I'm sixteen (just) and I have two remarkably undivorced parents, along with a sister and a grandmother and we all live in the same house together just like in a TV show. I've just started my A levels too, which me and Al are planning to fail, which is our way of saying Fuck You to the British educational standard.So what if your parents hate each other and want you to have therapy? So what if your holier-than-thou sister and her posse have decided you're going to hell? So what if the school tyrant and his goons are hunting you down, or if your best friend has just outed you to a neo-Nazi? Jaz isn't planning to lose any sleep over it -- at least until he meets the guy of his dreams at the local gay bar. Suddenly things are a lot more complicated...Witty, acerbic, and incredibly funny, My Side of the Story is the perfectly rendered portrait of a precocious, troubled teenager faced with the awkward process of growing up and coming out.

    Using the magical and mythic language of classic stories from around the world, Fairy Tales takes familiar myths and folktales and turns them into stories about men coming out, learning to trust themselves, looking for and finding love, facing AIDS, and helping those they love.

    Explicit, shocking, comical, and displaying the author's signature flair for blending structural complexity with direct, stylish, accessible language, The Sluts is Cooper's most transgressive novel since Frisk, and one of his most innovative works of fiction to date.

    Obejas has been the model of a writer for me in every way--a master in her aesthetics, an inspiration in her politics, fearless and vital in every page. The Tower of the Antilles is another brilliant collection, a story of many Cubas, intensely personal and political, erotic and cerebral. I found myself holding my breath as I devoured this book, as I navigated the various avenues of the body, the blood, and all those seemingly impossible roads that lead to a place we try to call home."--Porochista Khakpour, author of The Last Illusion"These stories are like a long dream of many parts, mixed desire, love, longing, anger—Obejas is a master of the human, able to conjure her characters’ heartbeats right under your fingertips, their breaths in your ears."--Alexander Chee, author of The Queen of the Night "Achy Obejas's new story collection begins and ends with a question: What is your name? The answer is an abounding one. Counterrevolutionaries, the witnesses to the arrival of Columbus's caravels, poets, Supermán--the characters in these stories, in all their riveting variety, name themselves as Cuban, and are bound in complex ways by the geography of their hearts, if not the geography beneath their feet. An audacious and remarkable read!"--Chantel Acevedo, author of The Distant MarvelsPraise for Achy Obejas:"Obejas writes like an angel, which is to say: gloriously...one of Cuba's most important writers."--Junot DíazThe Cubans in Achy Obejas's story collection The Tower of the Antilles are haunted by an island: the island they fled, the island they've created, the island they were taken to or forced from, the island they long for, the island they return to, and the island that can never be home again.In "Supermán," several possible story lines emerge about a 1950s Havana sex-show superstar who disappeared as soon as the revolution triumphed. "North/South" portrays a migrant family trying to cope with separation, lives on different hemispheres, and the eventual disintegration of blood ties. "The Cola of Oblivion" follows the path of a young woman who returns to Cuba, and who inadvertently uncorks a history of accommodation and betrayal among the family members who stayed behind during the revolution. In the title story, "The Tower of the Antilles," an interrogation reveals a series of fantasies about escape and a history of futility.With language that is both generous and sensual, Obejas writes about lives beset by events beyond individual control, and poignantly captures how history and fate intrude on even the most ordinary of lives.

    Every day, the same stunning man, riding alongside you. He seems to notice you. You could swear something's there--it almost feels as if he's reaching out... Then, one fine day, you're given the chance of a lifetime: a opportunity to finally strike up a conversation. Do you take it?Wyatt does. And he's thrust into a more beautiful, violent, emotionally-charged journey than he ever could have expected. Only time will tell if his new bond with this beautiful boy can weather the tumult and confusion that accompany early adulthood... “Mikey said things in a way that invoked visions of us spending time together in the future. I considered this while I watched the sun set out my window. Beyond houses, buildings and occasional fields, all of it racing by, I caught flickers of open water and the far-off levee holding it at bay. The next few miles were peppered with conversation borne, still, out of an inscrutable dose of caution and unfamiliarity. How does one coax something from a void? What kind of enigmatic force conjures a friendship between strangers? How fragile those first times together must be, yet with so much depending on them. For one covert second, I swelled with sadness, not just because a continued relationship with this beautifully unchained boy was so improbable, but for the tragedy of all friendships that died in infancy.”

    . . and again.

    But those plans change when his parents are suddenly killed and he finds himself the guardian of his little brother, Nick. Jamus ends up back in the Boston neighborhood where he grew up, with a crying toddler on his knee and the challenge of building a new life for himself and the boy. Jamus somehow finds a way to navigate the ups and downs of single parenting, but over a decade of raising Nick, Jamus never truly overcomes his struggles with loneliness and the guilt he feels as the sole survivor of the crash that killed his parents. That changes when he meets bookishly handsome Sean Malloy. There’s a spark between the two men, but both must face down their own private demons to find love in the Irish enclave of South Boston.For a more in-depth look at "Brothers," check out www.ralphjosiahbardsley.com.

    "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

    Although Terrence O’Connor, the beautiful boy who was his tormentor, is now a successful writer in Manhattan, he is also a man searching out his own identity. As Ben and Terrence form an unlikely friendship, hidden motives and long-kept secrets bubble to the surface. Does Ben realize he’s fallen in love with Terrence? And can Terrence admit to his own confused feelings? Darkly disturbing and brilliantly written, here is a chilling depiction of the once-victim who unwittingly becomes the bully.

