So when she goes hiking in the Smokies with her friends for a night of partying, the falling dark and creaking trees are second nature to her. But people are not tame either. And when Ashley catches her boyfriend with another girl, drunken rage sends her running into the night, stopped only by a nasty fall into a ravine. Morning brings the realization that she's alone - and far off trail. Lost in undisturbed forest and with nothing but the clothes on her back, Ashley must figure out how to survive despite the red streak of infection creeping up her leg.

    Angie has no memory of the past three years, years in which she was lost to the authorities, lost to her family and friends, lost even to herself. Where has she been, who has been living her life, and what is hiding behind the terrible blankness? There are secrets you can’t even tell yourself.With a tremendous amount of courage and support from unexpected friends, Angie embarks on a journey into the darkest corners of her mind. As she unearths more and more about her past, she discovers a terrifying secret and must decide: when you remember things you wish you could forget, do you destroy the people responsible, or is there another way to feel whole again?Liz Coley’s alarming and fascinating psychological mystery is a disturbing—and ultimately empowering—page turner about accepting our whole selves, and the healing power of courage, hope, and love.

    13 nightmares. 1 destiny.I click my fingers and everybody dies.Sam wakes from his nightmare to discover the terrifying reality. It will come true.Kidnapped from school and finding out his parents aren't who he thinks they are, Sam is suddenly running from danger at every turn. Nothing will ever be the same again.With his life and identity shattered, Sam's salvation is tied to an ancient prophecy. He is in the final battle to save the world, up against an enemy plotting to destroy us all.He alone can find the last thirteen.

    But then one day she hears of a criminal, Stuart Harris, locked up on death row in Texas. Like Zoe, Stuart is no stranger to secrets. Or lies. Or murder.Full of heartache yet humour, Zoe tells her story in the only way she can—in letters to the man in prison in America. Armed with a pen, Zoe takes a deep breath, eats a jam sandwich, and begins her tale of love and betrayal.

    Before, she was never allowed to leave the property, never allowed to talk to Outsiders, never allowed to speak her mind. Because Father John controlled everything—and Father John liked rules. Disobeying Father John came with terrible consequences.But there are lies behind Father John's words. Outside, there are different truths.Then came the fire.

    Each letter invited its recipient to spend a week at Camp So-and-So, a lakeside retreat for girls nestled high in the Starveling Mountains. Each letter came with a glossy brochure with photographs of young women climbing rocks, performing Shakespearean theatre under the stars, and spiking volleyballs. Each letter was signed in ink by the famed and reclusive businessman and philanthropist, Inge F. Yancey IV.By the end of the month, twenty-five applications had been completed, signed, and mailed to a post office box in an obscure Appalachian town.Had any of these girls tried to follow the directions in the brochure and visit the camp for themselves on that day in February, they would have discovered that there was no such town and no such mountain and that no one within a fifty-mile radius had ever heard of Camp So-and-So.

    He could be any man, any respectable, ordinary man.But he's not.This man watches the five Herbert girls—Beauty, Mim, Stevie, Fancy, and Autumn—with disturbing fascination.Unaware of his scrutiny and his increasingly agitated and forbidden thoughts about them, the sisters go on with their ordinary everyday lives—planning, arguing, laughing, and crying—as if nothing bad could ever breach the safety of their family.In alternating points of view, Norma Fox Mazer manages to interweave the lives of predator and prey in this unforgettable psychological thriller.

