Robert Leckie was 21 when he enlisted in the US Marine Corps in January 1942. In Helmet for My Pillow we follow his journey, from boot camp on Parris Island, South Carolina, all the way to the raging battles in the Pacific, where some of the war's fiercest fighting took place. Recounting his service with the 1st Marine Division and the brutal action on Guadalcanal, New Britain and Peleliu, Leckie spares no detail of the horrors and sacrifice of war, painting an unsentimental portrait of how real warriors are made, fight, and all too often die in the defence of their country.From the live-for-today rowdiness of Marines on leave to the terrors of jungle warfare against an enemy determined to fight to the last man, Leckie describes what it's really like when victory can only be measured inch by bloody inch. Unparalleled in its immediacy and accuracy, Helmet for My Pillow is a gripping account from an ordinary soldier fighting in extraordinary conditions. This is a book that brings you as close to the mud, the blood, and the experience of war as it is safe to come.Helmet for My Pillow is a grand and epic prose poem. Robert Leckie's theme is the purely human experience of war in the Pacific, written in the graceful imagery of a human being who - somehow - survived - Tom Hanks

    He left Stratford and walked to London, where, in time, he became the world's greatest playwright. Here is Shakespeare's little-told story, presented against the colorful tapestry of his England, the kingdom under Elizabeth I and James I. In the reigns of those monarchs, the nation was emerging from centuries of medieval turmoil. The small island that had changed so little since the Norman Conquest of 1066 suddenly became a center of international adventure, political experimentation, and artistic development. Young Shakespeare was fortunate to be in England. The first professional theater opened in London in 1576; he arrived, stage-struck and in search of a job, around 1587. He retired to Stratford a wealthy gentleman in 1611, only a generation before the theaters of England were closed by the Puritans. During Shakespeare's London years, England seethed with plots and intrigue and throbbed with pageantry; everywhere a writer looked was a scene to fire his imagination. Like Sir Walter Raleigh and other daring contemporaries, William Shakespeare was, indeed, an Elizabethan who took advantage of his time.

    But this was far from the only difference between him and his predecessors. Neither of the previous Georges was faithful to his wife, nor to his mistresses. Both hated their own sons. And, overall, their children were angry, jealous, and disaffected schemers, whose palace shenanigans kick off Hadlow's juicy narrative and also made their lives unhappy ones.Pained by his childhood amid this cruel and feuding family, George came to the throne aspiring to be a new kind of king—a force for moral good. And to be that new kind of king, he had to be a new kind of man. Against his irresistibly awful family background—of brutal royal intrigue, infidelity, and betrayal—George fervently pursued a radical domestic dream: he would have a faithful marriage and raise loving, educated, and resilient children.The struggle of King George—along with his wife, Queen Charlotte, and their 15 children—to pursue a passion for family will surprise history buffs and delight a broad swath of biography readers and royal watchers.

    Yet it was also an age of constant, harrowing warfare. Armies, not philosophers, shaped the face of Europe as modern nation-states emerged from feudal society. In Furies, one of the leading scholars of Renaissance history captures the dark reality of the period in a gripping narrative mosaic. As Lauro Martines shows us, total war was no twentieth-century innovation. These conflicts spared no civilians in their path. A Renaissance army was a mobile city-indeed, a force of 20,000 or 40,000 men was larger than many cities of the day. And it was a monster, devouring food and supplies for miles around. It menaced towns and the countryside-and itself-with famine and disease, often more lethal than combat. Fighting itself was savage, its violence increased by the use of newly invented weapons, from muskets to mortars.For centuries, notes Martines, the history of this period has favored diplomacy, high politics, and military tactics. Furies puts us on the front lines of battle, and on the streets of cities under siege, to reveal what Europes wars meant to the men and women who endured them.

    Sebag-Montefiore also relates new details about the genesis of the code, little-known facts about how the Poles first cracked the Luftwaffe's version of the code (and then passed it along to the British), and the feverish activities at Bletchley Park. Based in part on documents recently unearthed from American and British archives--including previously confidential government files--and in part on unforgettable, firsthand accounts of surviving witnesses, Enigma unearths the stunning truth about the brilliant piece of decryption that changed history.

    It is the story of Americans in the ranks, men of every shape, size, and color, farmers, schoolteachers, shoemakers, no-accounts, and mere boys turned soldiers. And it is the story of the King's men, the British commander, William Howe, an his highly disciplined redcoats who looked on their rebel foes with contempt and fought with a valor too little known.At the center of the drama, with Washington, are two young American patriots, who, at first, knew no more of war than what they had read in books - Nathaniel Green, a Quaker who was made a general at thirty-three, and Henry Knox, a twenty-five-year-old bookseller who had the preposterous idea of hauling the guns of Fort Ticonderoga overland to Boston in the dead of Winter.But it is the American commander-in-chief who stands foremost - Washington, who had never before led an army in battle. Written as a companion work to his celebrated biography of John Adams, David McCullough's 1776 is another landmark in the literature of American history.

    Desperate for some real action, Peake gets his chance when France declares war on England and descends into the bloody madness of the Terror. Peake is entrusted with a mission to wreck the French economy by smuggling fake banknotes into Paris. His activities take him down Paris streets patrolled by violent mobs and into the sinister catacombs beneath the French capital. And they bring him close to famous characters of the day: the English feminist Mary Wollstonecraft, her American lover Gilbert Imlay who acts as George Washington’s agent in Paris, and the British/American writer and revolutionary Thomas Paine. As opposition to the Terror mounts, Peake fights to carry out his mission—and to save the life of the woman he loves.

    In "War on the Waters," James M. McPherson has crafted an enlightening, at times harrowing, and ultimately thrilling account of the war's naval campaigns and their military leaders. McPherson recounts how the Union navy's blockade of the Confederate coast, leaky as a sieve in the war's early months, became increasingly effective as it choked off vital imports and exports. Meanwhile, the Confederate navy, dwarfed by its giant adversary, demonstrated daring and military innovation. Commerce raiders sank Union ships and drove the American merchant marine from the high seas. Southern ironclads sent several Union warships to the bottom, naval mines sank many more, and the Confederates deployed the world's first submarine to sink an enemy vessel. But in the end, it was the Union navy that won some of the war's most important strategic victories--as an essential partner to the army on the ground at Fort Donelson, Vicksburg, Port Hudson, Mobile Bay, and Fort Fisher, and all by itself at Port Royal, Fort Henry, New Orleans, and Memphis.