You know it’s been rattling around in your head since you were young. You want to write a book because the call of the muse has been getting stronger. And, perhaps you have heard You Must Write a Book. The two keys to success for aspiring authors is consistency and a little bit of time. Honorée Corder and Brian D. Meeks are full-time authors who have written over three dozen books combined, both fiction and non-fiction. Honorée is an expert in non-fiction and Brian has penned tomes across five fiction genres. They’ve combined their knowledge to lay out the best practices and answer the most common questions they hear from new authors. The Nifty Fifteen will take you from the blank page to finished book by wiping away the fear that is born of not knowing where to begin. In addition, you’ll be given access to Brian’s Beautiful Gears, which is a session by session look at how he wrote his 13th novel in just fifteen minutes per day. You’ll see the unedited work with all of its errors to show how a full-time author is worried about one thing…get the first rough draft out. The edited version, all polished up and without the daily comments, will also be made available upon its release. Lastly you’ll be given exercises that will make the process easy to undertake. Everyone has a story to tell. It just takes a little time each day, so why not give The Nifty Fifteen a read.

    In The Magic Words, editor Cheryl B. Klein guides writers on an enjoyable and practical-minded voyage of their own, from developing a saleable premise for a novel to finding a dream agent. She delves deep into the major elements of fiction—intention, character, plot, and voice—while addressing important topics like diversity, world-building, and the differences between middle-grade and YA novels. In addition, the book’s exercises, questions, and straightforward rules of thumb help writers apply these insights to their own creative works. With its generous tone and useful tools for story analysis and revision, The Magic Words is an essential handbook for writers of children’s and young adult fiction.

    This opinion, commonplace among published as well as aspiring writers, struck Nisi as taking the easy way out and spurred her to write an essay addressing the problem of how to write about characters marked by racial and ethnic differences. In the course of writing the essay, however, she realized that similar problems arise when writers try to create characters whose gender, sexual preference, and age differ significantly from their own. Nisi and Cynthia collaborated to develop a workshop that addresses these problems with the aim of both increasing writers' skill and sensitivity in portraying difference in their fiction as well as allaying their anxieties about ''getting it wrong.'' Writing the Other: A Practical Approach is the manual that grew out of their workshop. It discusses basic aspects of characterization and offers elementary techniques, practical exercises, and examples for helping writers create richer and more accurate characters with ''differences.''

    The updated second edition contains several new articles on how to effectively use details in fiction.

    Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as• why write? why keep writing?• the importance of simple words• the finer points of character detail• narrative and the passage of time• the pitfalls of technique• making a plan–and letting it go• risking failure–and reaping the benefits• Accepting rejectionWriters travel alone, but Bret Lott’s book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: “Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.”

    A knife flashes in the fog. A madman has begun the most notorious and shocking series of murders in history. With each new discovery of a woman's mutilated body, the citywide panic grows. The police seem unable to stop the killer, even when he taunts them with letters. Letters signed. . .Jack the Ripper. — In another part of London, the reign of terror has touched a young writer and theater manager named Bram Stoker. The police have closed his theater's production of Dr. Jekyll and Mr. Hyde and suspect its star of being Jack the Ripper. His livelihood endangered, Stoker sets out on his own to find the real killer. But Jack wants just as badly to find Stoker. When the madman and the author meet face to face, a new chapter will be written in the annals of horror

    Create Complex CharactersHow do you create a main character readers won't forget? How do you write a book in multiple-third-person point of view without confusing your readers (or yourself)? How do you plant essential information about a character's past into a story?Write Great Fiction: Characters, Emotion & Viewpoint by award-winning author Nancy Kress answers all of these questions and more! This accessible book is filled with interactive exercises and valuable advice that teaches you how to: •Choose and execute the best point of view for your story•Create three-dimensional and believable characters•Develop your characters' emotions•Create realistic love, fight, and death scenes•Use frustration to motivate your characters and drive your storyWith dozens of excerpts from some of today's most popular writers, Write Great Fiction: Characters, Emotion & Viewpoint provides you with the techniques you need to create characters and stories sure to linger in the hearts and minds of agents, editors, and readers long after they've finished your book.

    Can't find that amazing idea in your pile of sticky notes? Distracted by blog posts, social media, and email? Looking for an easy way to keep track of your research?This booklet (about 30 pages) introduces handy--and often free or inexpensive--computer-based tools to help you eliminate distractions, track your progress, organize your research, capture new ideas anywhere, streamline your writing process, and safeguard your hard work.Lessons in this booklet are based on a week-long class Gwen taught for the Romance Writers of America in June 2013.

    But rarely did any teacher tell us how to write fiction--they simply urged us to write a story. But how is that done? Angela Hunt has been writing and teaching for thirty years, and she has boiled plotting down to the basics in thirty pages. Not only will you come away knowing how to plot, you'll be able to point the important structural points in movies and other books you read. It's all about the skeleton, Hunt says, and every working story has one. (A condensed version of this lesson was originally published in A NOVEL IDEA, a collection of writer's tips and techniques by published novelists.) Enjoy this writing lesson for a fraction of the cost of attending one of Angela's writing classes--your writing will never be the same.

