“Sana, you are only a kid…you will soon forget all this. Besides, don’t you also love Shahrukh Khan?”A decade has gone by and Sanjana, now a highflying professional in Mumbai, had thought she was over her childhood crush on Rajan. However, a chance encounter at a family wedding in her hometown Fatehpur re-kindles all her old feelings for him. But what about Krish, her persistent suitor who is also a senior colleague in the office? He just will not take no for an answer! His unexpected arrival in Fatehpur results in heated rivalry between the two men.Will the ensuing tension and misunderstanding put an end to all her hopes of happiness? Her first love Rajan, or Krish, her handsome eligible colleague…who will win Sanjana’s impulsive heart?

    The only guy she had loved had left her six years back. Suddenly Ryan Mathur is back in town as a hot shot entrepreneur. His advertising firm has been hired to create the marketing campaign for Sia’s publishing company, but Ryan has only one thing on his mind: to win back the only woman he ever loved. But feisty Sia has other plans and is determined to make him pay. The harder Ryan tries to win her over, the further Sia strays. Ryan seems to be everywhere she goes, and her bestselling romance author, the sultry Nisha Malik, joins the fray to pursue Ryan. It’s not long before Sia realizes she still has feelings for him. Will Sia let Ryan back into her life again? And will Ryan ever win back the girl he left behind?

    Left behind is a mysterious letter threatening Nidhi and her family.Nishant Kapoor, Nidhi’s father and a superstar of the yesteryears is confined to a retirement facility in the hills. Tormenting him are his recurring dreams of someone trying to hurt him and his family. A film set where Nidhi Kapoor is shooting for her much anticipated film goes up in flames. Trapped inside are Nidhi and her sister, Payal.ACP Prakash Mohile is forced to take up the investigation. Rujuta Singh, a photojournalist chronicling the lives of policemen in Mumbai and shadowing Prakash, gets embroiled in the case.Unwarranted incidents continue to happen and in absence of any real clues or motive, Prakash and Rujuta are forced to dig deeper in the past of the Kapoors. They unknowingly stumble onto a violent tale of lies, betrayal, treachery, infidelity and murder.Time is running out fast and the unknown assailant is adamant on taking away from Nidhi everything that she holds dear - her career, her home, her reputation, her family and her life. With each move, he seems to be getting close. The answers however continue to elude Prakash and Rujuta.What is it in their past that Kapoors are hiding from the world? What grudge does the assailant hold against the Kapoors?And, can they save Nidhi?

    Detective Arthur Chupplejeep and Police Officer Pankaj are called to investigate. From their experience this should be a straightforward case, but in a small village like Utol, everybody has something to hide. Suspects soon start coming out of the woodwork. Bala, the pau wallah, has a history with the deceased that he has taken great care to conceal. Then there is Sandeep Shah’s lover and her jealous partner. Even the victim’s family seem to have a good enough motive to kill. To top it all, the telephone number of local moneylender, Sanjog Viraj, is found tucked under the victim’s bed. He looks like a key suspect, but everybody knows Sanjog is more like a Pomfret than a shark. Detective Chupplejeep and Pankaj have their work cut out, sifting through village life, rumour and gossip to get to the truth. But along with solving the case, Detective Chupplejeep has his own problems. His girlfriend, Christabel, is growing impatient with his failure to put a ring on her finger and with his fortieth birthday fast approaching and a recent black mark against his name from the Inspector General of Police, Chupplejeep is having doubts about his professional competence. His dream of being Goa’s answer to Poirot is far from becoming a reality. As the mystery of the body deepens, and the pressures at home begin to weigh on the Detective’s mind, will Chupplejeep be able to solve the case and return peace to the sleepy village of Utol once again?

    Kencha, an unwitting witness to Its birth, is soon found dead – his body branded with a strange message written in HaLegannada, an ancient version of modern Kannada. Even as Dhruv Kaveriappa, Chief Conservator of Forests - Hassan division investigates Kencha’s death, he senses an unseen danger in the forests of Kukke, Bisle and Sakleshpura. Animals drop dead; plants wither away and just as he feared, the forest claims its first victim. Shivaranjini, on vacation in Sakleshpura, suffers a devastating tonic-clonic seizure moments after she returns from a visit to the forest. Soon, she begins to exhibit a bizarre personality disorder. Perhaps there is an outbreak of an unknown rabies-like disease? Or, as ridiculous as it seems, could it be a case of tantric witchcraft? The truth unfolds in a dizzying maelstrom of events - a truth far too terrifying to comprehend...

