But, there is a rival for her attentions.Local hero, Brom Bones.Brom lives to torment and tease Ichabod, leaving the schoolmaster wondering if he is more interested in besting his rival than winning Katrina’s hand. Especially when each time Ichabod goes into the backroom of his favorite tavern – a place men can be men –his imagination conjures Brom's face on every lover.Late one night, Ichabod is chased by the legendary Headless Horseman. Terrified the ghost wants his head, he tries to outrun the specter. To his horror, he is taken captive by the evil spirit.Ichabod awakens, naked and tied to a bed, only to discover the Headless Horseman is none other than his rival Brom Bones! Brom confesses that Ichabod has been haunting his own fantasies and he vows to make Ichabod Crane his in every way.Ichabod wants to believe the pleasure Brom offers comes from his heart, but he is afraid it is another one of Brom’s tricks.Though surely an enemy's touch has never felt like this...

    She has succeeded at only two of those.But before her feelings for Eva can become a point of contention for the royal house, Guerline's calm and narrow life is ripped away from her—in the course of a single night—and she is abruptly cast in the role of empress.Faced with a council that aggressively fears the four witch clans charged with protecting Arido and believes they are, in fact, waging war against the humans, Guerline struggles to maintain order. As her control over the land crumbles, she learns that the war is rooted in a conflict much older than she realized—one centuries in the making, which is now crawling from under the mountain and into the light. With the fate of Arido hanging in the balance, Guerline must decide who to trust when even her closest councilors seem to have an agenda.Darkly cinematic, From Under the Mountain pairs the sweeping landscape of epic fantasy with the personal journey of finding one’s voice in the world, posing the question: how do you define evil, when everything society tells you is a lie?

    It washes glasses, puts dishes away, and even dusts. At least he hopes it's a cleaning-obsessed poltergeist and not his own anxieties burbling over into neat freak fits he doesn't remember. When his property manager suggests he call paranormal expert, Jack Montrose, Taro's skeptical but desperate enough to try even a ghost hunter.Jack's arrival crushes Taro's hopes of a dashing Van Helsing-style hero. Instead of an invincible hunter, he gets Ichabod Crane. As the paranormal puzzles multiply and Jack begins to suggest the entity might not be a ghostly one, Taro adds a budding friendship with Jack to his pile of anxieties. It's a race to see whether Taro's poltergeist or his relationship with the obviously-not-ace Jack will reach maximum strangeness first.Word Count: 35,454

    It's annoying, but at least the dragon is polite.But when the dragon hoards a person, that's a step too far. Sir Violet storms off to the mountainside to escort the baker home, only to find a more complex mystery—a quest that leads him far beyond the cave. Accompanied by the missing baker's wife and the dragon himself, the dutiful village knight embarks on his greatest adventure yet.The Dragon of Ynys is an inclusive fairy tale for all ages.

    Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    He believes his destiny is to be the greatest composer of the rapidly approaching twentieth century. Only Laurence Northcliff, a young history master at The Venerable Bede School for Young Gentlemen, believes in Dylan's talent and encourages his dream, not realizing Dylan is in love with him. But Dylan's passion and belief in his future come at a high price. They will alienate him from his family and lead him on a rocky path fraught with disappointment, rejection, and devastating loss that kills his dream. A forbidden love could bring the dream back to life and rescue Dylan from despair and bitterness, but does he have the courage to reach out and take it? Will he deny the music that rules his soul?

    These two men who have spent a life in love, from the very first date arranged by Henry’s sister, through the rocky times they worked to make ends meet, and into their twilight years.NOTE: This story appears in the following anthologies — Best Gay Romance 2008 (Cleis Press) and Best Gay Stories 2009 (Lethe Press).

