They like to live by the sea.Two retired nuclear scientists in an isolated cottage by the sea as the world around them crumbles. Then an old friend arrives with a frightening request.Lucy Kirkwood's previous plays include Chimerica (winner of the Olivier Award for Best Play, the Evening Standard Award, the Critics' Circle Best New Play Award and the Susan Smith Blackburn Prize), small hours, NSFW, and it felt empty when the heart went at first but it is alright now. The Children premiered at the Royal Court, London, in November 2016 and will receive its US premiere at Manhattan Theatre Club in the fall of 2017.

    Mother. Lover. Aunt. Friend.She plays many roles round here. And neverScared to tell the whole of her truth, whetherOr not anyone wants to hear it. WifeOf Willesden: pissed enough to tell her lifeStory to whoever has ears and eyes . . .'Zadie Smith's first time writing for the stage, The Wife of Willesden is a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath's Prologue, brought to glorious life on the Kilburn High Road.Commissioned to celebrate Brent's year as Borough of Culture 2020, The Wife of Willesden will premiere at the Kiln Theatre, London in September 2020.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    In the earlier play Ostrovsky had adopted a satiric tone that proved him a worthy disciple of Gogol, the great founder of Russian realism. Not one lovable character appears in that gloomy picture of merchant life in Moscow; even the old mother repels us by her stupidity more than she attracts us by her kindliness. No ray of light penetrates the "realm of darkness" -- to borrow a famous phrase from a Russian critic -- conjured up before us by the young dramatist. In Poverty Is No Crime we see the other side of the medal. Ostrovsky had now been affected by the Slavophile school of writers and thinkers, who found in the traditions of Russian society treasures of kindliness and love that they contrasted with the superficial glitter of Western civilization. Life in Russia is varied as elsewhere, and Ostrovsky could change his tone without doing violence to realistic truth. The tradesmen had not wholly lost the patriarchal charm of their peasant fathers. A poor apprentice is the hero of Poverty Is No Crime, and a wealthy manufacturer the villain of the piece. Good-heartedness is the touchstone by which Ostrovsky tries character, and this may be hidden beneath even a drunken and degraded exterior. The scapegrace, Lyubim Tortsov, has a sound Russian soul, and at the end of the play rouses his hard, grasping brother, who has been infatuated by a passion for aping foreign fashions, to his native Russian worth. Alexander Ostrovsky (1823-1886) was an early Russian Realist whose work led to the founding of the Moscow Arts Theatre and to the career of Stanislavsky. He has been acknowledged to be the greatest of the Russian dramatists.

    Desperately in need of kindness, love and a safe place to call home, local trainee nurses Clare and Gaye immediately volunteer, alongside their new friend Diana.While the rest of Britain is under siege, Clare is learning how to be a great nurse under pressure, Diana has found that love can be found in unexpected places and Gaye is hiding a terrible secret. But as the reality of war comes closer, all three girls will face personal challenges or tragedies as life changes in ways they could never have imagined.A heart-warming world war two saga of friendship and hope in the face of adversity, perfect for fans of Maureen Lee and Lyn Andrews.

    Then she met Zach, who swept her off her feet. They fell in love, fast. But Zach has a secret with the potential to ruin everything. As Amy prepares to return to England for her sister Libby’s wedding, Zach drops a bombshell. Amy is furious, so she hides his passport and flies alone. But Zach’s secret isn’t her only worry. She will see Tim again – her sister’s fiancé. After he finds his passport, Zach heads to the UK to surprise Amy. He wants to apologise and finally meet her family. He knows he has a lot of explaining to do. But just what will he face? Amy & Zach take it in turns to share their tale with you. They will reveal all, and may surprise you, in the end...

    But with the tiny island population suddenly doubling, the local police force is stretched to breaking point. And this year they have to deal with more than just drunken fights and rowdy behaviour… Ranald Buchanan, the local poet, is found dead, with his head brutally caved in, and Inspector Torquil McKinnon is brought into investigate. Did Ranald trip and fall, as suggested? Or is something more sinister happening? Deathly Wind Inspector Torquil McKinnon’s closest friend, Constable Ewan McPhee, is missing, presumed dead. When more bodies are found in suspicious circumstances, it is clear a serial killer is at large. Tensions are high and paranoia is rife. Can Torquil restore peace to the tight-knit community? Will he find out what happened to Constable McPhee? Or will he too fall prey to the depraved murderer …? Murder Solstice A strange group of people have descended on the small island of West Uist. Camped out in the grounds of the Castle, they are preparing to celebrate the summer solstice. Museum curator Finley McNab becomes suspicious of the cult-like group, and when he challenges them it seems his investigations could be deadly … Inspector Torquil McKinnon is called in to keep an eye on the group. Are they innocent pagan worshippers? Or is something more sinister going on behind the scenes? As the day of the solstice draws ever nearer, whispers of murder are on the horizon… THE INSPECTOR TORQUIL MCKINNON BOXSET includes the first three crime thrillers in the detective series featuring Inspector Torquil McKinnon: action-packed police procedurals full of suspense.

    Paperback book

    

    In Michael Meyer's fluent, idiomatic translations, The Wild Duck and Hedda Gabler stand as masterpieces of naturalist drama.

    13 selections from one of the most popular musicals ever. Includes: All Good Gifts * Bless the Lord * By My Side * Day by Day * Prepare Ye (The Way of the Lord) * and more.

    He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

    But at the moment, she's living in New York City and writing advertising jingles to pay the rent while her fiancé, Jack, pursues his singing career. So when Amanda's mother, Kim, calls one evening from New Hampshire and asks for her help with something she can't discuss over the phone, Amanda is only too happy to leave New York. Once home, Kim reveals that she's leaving Amanda's father and needs help packing. Amanda balks and ends up (gently) hitting the postman, who happens to be her first boyfriend. They spend the night together in an apple orchard, where Amanda tries to tell Billy how her life got sidetracked. It has something to do with being a young woman in a profession that only recognizes famous men. Billy acts like he might have the answer, but doesn't. Neither does Amanda's mother. Or, for that matter, her father. A Feminine Ending is a gentle, bittersweet comedy about a girl who knows what she wants but not quite how to get it. Her parents are getting divorced, her fiancée is almost famous, her first love reappears, and there's a lot of noise in her head but none of it is music. Until the end. "Ending′ is a promising beginning...the playwright has a sense of humor that brings to mind a budding Wendy Wasserstein and a liberated sense of form that evokes a junior Paula Vogel."-Los Angeles Times "Darkly comic. FEMININE ENDING has undeniable wit." -New York Post. "Appealingly outlandish humor." -The New York Times. "Courageous. The 90-minute piece swerves with nerve and naivete. Sarah Treem has a voice all her own." -Newsday.

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    This edition contains substantial excerpts from the original four-act version which was never produced, as well as the full text of the final three-act version, selections from Wilde's correspondence, and commentary by George Bernard Shaw, Max Beerbohm, St. John Hankin, and James Agate.