    Angry and bitter with the world over her life's failures, she goes on a sexual rampage and destroys everything in her path. She begins to slowly move in on one unsuspecting family with her sexual charms. She starts up a hot-and-heavy relationship with Carlos, a young music executive with big dreams and an even larger sexual appetite. Then she deflowers Carlos's wholesome brother, Jonathan, an up-and-coming basketball star. She's definitely on fire, but the summer is already hot for so many other reasons.Things get even more complicated when Carlos's mother is reunited with the love of her life. Eli is a recovering substance abuser and the father of her eldest child, Tarik, a talented neo-soul artist on the cusp of greatness. Thanks to Carlos's expert music management, Tarik was only seconds away from signing a major record deal - but Eli's unexpected arrival disrupts everything. Now that the family's core strength is completely weakened, Nicola can finally be her truly ruthless self.The summer continues to sizzle for this family as Nicola's grip tightens around the men who would sacrifice everything for her.

    From keeping your story simple to staying in the character's head, Elizabeth and Mark will take you through the essential steps to creating propulsive and entertaining fiction. Also includes an additional book: 'Musings From the Writer's Desk'

     You will learn how to generate hundreds of story ideas, cover designs, and characters. How to get past writer’s block. How to use the monster mirroring technique. The most profitable keywords, word counts, kinks. THE EROTICA HANDBOOK also includes a thesaurus with a mountain of sexy synonyms to help speed up your writing. Working from home has never been easier, and erotica is the only genre where new authors can price a short story at $2.99 and sell 100 copies in three weeks. THE EROTICA HANDBOOK is the cutting-edge blueprint to obtaining pleasure and money. Don’t deny yourself the joy of making $200 while you sleep.

    Addressed to copyeditors in book publishing and corporate communications, this thoughtful handbook explains what copyeditors do, what they look for when they edit a manuscript, and how they develop the editorial judgment needed to make sound decisions.This revised edition reflects the most recent editions of The Chicago Manual of Style (15th ed.), the Publication Manual of the American Psychological Association (5th ed.), and Merriam-Webster's Collegiate Dictionary (11th ed.).

    When showing our characters’ feelings, we often use the first idea that comes to mind, and they end up smiling, nodding, and frowning too much.If you need inspiration for creating characters’ emotional responses that are personalized and evocative, this ultimate show-don’t-tell guide for emotion can help. It includes: Body language cues, thoughts, and visceral responses for 130 emotions that cover a range of intensity from mild to severe, providing innumerable options for individualizing a character’s reactions A breakdown of the biggest emotion-related writing problems and how to overcome them Advice on what should be done beforedrafting to make sure your characters’ emotions will be realistic and consistent Instruction for how to show hidden feelings and emotional subtext through dialogue and nonverbal cues And much more! The Emotion Thesaurus, in its easy-to-navigate list format, will inspire you to create stronger, fresher character expressions and engage readers from your first page to your last.

    But few have been written by literary agents, who receive thousands of submissions each year and who grapple with them on a daily basis. Even fewer have been written by active literary agents who are willing to write from the trenches and offer their perspective on why they reject manuscripts, and why they accept them. And no books have been written from an agent's perspective on what it's like, step by step, to work with an agent on a daily basis, and on how to assure that you maintain a long, happy working relationship with your agent.How to Land (and Keep) a Literary Agent is the first book written from an active literary agent's perspective that teaches authors why agents reject or accept manuscripts; why they decide to represent certain authors and not represent others; the best way to approach agents; the best way to work with an agent on a daily basis; and that offers them dozens of specific resources to make the difference in their finally finding the perfect agents for their work. New York literary agent Noah Lukeman, President of Lukeman Literary Management Ltd, has represented multiple New York Times bestsellers, winners of the Pulitzer Prize and American Book Award, National Book Award Finalists, and has himself written three critically-acclaimed books on the craft of writing, The First Five Pages, The Plot Thickens, and A Dash of Style. During his last 13 years as a literary agent he has read thousands of manuscripts and represented hundreds of book deals, and in this book he shares his insider's perspective, offers insight and practical tips about what works and what doesn’t. How to Land (and Keep) a Literary Agent is a must-read for any author serious about getting published. Geared for a broad range of authors, its subject matter is relevant to authors of fiction and non-fiction, screenwriters, poets--any serious author--offering principles that will help lead to success no matter what your craft. Practical and engaging, filled with exercises, anecdotes and sidebars, this 200 plus page book takes you on a journey, and will bring you that much closer to finally landing a literary agent.How to Land (and Keep) a Literary Agent includes: * 10 Reasons Why You Need an Agent * 9 Steps to Building Your Bio (for Fiction) * 8 Ways to Build Your Non-Fiction Platform * 13 Factors to Consider When Evaluating an Agent * 24 Free Resources for Researching Agents * 11 Fee-Based Resources for Researching Agents * The 4 Musts of Submitting * 4 Keys to Successful Follow Up * 3 Resources to Protect you from Agent Scams * 5 Ways an Agent Can Take Advantage of You * To Use a Book Doctor? * 7 Ways to Protect Yourself in an Agency Agreement * To Hire an Attorney? * What it’s Like to Work With an Agent (a Step-by-Step Timeline) * A Publication Timeline Chart * 15 Ways to Assure a Great Relationship With Your Agent * 6 Reasons to Drop Your Agent * To Self Publish?"Lukeman’s advice is practical—and often entails multiple, time-consuming steps—without a hint of the flakiness that creeps into many writing guides."--Publishers Weekly (regarding The Plot Thickens) This 100,000 word file includes two additional books written by Mr.