    To protect him from himself—and to protect others from him—he spends his days heavily medicated and locked in his rooms, and his nights in darkness and solitude, tormented by visions, until a stranger appears.This apparition is different. Fox says he’s a thief and not an entirely good sort of man, yet he returns night after night to ease Arthur’s loneliness without asking for anything in return. Fox might be the key that sets Arthur free, or he might deliver the final blow to Arthur’s tenuous grasp on sanity. Either way, real or imaginary, Arthur needs him too much to care.Fox is only one of the many secrets and specters haunting Campden House, and Arthur will have to face them all in order to live the life of his dreams.

    Within days, she is captivated by Tamara, a Russian émigré whose arts of enchantment include lingering kisses, sudden dismissals, and savage, rapturous reunions. As long as she submits to Tamara, Hélène is permitted to stay near her: reading forbidden novels, meeting Tamara’s bohemian friends, and learning more 'refinements of depravity' than the gossiping matrons of her provincial French town could imagine existed.

    The man Andrew loves will die without proper medical treatment. To save his life, Andrew makes a choice that could destroy not just his future but his life.

    Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.As she grows older, Ruthie slowly learns how the town's prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm--from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive.In her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in--and out of--the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

    But when the crops of their kingdom start failing, the king commands that Paurick be joined to Brother Laurel, a monk, in order to combine Paurick’s royal magic with that of the Goddess, and thus bring fertility back to the land. The union is only meant to be temporary, but Brother Laurel is so ugly and prudish that it might as well be an eternity. However, as they get to know one another, Paurick realizes he has misjudged Laurel and finds himself falling for the thoughtful and sensitive young man. The fate of the kingdom relies on their sexual union, but as time goes on, it becomes clear that the fate of their hearts is in jeopardy as well.

    Sébastien is fifteen years old and already versed in the medicinal properties of plants and herbs when he meets the young nobleman Balthazar de Créon, whose life he saves after the latter is thrown from a horse. De Créon, struck by the boy’s beauty as much by his talents as a healer, orders Sébastien to his manor some months later so he can instruct him in the ways of the court, hoping thus to install him as Louis XV’s surgeon. His motives, however, are clouded by his lust for Sébastien, and after a brief period of restraint Balthazar and Sébastien abandon themselves to their passions and imaginations. But it is 1749 and their affair scandalizes the French court, bringing the king’s wrath down upon them. Balthazar is eventually presented with an ultimatum: repudiate Sébastien and live, or do not, and die. Daniel Arsand’s slim, sublime Lovers is many things: a song of love and an ode to sensual abandon; a richly imagined, atmospheric evocation of the French court; a fable about freedom and the heart’s indifference to social and class barriers; a heartfelt cry against those who, poor of soul, refute the legitimacy of unconventional love. Above all, with its delectable prose, Lovers is itself a delight for the senses.

    But the recent death of her father has so devastated her that her mother wants her to remain home in Baltimore to recover. Phoebe wants to return to New York, not only to chase the glamorous life she so desperately craves but also to confront Ivan, the older man who painfully wronged her.With her best friend Carmen, she escapes to the East Village, disappearing into an underworld haunted by artists, It Girls, and lost souls trying to party their pain away. Carmen juggles her junkie-poet boyfriend and a sexy painter while, as Astrid the Star Girl, Phoebe tells fortunes in a nightclub and plots her revenge on Ivan.When the intoxicating brew of sex, drugs, and self-destruction leads Phoebe to betray her friend, Carmen disappears, and Phoebe begins an unstoppable descent into darkness. She may have a chance to save herself—and Carmen, if she can find her—but to do it she must face what’s hiding in the shadows she’s been running from—within her heart and in the dangerous midnight streets.

    After learning from the pontiff that several priceless cameos that could prove compromising to the church, and perhaps determine the future of the newly unified Italy, have been stolen, Holmes is asked to recover them. In a parallel story, Michelangelo, the toast of Rome in 1501 after the unveiling of his Pieta, is commissioned by Pope Alexander VI, the last of the Borgia pontiffs, with creating the cameos that will bedevil Holmes and the papacy four centuries later. For fans of Conan Doyle's immortal detective, the game is always afoot. However, the great detective has never encountered an adversary quite like the one with whom he crosses swords in "The Vatican Cameos.."