The only way Kendra can stand out next to Grayson is to be perfect, and she has perfection down to an art -- until a cheating scandal threatens her flawless reputation. Behind the wheel of her car, with Grayson asleep beside her, Kendra decides to drive away from it all -- with enough distance, maybe she'll be able to figure everything out. But eventually, Kendra must stop running and come to terms with herself, her brother, and her past. With undeniable grace and humor, acclaimed author Jennifer Brown explores OCD, the pressure for perfection, and the emotional highs and lows of a complex sibling relationship.

    He hasn’t left the house in three years, which is fine by him.Ambitious Lisa desperately wants to get into the second-best psychology program for college (she’s being realistic). But is ambition alone enough to get her in?Enter Lisa.Determined to “fix” Sol, Lisa steps into his world, along with her charming boyfriend, Clark, and soon the three form an unexpected bond. But, as Lisa learns more about Sol and he and Clark grow closer and closer, the walls they’ve built around themselves start to collapse and their friendships threaten to do the same.

    Either he attends a series of parties for his father’s law firm with a pretty girl on his arm, or he gets shipped off to Yale to start a future he’s not ready for and isn’t sure he wants. And sadly, the last unattached girl in his social circle has just made the grievous mistake of falling in love with him. Fortunately, Didi, recently fired waitress and aspiring painter, is open to new experiences. As the summer ticks by in a whirl of lavish parties, there’s only one rule: They must not fall in love!

    Superstar Clay Coolidge is most definitely going to end up one of those things. But unfortunately for Clay, if he can’t convince Annie to join his summer tour, his music label is going to drop him. That’s what happens when your bad boy image turns into bad boy reality. Annie has been avoiding the spotlight after her parents’ tragic death, except on her skyrocketing YouTube channel. Clay’s label wants to land Annie, and Clay has to make it happen. Swayed by Clay’s undeniable charm and good looks, Annie and her band agree to join the tour. From the start fans want them to be more than just tour mates, and Annie and Clay can’t help but wonder if the fans are right. But if there’s one part of fame Annie wants nothing to do with, it’s a high-profile relationship. She had a front row seat to her parents’ volatile marriage and isn’t interested in repeating history. If only she could convince her heart that Clay, with his painful past and head over heels inducing tenor, isn’t worth the risk.

    What’s in a name, Shakespeare? I’ll tell you: Everything.     Rosaline knows that she and Rob are destined to be together. Rose has been waiting for years for Rob to kiss her—and when he finally does, it’s perfect. But then Juliet moves back to town. Juliet, who used to be Rose’s best friend. Juliet, who now inexplicably hates her. Juliet, who is gorgeous, vindictive, and a little bit crazy...and who has set her sights on Rob. He doesn’t even stand a chance.     Rose is devastated over losing Rob to Juliet. This is not how the story was supposed to go. And when rumors start swirling about Juliet’s instability, her neediness, and her threats of suicide, Rose starts to fear not only for Rob’s heart, but also for his life. Because Shakespeare may have gotten the story wrong, but we all still know how it ends….

    One minute Eddie was there, and the next he was gone. Seventeen-year-old Tay McKenzie is a cute and mysterious boy that Elsie meets in her favorite boathouse hangout. When Tay introduces Elsie to the world of freediving, she vows to find the answers she seeks at the bottom of the sea.

    Neighbors since the Civil War, the families have shared vacations, holidays, backyard barbecues, and the overwhelming desire to unite their two clans by marriage. So when a baby boy and girl were born to the families at the same time, the perfect opportunity seemed to have finally arrived.Jemma Cafferty and Ryder Marsden have no intention of giving in to their parents’ wishes. They’re only seventeen, for goodness’ sake, not to mention that one little problem: They hate each other! Jemma can’t stand Ryder’s nauseating golden-boy persona, and Ryder would like nothing better than to pretend stubborn Jemma doesn’t exist.But when a violent storm ravages Magnolia Branch, it unearths Jemma’s and Ryder’s true feelings for each other as the two discover that the line between love and hate may be thin enough to risk crossing over.

    That is, until her brother Danny’s latest seizure forces her to miss the interview, and she’s back to the endless loop of missing school for his doctor appointments, picking up the pieces of her mother’s booze-soaked life, and stressing about Danny’s future. Then she meets Wes. He’s the perfect combination of smart, cute, and funny. He also happens to have epilepsy like her brother. Wes is living a normal life despite his medical issues, which gives Jasmine hope for Danny. But memories of her cheating ex-boyfriend keep her from going on a real date with Wes, no matter how many times he asks her. Jasmine can’t control everything. Not who wins the internship, not her mother’s addiction, not her brother’s health—not even where her heart will lead her. She wishes she could just have an ordinary life, but maybe what she already has is pretty extraordinary after all.