    It’s picturesque, idyllic and tranquil – but Harrison is far from happy. His parent’s marriage is strained to say the least and on top of that, his boyfriend, Daniel, has been mentally and physically abusing him for years. After he finds himself with one bruise too many, Harrison has had enough. But when he plucks up the courage to finally end his violent relationship, Harrison’s life is changed forever when Daniel is found murdered in the most bizarre circumstances. Detective Sergeant Blake Harte has moved to Harmschapel after his own relationship ended in tatters. But moving to a quiet village after working his way up the ranks in a city brings its own set of problems and Blake soon finds himself at odds with new colleagues who aren’t used to his style of policing. But when he is called upon to investigate the mysterious and impossible murder at Halfmile Farm, Blake finds himself facing the most challenging case of his career. So how can Daniel have been shot in a locked shed that nobody could possibly have escaped from? Is anybody really Untouchable?

    He wound up starring as Oscar Wilde in the film Wilde, costarring in A Civil Action, and writing funny, distinguished novels. This irresistible book, the best-written celebrity memoir of 1999, concentrates on Fry's first two tumultuous decades, but beware! A Fry sentence can lead anywhere, from a ringing defense of beating schoolchildren to a thoughtful comparison of male and female naughty parts. Fry's deepest regrets seem to be the elusiveness of a particular boy's love and the fact that, despite his keen ear for music, Fry's singing voice can make listeners "claw out their inner ears, electrocute their genitals, put on a Jim Reeves record, throw themselves cackling hysterically onto the path of moving buses... anything, anything to take away the pain." A chance mention of Fry's time-travel book about thwarting Hitler, Making History (a finalist for the 1998 Sidewise Award for Best Alternative History), leads to the startling real-life revelation that Fry's own Jewish uncle may have loaned a young, shivering Hitler the coat off his back. Fry's life is full of school and jailhouse blues overcome by jaunty wit, à la Wilde. The title, from Psalm 108:9, refers to King David's triumph over the Philistines. Fry triumphs similarly, and with more style. --Tim Appelo

    Beginning in 1949 and moving to the present day, Mordden puts a unique and innovating spin on modern history. An adventurous, adroit, and fascinating novel by one of the finest gay writers of our time.

    It was great. I had a laugh with Charlie, we went out, did drugs, had great sex, had a laugh, I saw Finn, I had a laugh. And now today, today, since the second I opened my eyes, the pair of them had turned into ogres of potential angst, pain, and -- oh no, the worst of all -- responsibility."Tommy is twenty-nine, lives and loves in London, and has a morbid fear of the c word -- commitment, the b word -- boyfriend, and the f word -- forgetting to call his drug dealer before the weekend. But when he begins to feel the urge to become a father, he starts to wonder if his chosen lifestyle can ever make him happy. His flatmates, the eccentric, maternal Sadie and the stoic, supportive Bobby, encourage Tommy to tone down his lifestyle a wee bit and accept the fact that he's got to grow up sometime. His boyfriend, Charlie (whose son, Finn, is the epitome of childhood charm), wishes that Tommy could make a real commitment to their relationship. But can he?Faced with the choice of maintaining his hedonistic, drugged-out, and admittedly fabulous existence or chucking it all in favor of a far more sensitive, fulfilling, and -- let's face its -- lightly staid lifestyle, Tommy finds himself in a true quandary. Through a series of adventures and misadventures that lead him from London nightspots to New York bedrooms and back, our boy Tommy manages to answer some of life's most pressing questions -- and even some he never thought to ask.Perfectly pitched, with scathing witticisms and deadpan observations, Tommy's Tale is a rollicking, tongue-in-cheek opus of absolute debauchery and reluctant redemption that's simply not to be missed.

    It’s not like he didn’t deserve it. After all, he crashed his dad’s vintage Bonneville in a car-chase duel on a Miami freeway. Ben is mad at the world and not ready to reveal the reason for his bad behavior the past year, when he partied and got into fights to forget his attraction to his best friend’s hot cousin Dino. Norway is cold and rainy, the farm is desolate and resists modernization, and the grandparents are quiet and religious. On to the scene waltzes Even, the eighteen-year-old farmhand, who counters Ben’s restlessness and complaints with friendship, fresh perspectives, and problems of his own.With the mounting expectations of Ben taking over the farm one day, getting closer to Even becomes Ben’s only reason to stay put. As the friendship deepens, the two boys learn that secrets can turn into both beautiful and ugly truths, and that support can be found in unexpected places.

    But within six short years, AIDS would claim his lover, his friends, and his future. With nothing left in New York but memories of death, Brian decides to write his mother a letter asking to come back to the place, and family, he was once so desperate to escape.Set in 1986, a year after Rock Hudson’s death shifted the public consciousness of the epidemic and brought the news of AIDS into living rooms and kitchens across America, it is a novel that speaks to the question of what home and family means when we try to forge a life for ourselves in a world that can be harsh and unpredictable. It is written at the far reaches of love and understanding, and zeroes in on the moments where those two forces reach for each other, and sometimes touch.