    Only this boy is very much alive.Digging through layers of secrets and lies, Morgan is left questioning everything she thought she knew about her boyfriend, her town, and even her parents' involvement in this massive web of lies.

    urges.Lane is a typical teenager. Loving family. Good grades. Afterschool job at the local animal hospital. Martial arts enthusiast. But her secret obsession is studying serial killers. She understands them, knows what makes them tick.Why?Because she might be one herself.Lane channels her dark impulses by hunting criminals—delivering justice when the law fails. The vigilantism stops shy of murder. But with each visceral rush the line of self-control blurs.And then a young preschool teacher goes missing. Only to return... in parts.When Lane excitedly gets involved in the hunt for “the Decapitator,” the vicious serial murderer that has come to her hometown, she gets dangerously caught up in a web of lies about her birth dad and her own dark past. And once the Decapitator contacts Lane directly, Lane knows she is no longer invisible or safe. Now she needs to use her unique talents to find the true killer’s identity before she—or someone she loves—becomes the next victim...

    Fear for her father's life quickly turns to terror when two Italian men kidnap her and drive to their remote home in the countryside.  Jackie soon discovers that her captors are actually a family, plagued by a mysterious secret. Award-winning novelist Donna Jo Napoli has created a haunting thriller that gives life to Jackie's utter desperation and determination to escape.

    Four came out.No one knows what happened that morning at River Point. Five boys went hunting. Four came back. The boys won’t say who fired the shot that killed their friend; the evidence shows it could have been any one of them. Kate Marino’s senior year internship at the district attorney’s office isn’t exactly glamorous—more like an excuse to leave school early that looks good on college applications. Then the DA hands her boss, Mr. Stone, the biggest case her small town of Belle Terre has ever seen. The River Point Boys are all anyone can talk about. Despite their damning toxicology reports the morning of the accident, the DA wants the boys’ case swept under the rug. He owes his political office to their powerful families.Kate won’t let that happen. Digging up secrets without revealing her own is a dangerous line to walk; Kate has her own reasons for seeking justice for Grant. As she investigates with Stone, the aging prosecutor relying on Kate to see and hear what he cannot, she realizes that nothing about the case—or the boys—is what it seems. Grant wasn’t who she thought he was, and neither is Stone’s prime suspect. As Kate gets dangerously close to the truth, it becomes clear that the early morning accident might not have been an accident at all—and if Kate doesn’t uncover the true killer, more than one life could be on the line…including her own.

    College life isn’t what Emily expected.She expected to spend freshman year strolling through the ivy-covered campus with new friends, finally feeling like she belonged. Instead, she walks the campus alone, still not having found her place or her people so far away from home. But then the Kingdom finds her. The Kingdom, an exclusive on-campus group, offers everything Emily expected of college and more: acceptance, friends, a potential boyfriend, and a chance to spend the summer in Italy on a mission trip. But the trip is not what she thought it would be. Emily and the others are stripped of their passports and money. They’re cut off from their families back home. The Kingdom’s practices become increasingly manipulative and dangerous. And someone ends up dead.At times unsettling and always riveting, Those Who Prey looks at the allure of cult life, while questioning just how far we’re willing to go to find where we belong.

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    That was before, when her life was small and quiet. Her golden stepbrother, Ben was alive. She could only dream about bonfiring with the populars. Their wooded island home was idyllic, she could tell truth from lies, and Ben's childhood stories were firmly in her imagination.Then came after.After has Lana boldly kissing her crush, jumping into the water from too high up, living with nerve and mischief. But after also has horrors, deaths that only make sense in fairy tales, and terrors from a past Lana thought long forgotten: love, blood, and murder.

    Ted and Kat watch their cousin Salim get on board the London Eye. He turns and waves and the pod rises from the ground.Monday, 24 May, 12.02 p.m. The pod lands and the doors open. People exit in all shapes and sizes – but where is Salim?Ted and his older sister Kat become sleuthing partners since the police are having no luck. Despite their prickly relationship, they overcome their differences to follow a trail of clues across London in a desperate bid to find their cousin. And ultimately it comes down to Ted, whose brain runs on its own unique operating system, to find the key to the mystery.In Spring 2009. the Unicorn Theatre adapted The London Eye Mystery for the stage. The story was adapted by Unicorn Artistic Associate Carl Miller, directed by Rosamunde Hutt and performed by the Unicorn ensemble and received a host of rave reviews.