    Her dreams of karmic justice are fulfilled when, after a night out with her friends, she wakes up with the sudden ability to cast instant karma on those around her. Pru giddily makes use of the power, punishing everyone from public vandals to mean gossips, but there is one person on whom her powers consistently backfire: Quint Erickson, her slacker of a lab partner. Quint is annoyingly cute and impressively noble, especially when it comes to his work with the rescue center for local sea animals.When Pru resigns herself to working at the rescue center for extra credit, she begins to uncover truths about baby otters, environmental upheaval, and romantic crossed signals—not necessarily in that order. Her newfound karmic insights reveal how thin the line is between virtue and vanity, generosity and greed, love and hate . . . and fate.

    He's been in love with her for years and never had the guts to tell her. Now it's too late. Because after that night, Jake will never be able to talk again.When Jake returns to his small island home, population 5,000, he'll have to learn how to deal with being mute. He also finds that his family isn't limited to his six brothers and sisters, that sometimes an entire island is watching out for you. And when he gets the chance to spend more time with Samantha, she'll help him learn that not being able to talk isn’t the worst thing that could ever happen to you. Maybe, if she'll let him, Jake will finally tell her what he didn't say before, even if he can't actually say it.

    But after they rescue a doomed assignment with one clever lie, the whole school is suddenly convinced that Little-Miss-Really-Likes-Having-A’s and the most scandalous heartbreaker in school have been best friends forever. It’s amazing how quickly a lie can grow―especially when you really, really want it to be the truth.With Jenny, Chance can live the normal life he’s always kind of wanted. And with Chance, Jenny can have the exciting teen experiences that TV shows and movies have always promised. Through it all, they hold on to the fact that they are “just friends.” But that might be the biggest lie of all.Debut author Tiffany Pitcock delivers a spot-on depiction of first love and the high school rumor mill in Just Friends, chosen by readers like you for Macmillan's young adult imprint Swoon Reads.

    At a party she discovers her younger sister, Audrey, hooking up with her boyfriend, Mike—and she abandons them both in a rage. When Mike drunkenly attempts to drive Audrey home, he crashes and Audrey ends up in a coma. Now Harley is left with guilt, grief, pain and the undeniable truth that her ex-boyfriend (who is relatively unscathed) has a drinking problem. So it’s a surprise that she finds herself reconnecting with Raf, a neighbor and childhood friend who’s recently out of rehab and still wrestling with his own demons. At first Harley doesn’t want to get too close to him. But as Audrey awakens and slowly recovers, Raf starts to show Harley a path forward that she never would have believed possible—one guided by honesty, forgiveness, and redemption.

    She casts off her old reputation, grows close with her four rowdy cast-mates, and kisses the extremely handsome Charlie Lamb onstage. Even Mr. McFadden, the play’s critical director, can find no fault with Rebecca. Though “The Essential Five” vow never to date each other, Rebecca can’t help her feelings for Charlie, leaving her both conflicted and lovestruck. But the on and off-stage drama of the cast is eclipsed by a life-altering accusation that threatens to destroy everything…even if some of it is just make believe.

    Sixteen-year-old Petula De Wilde is anything but wild. A family tragedy has made her shut herself off from the world. Once a crafting fiend with a happy life, Petula now sees danger in everything, from airplanes to ground beef. The worst part of her week is her comically lame mandatory art therapy class. She has nothing in common with this small band of teenage misfits, except that they all carry their own burden of guilt.When Jacob joins their ranks, he seems so normal and confident. Petula wants nothing to do with him, or his prosthetic arm. But when they’re forced to collaborate on a unique school project, she slowly opens up, and he inspires her to face her fears.Until a hidden truth threatens to derail everything.

    I am a human being.”Actually Sarah is several human beings. At once. And only one of them is sixteen. Her parents insist she’s a gifted artist with a bright future, but now she can’t draw a thing, not even her own hand. Meanwhile, there’s a ten-year-old Sarah with a filthy mouth, a bad sunburn, and a clear memory of the family vacation in Mexico that ruined everything. She’s a ray of sunshine compared to twenty-three-year-old Sarah, who has snazzy highlights and a bad attitude. And then there’s forty-year-old Sarah (makes good queso dip, doesn’t wear a bra, really wants sixteen-year-old Sarah to tell the truth about her art teacher). They’re all wandering Philadelphia—along with a homeless artist allegedly named Earl—and they’re all worried about Sarah’s future.But Sarah’s future isn’t the problem. The present is where she might be having an existential crisis. Or maybe all those other Sarahs are trying to wake her up before she’s lost forever in the tornado of violence and denial that is her parents’ marriage.“I am a human being. I am sixteen years old. That should be enough.”