    – A DOYEN OF CORPORATE INDIA falls to his death from his south Bombay flat... – A HIGH-SECURITY SERVER ROOM of a multinational accounting firm is hacked and the hackers aren't looking for just company secrets... Illicit finance, high-stakes crime and vicious manipulation come together in this story of corruption, greed and treachery among corporate India's black sheep. Arresting, fast-paced and written by an insider from the corporate world, Fraudster will keep you on your toes till the very end.While comparisons to veteran thriller writer John Grisham are inevitable, Raman's writing is more inspired by the older canon of crime writing - The New Indian Express Raman goes the Christie way in this excellent closed-room mystery that keeps us guessing till the very end even when the clues are out in the open - The Statesman RV Raman picks a crime fiction to make a debut and weaves a tight plot and a clear narrative to keep you engrossed.- The Hindustan Times Fraudster is an amusing work by first-time author, RV Raman, challenging some of the stereotypes in the genre of thrillers. The way the book is pieced together is remarkable, in that it looks nicely webbed. - The New Indian Express If art imitates life, then we all need to be very worried. RV Raman's novel, Fraudster, is an insider's account of the less than salubrious side of the corporate world. - Deccan Chronicle

    However, her plans are rudely interrupted when she finds out about the man Shagun is going to marry.

    Much to the anxiety of her parents – the spirited Biji and the doting Baba – Amara leads an unremarkable life. That is, until she marries Harvard-educated millionaire, Prashant Roy. However, this fairy-tale isn’t meant to last, and even as Amara’s marriage collapses, she finds herself returning to the land of her birth, to the small city of Shimla. Here, in a borough grappling with questions of modernity, Amara is caught in a tug-of-war between old beliefs and new ones, between parents who favour obedience and new friends who encourage independent thought. With powerful insights, One and a Half Wife traces the coming-of-age of multiple characters, while re-defining family, relationships and love in contemporary India.

    The murder is an inside job, the police are certain. It could be anyone, the adulterous husband, conniving in-laws, jealous friend and the love struck ex-fiance. With an aim to save themselves and incriminate others, it is not long before these suspects turn into amateur detectives, hunting for clues and delving into hidden secrets only they can unearth. They coerce, pry and blackmail in an attempt to get to the bottom of this mystery. Will one of these nine unlikely sleuths finally unravel the mystery behind Gulab's death and avenge it? Or will the truth die as viciously as Gulab?

    In search of solace, perhaps, by working in a small shack at an unknown beach.Dealing with the local police, resurrecting a dying shack, and managing rowdy parties, risking having his bones and jaw-line broken, does Samar get what he was seeking?A ride full of adventure, twists and thrills, the story of the twenty first year of Samar's life will definitely take your breath away.

    The interlinked stories are set in the late twentieth century, before a wave of anticolonialism crested across India and resulted in Bombay's rechristening. The stories feature everyday characters who face challenges unique to Bombay life, from the schoolboy who forms an unlikely friendship with a street vendor to the retired serviceman whose livelihood is threatened by the city's notorious bureaucracy. Readers familiar with Bombay will reawaken their memories, while those new to the city will experience a taste of its varied flavors.

    

    Teaching English, creating a garden and making friends with Rani, a former actress who settles in the town with her husband and three children, Devayani’s life is tranquil, imbued with a hard-won independence. Then she meets Ashok Chinappa, Rajnur’s new District Superintendent of Police, and they fall in love despite the fact that Ashok is much older, married, and—as both painfully acknowledge from the very beginning—it is a relationship without a future.Deshpande’s unflinching gaze tracks the suffering, evasions and lies that overtake those caught in the web of subterfuge. There are no hostages taken in the country of deceit; no victors; only scarred lives. This understated yet compassionate examination of the nature of love, loyalty and deception establishes yet again Deshpande’s position as one of India’s most formidable writers of fiction.

    12 HOURS is a perfect blend of Love, Pain and Laughter" - Sanjay Chauhan (Script Writer of Paan Singh Tomar)Every hour of our life scripts a new story. And, every story is colored with a different feeling - Love, Pain, Joy, Sorrow, Trust, Deceit, Excitement, Repentance, Respect, Humiliation, Loneliness and AngerWe all have been a part of these intense emotions, which our heart experiences. We grow among them, feeling them, living them every minute, every hour, and our life is incomplete without them. 12 HOURS is a collection of twelve engrossing and beautifully written stories, which express different emotions and pour out the essence of different relationships. Some stories will make you laugh, while some will shed your tears. Some stories will spread a lesson, while some will electrify your spine. Some stories will make you fall in love, while some will motivate you to succeed. Each story will try to touch one or the other emotion that is nested inside us.In a nutshell, every hour of 12 HOURS will take you on a completely different journey by putting you amid the intriguing lives of the various characters, the characters that look very much real like all of us, the characters that belong to one or the other hour of our life.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.