Frank Sinatra. The B Side is about taste, and the particular economics and culture of songwriting, and the potential of popular art for greatness and beauty. It’s destined to become a classic of American musical history.

    This book contains Suggested Assignments and Suggested Listening lists following each chapter that help students master and explore subject matter. It includes chapter on writing score and parts with inclusion of material on computer notation.

    "Music: An Appreciation" includes some of the greatest music ever created. Roger Kamien's excellence as an interpreter of that music has made his program number one in the market used by over half a million students since its conception. Now, CONNECT Kamien provides the world-class instrument that allows "Music: An Appreciation" to bring great music to his audience in an extraordinary new way. "Music: An Appreciation" is great music, a great interpreter, and a great instrument.

    Covering the country region by region, Ian Glasper profiles not only big names like Vice Squad, Anti Pasti, and The Defects, but also the more obscure bands of the era such as Xtract, Skroteez, and Soldier Dolls.

    'I HATE MYSELF AND I WANT TO DIE,' by Tom Reynolds This roundup of 52 of the most maudlin songs ever penned, from Manilow to Metallica, will move you to tears of despair — or shrieks of helpless laughter. PLAYBOY - "There must be a section of Tom Reynolds's record collection that wards off disc jockeys like a cross repels vampires. The writer/TV producer's steep descent into depressing pop music, I Hate Myself and Want to Die is a humorous song-by-song analysis of the most egregious examples of audio torture. Its title may sound like a hackneyed VH1 special, but Reynolds steps above pointless banter by demonstrating some serious scholarship, exposing gut-wrenching stories behind these songs like the telling fact that the writers of "Without You," covered by Mariah Carey, both hung themselves....Overall, his picks are solid and stick to chart-topping tragedies, ranging from the Billie Holiday lynching tune "Strange Fruit" ("Black bodies swinging in the Southern breeze") to a prescient analysis of Johnny Cash's superior cover of Trent Reznor's "Hurt." Reynolds also manages to sneak in some unknown misfires, like his number one pick "The Christmas Shoes," a Christian adult contemporary Christmas song (already depressing) about poor kids buying slippers for their terminally ill mom to wear in heaven (kill me already). NEW MUSIC EXPRESS - "Full of premium trivia and pinpoint pomposity pricking, Reynolds has made comedy gold from the full base metal of misery." WHAT'S ON IN LONDON - "A sustained and superbly observed insight into some of rock music's most memorable follies, it is an absolute must-read. Brilliant." UNCUT Magazine - "Tom Reynolds, an American TV producer who manages to combine the wit of Dave Barry with the musical tastes of a bath towel, takes a simple concept and pulls great big inappropriate belly laughs from it....Genius." Anne Stephenson, THE REPUBLIC - "To write a book like this, you need a working knowledge of music recorded over the past 70 years and an astute and merciless sense of humor. Tom Reynolds is our man.". Rob Lester, EDGE MAGAZINE - "What makes this book so worthwhile and more than just cathartic (oh, it is that!) is the humor. Reynolds’ language is colorful and clever and his greatest skills are sarcasm and funny, funny exaggeration for effect... Smug? Absolutely. But it’s mostly a hoot." PUCKNATION - "I Hate Myself and Want to Die, is one of the most brilliant looks at music and popular culture I've read in a long time. This collection of essays rips through music with ludicrous comments, humor and sarcasm. Reynolds’ knack for timing and wit allows him to tear seemlessly through these songs, with great results....An instant classic and perfect bathroom reading." ROCKNWORLD - "Don'tcha just love discovering a book that is too funny to be read in public, that makes eating or drinking while reading it a sure way to choke & die? What makes the subject matter of this book even better is its importance & truth.....His treatments of Evanescence's entry on the list & Metallica are so funny that I wish I could quote the entire chapters here."

    In Anatomy of a Song, based on the ongoing Wall Street Journal column, writer and music historian Marc Myers brings to life five decades of music through oral histories of forty-five transformative songs woven from interviews with the artists who created them.Bringing readers inside the making of a hit, Anatomy of a Song includes the Isley Brothers' memorable song "Shout," Led Zeppelin's "Whole Lotta Love," Janis Joplin's "Mercedes Benz," and R.E.M's "Losing My Religion." After receiving his discharge from the army in 1968, John Fogerty does a handstand and reworks Beethoven's Fifth Symphony to come up with "Proud Mary." Joni Mitchell remembers living in a cave on Crete with the "mean old daddy" who inspired her 1971 hit "Carey." Elvis Costello talks about writing "(The Angels Wanna War My) Red Shoes" in ten minutes on the train to Liverpool. And Mick Jagger, Jimmy Page, Rod Stewart, the Clash, Jimmy Cliff, Roger Waters, Stevie Wonder, Keith Richards, Cyndi Lauper, and many other leading artists reveal the emotions, inspirations, and techniques behind their influential works. Anatomy of a Song is a love letter to the songs that have defined generations of listeners.

