What follows is one of the most beautiful and piercing considerations ever written about the dualities of love: a dazzling psychological duel between the two men over knowledge they may or may not share, bringing them both to a shattering conclusion.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature’s greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    A major hit in Germany that went on to become one of Europe’s biggest literary blockbusters in the last five years, Night Train to Lisbon is an astonishing novel, a compelling exploration of consciousness, the possibility of truly understanding another person, and the ability of language to define our very selves. Raimund Gregorius is a Latin teacher at a Swiss college who one day—after a chance encounter with a mysterious Portuguese woman—abandons his old life to start a new one. He takes the night train to Lisbon and carries with him a book by Amadeu de Prado, a (fictional) Portuguese doctor and essayist whose writings explore the ideas of loneliness, mortality, death, friendship, love, and loyalty. Gregorius becomes obsessed by what he reads and restlessly struggles to comprehend the life of the author. His investigations lead him all over the city of Lisbon, as he speaks to those who were entangled in Prado’s life. Gradually, the picture of an extraordinary man emerges—a doctor and poet who rebelled against Salazar’s dictatorship.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    WATT was the beginning of Samuel Becket's post-war literary career, the fruition of the years in hiding in the Vaucluse mountains from the Gestapo, which also largely inspired WAITING FOR GODOT. But it remains, unlike the work that followed it, extremely Irish, a philosophical novel full of the grim humour that was already his trade-mark in such earlier fictions as MORE PRICKS THAN KICKS and MURPHY. The perambulations of WATT, especially in the home of the eccentric Mr. Knott, and the sketching of logic to elicit meaning, must be among the most comic inventions of modern literature. First published by the libertine Olympia Press in 1953, it has established itself as one of the most quoted and best-loved of Becket's novels. The typographical oddities and omissions are as Beckett left the text.

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    Adrift in their acquisitive desires, they are vulnerable to the propaganda of the State — making this novel brilliantly foresightful in its understanding of politics and human nature at a crucial point in modern history.Ödön von Horváth’s scathing insight, in fact, led to his having to flee the very society he depicted when, living in Berlin, he drew the wrath of the Nazis. And yet this hilarious tour-de-force — written just after his escape, and just before his death in a tragic accident — eschews bitterness for rambunctious perseverance and compassion, and provides ample evidence of why von Horváth deserves renewed appreciation.

    One hundred fifty years later, Clare Boylan has finished Brontë's novel, sparking a sensational literary event. With pitch-perfect tone that is utterly true to Brontë's voice, Boylan delivers a brilliant tale about a mysterious young girl, Matilda, who is delivered to a girls' school in provincial England. When everything about the girl's wealthy background turns out to be a fiction, it falls to a local gentleman, Mr. Ellin, and a childless widow, Isabel Chalfont, to begin a quest for her past and her identity that takes them from the drawing rooms of country society to London's seamiest alleys. With all the intelligence and pathos of the novel's originator, Boylan develops Brontë's sketch of a girl without a past into a stunning portrait of Victorian society with a shameful secret at its heart.