    Burning Fight draws upon the memories of more than 150 individuals, many who played influential roles in the nineties hardcore scene, to understand what made this era so unique in its ability to synthesize music, politics, social issues and spirituality into a powerful counter-cultural movement. Includes interviews with Los Crudos, Unbroken, Earth Crisis, Inside Out, Avail, Shelter, Texas Is The Reason, Mouthpiece, Trial, Swing Kids, Coalesce, Burn, & many more.

    No music lover can pick up this one-volume compendium without becoming a more knowledgeable, discerning listener. • The sonata form revealed, and why it's been deeply satisfying for three centuries. • What to listen for in Brahms, a self-described Classicist who was one of music's great innovators. • Pizzicato, fioritura, parlando, glissando. • The transformative power of Toscanini–who earned more conducting the New York Philharmonic than his contemporary Babe Ruth made with the Yankees. • And throughout, more than 2,000 recommended recordings.Log on and listen. Created with Naxos, the world's largest classical music label, the book includes a unique Web site featuring more than 500 examples cited in the text. Look up barcarolle. First read about its swaying 6/8 meter and Venetian origins; then log on to the music Web site and hear it performed in Act IV of Offenbach's Les contes d'Hoffmann. If that whets your curiosity about Offenbach, click to hear the cancan in his La vie parisienne. All online samples are marked by an icon in the text.

    Along with that song, every one of these singles helped reshape the culture’s style, language, and performance. This is the story of how music and the world change, how bands reach a peak and dominate the scene briefly before fading away, and about the undeniable power of certain songs (Nirvana’s “Smells Like Teen Spirit,” for example). Here are punk and grunge, disco and rock, funk and electronica, rap and hip-hop. Every incisive, illuminating, and outspokenessay defies the accepted view of music journalism. From Elvis Costello’s “Alison” and The Bee Gees’ “Stayin’ Alive” to Bjork’s “Hyperballad” and Missy Elliot’s “The Rain”, it’s a truly provocative read.

    Pepper at the head of the class, but it was Revolver that truly signaled the Beatles' sea change from a functional band to a studio-based ensemble. These changes began before Rubber Soul but came to fruition on Revolver, which took an astonishing 300 hours to produce, far more than any rock record before it. The making of Revolver - hunkered down in Abbey Road with George Martin - is in itself a great Beatles story, but would be nothing if the results weren't so impactful. More than even Sgt. Pepper and Pet Sounds, Revolver fed directly into the rock 'n' roll zeitgeist, and its influence could be heard everywhere, from the psychedelic San Francisco sound (Jefferson Airplane, Grateful Dead) to the first wave of post-blues hard rock (Sabbath, Zeppelin) through movie soundtracks and pretty much everything that followed it, including every generation of guitar-based pop music and even heavy metal. More than any record before or after, Revolver was the game-changer, and this is, finally, the detailed telling of its storied recording and enormous impact.

    A Fast Ride Out of Here tells a story that is so shocking, so outrageous, so packed with excess and leading to such uproar and tragic consequences as to be almost beyond compare. Put simply, in terms of jaw-dropping incident, self-destruction and all-round craziness, Pete Way's rock'n'roll life makes even Keith Richards's appear routine and Ozzy Osbourne seem positively mild-mannered in comparison. Not for nothing did Nikki Sixx, bassist with LA shock-rockers Motley Crue and who 'died' for eight minutes following a heroin overdose in 1988, consider that he was a disciple of and apprenticed to Way.During a forty-year career as founding member and bassist of the venerated British hard rock band UFO, and which has also included a stint in his hell-raising buddy Ozzy's band, Pete Way has both scaled giddy heights and plunged to unfathomable lows. A heroin addict for more than ten years, he blew millions on drugs and booze and left behind him a trail of chaos and carnage. The human cost of this runs to six marriages, four divorces, a pair of estranged daughters and two dead ex-wives. Latterly, Way has fought cancer, but has survived it all and is now ready to tell his extraordinary tale. By turns hilarious, heart-rending, mordant, scabrous, self-lacerating, brutally honest and entirely compulsive, A Fast Ride Out of Here will be a monument to rock'n'roll debauchery on an epic, unparalleled scale and also to one man's sheer indestructability.