    Howard” Contains: • An aesthetic cover page. • A beginning click-able Table of Contents for all titles. • Inner click-able Tables of Contents for all individual books with multiple chapters. • Nicely organized chapters and text. Author’s works include: • SKULLS IN THE STARS • THE FOOTFALLS WITHIN • THE MOON OF SKULLS • THE HILLS OF THE DEAD • WINGS IN THE NIGHT • RATTLE OF BONES • RED SHADOWS • THE DAUGHTER OF ERLIK KHAN • HAWK OF THE HILLS • BLOOD OF THE GODS • SON OF THE WHITE WOLF • THE COUNTRY OF THE KNIFE • THE PHOENIX ON THE SWORD • THE SCARLET CITADEL • THE TOWER OF THE ELEPHANT • BLACK COLOSSUS • THE SLITHERING SHADOW • THE POOL OF THE BLACK ONE • GODS OF THE NORTH • ROGUES IN THE HOUSE • SHADOWS IN THE MOONLIGHT • QUEEN OF THE BACK COAST • THE DEVIL IN IRON • THE PEOPLE OF THE BLACK CIRCLE • A WITCH SHALL BE BORN • JEWELS OF GWAHLUR • BEYOND THE BLACK RIVER • SHADOWS IN ZAMBOULA • RED NAILS • THE HOUR OF THE DRAGON • THE HYBORIAN AGE • THE VALLEY OF THE WORM • THE GARDEN OF FEAR • APPARITION IN THE PRIZE RING • ALLEYS OF DARKNESS • ALLEYS OF PERIL • ALMURIC • WORMS OF THE EARTH • THE LOST RACE • EVIL DEEDS AT RED COUGAR • A GENT FROM BEAR CREEK (NOVELLA) • A GENT FROM BEAR CREEK (SHORT STORY) • CUPID FROM BEAR CREEK • GUNS OF THE MOUNTAINS • HIGH HORSE RAMPAGE • MOUNTAIN MAN • NO COWHERDERS WANTED • PILGRIMS TO THE PECOS • TEXAS JOHN ALDEN • WHILE SMOKE ROLLED • PISTOL POLITICS • SHARP’S GUN SERENADE • THE APACHE MOUNTAIN WAR • THE CONQUERIN’ HERO OF THE HUMBOLTS • THE FEUD BUSTER • THE HAUNTED MOUNTAIN • THE RIOT AT COUGAR PAW • THE ROAD TO BEAR CREEK • THE SCALP HUNTER • WAR ON BEAR CREEK • THE TOMB’S SECRET • CHAMP OF THE FORECASTLE • CIRCUS FISTS • THE CHILDREN OF THE NIGHT • THE HAUNTER OF THE RING • HAWKS OF OUTREMER • THE BLOOD OF BELSHAZZAR • THE BLACK STONE • THE FIRE OF ASSHURBANIPAL • THE THING ON THE ROOF • CUPID VS POLLUX • IN THE FOREST OF VILLEFÉRE • WOLFSHEAD • BLACK CANAAN • THE HOUSE OF ARABU • PEOPLE OF THE DARK • THE VOICE OF EL-LIL • SPEAR AND FANG • SEA CURSE • FIST AND FANG • GENERAL IRONFIST • GATES OF EMPIRE • LORD OF SAMARCAND • THE LION OF TIBERIAS • THE SOWERS OF THE THUNDER • THE CAIRN ON THE HEADLAND • THE DREAM SNAKE • THE FEARSOME TOUCH OF DEATH • THE HYENA • THE TREASURES OF TARTARY • THE SHADOW KINGDOM • THE MIRRORS OF TUZUN THUNE • KINGS OF THE NIGHT • NIGHT OF BATTLE • OLD GARFIELD’S HEART • T

    But his attempts to become a respected member of the community are constantly put under threat: by his own conscience, when, owing to a case of mistaken identity, another man is arrested in his place; and by the relentless investigations of the dogged Inspector Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty.

    Dover examines the two versions of the play, recounts the history of the text, and analyzes a number of problems surrounding the play's overall interpretation, including the Greek notion of right and wrong, the purpose of the chorus, and Aristophanes' sexual jokes.

    Surrounded by jealous & hateful enemies, Süß helps the Duke create a corrupt state that involves them both in immense wealth & power.

    Here we go again with real life and opinions made to look like one big, preposterous animal not unlike an invention by Dr. Seuss...--Kurt Vonnegut, from Fates Worse Than Death

    Leo would spend the next five years in a coke processing plant, shoveling coal, lugging bricks, mixing mortar, and battling the relentless calculus of hunger that governed the labor colony: one shovel load of coal is worth one gram of bread.In her new novel, Nobel laureate Herta Müller calls upon her unique combination of poetic intensity and dispassionate precision to conjure the distorted world of the labor camp in all its physical and moral absurdity. She has given Leo the language to express the inexpressible, as hunger sharpens his senses into an acuity that is both hallucinatory and profound. In scene after disorienting scene, the most ordinary objects accrue tender poignancy as they acquire new purpose—a gramophone box serves as a suitcase, a handkerchief becomes a talisman, an enormous piece of casing pipe functions as a lovers' trysting place. The heart is reduced to a pump, the breath mechanized to the rhythm of a swinging shovel, and coal, sand, and snow have a will of their own. Hunger becomes an insatiable angel who haunts the camp day and night, but also a bare-knuckled sparring partner, delivering blows that keep Leo feeling the rawest connection to life.Müller has distilled Leo's struggle into words of breathtaking intensity that take us on a journey far beyond the Gulag and into the depths of one man's soul.

    But this play-within-a-play is not historical drama. Its thought is as modern as today's police states and The Bomb; its theatrical impact has everywhere been called a major innovation. It is total theatre: philosophically problematic, visually terrifying. It engages the eye, the ear, and the mind with every imaginable dramatic device, technique, and stage picture, even including song and dance. All the forces and elements possible to the stage are fused in one overwhelming experience. This is theatre such as has rarely been seen before. The play is basically concerned with the problem of revolution. Are the same things true for the masses and for their leaders? And where, in modern times, lie the borderlines of sanity?

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.