The literary critic Roland Barthes dies—struck by a laundry van—after lunch with the presidential candidate François Mitterand. The world of letters mourns a tragic accident. But what if it wasn’t an accident at all? What if Barthes was . . . murdered?

    The first-person narrative is supplemented by forty-four photographs which form an integral part of the work -- pictures of various surreal people, places, and objects which the author visits or is haunted by in naja's presence and which inspire him to mediate on their reality or lack of it. The Nadja of the book is a girl, but, like Bertrand Russell's definition of electricity as not so much a thing as a way things happen, Nadja is not so much a person as the way she makes people behave. She has been described as a state of mind, a feeling about reality, k a kind of vision, and the reader sometimes wonders whether she exists at all. yet it is Nadja who gives form and structure to the novel.

    It has nothing performative, only secretive. […] It is all of an incredible sensitivity/finesse.’ Olivia de Lamberterie, Elle ‘It is an album of destinies. They each have their décor. They talk of first frosts, of the wood that must be entered, of the huge rubbish tips of life, of the disorder of houses. Of beds that are no longer made because they are too often occupied. Of the warmth of being at home and of finding oneself. This essential truth of what we are. Emmanuelle Pagano sends every reader back to familiar territory. Her book is full of discreet and recognisable emotion.’ Xavier Houssin, Le Monde ‘Under her pen which is an eye, Pagano exalts the wastage of time, its grand affair. Time and its ‘arbitrary wing’ as Lord Byron said. In this little game of references, it’s the sharp eye of Duras, that of La Vie materielle, that must be evoked, or of Violette Leduc and the essential fantasy of Emily Dickinson. Emmanuelle Pagano: remember her name!’ Thierry Clermont, Le Figaro ‘Prosaic but never vulgar, Emmannuelle Pagano dissects lovers’ promiscuity, interrogates the cartography of our emotional lives.’ Clémentine Goldszal, Les Inrockuptibles ‘Seizing reality at that troubling junction between the quotidian and the extraordinary, the banal and the poetic, this literary package/machine with no equivalent unknots the internal ‘ball of string’ where hides the points of departure or arrival, of love in a life or a night, of a daily rhythm or a sudden surprise.’ Alexandre Gefen, Le magazine littéraire

    It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.

    Presenting itself as an investigation into the suicide of a close friend—perhaps real, perhaps fictional—more than twenty years earlier, Levé gives us, little by little, a striking portrait of a man, with all his talents and flaws, who chose to reject his life, and all the people who loved him, in favor of oblivion. Gradually, through Levé’s casually obsessive, pointillist, beautiful ruminations, we come to know a stoic, sensible, thoughtful man who bears more than a slight psychological resemblance to Levé himself. But Suicide is more than just a compendium of memories of an old friend; it is a near-exhaustive catalog of the ramifications and effects of the act of suicide, and a unique and melancholy farewell to life.

    In response, their mothers begin a secret correspondence, their only outlet for the grief they share and each woman’s personal reckoning with a leadership that would take her beloved child’s life.At the same time, spurred on by their indignation at what seems to be an escalation of The Brotherhood’s brutality, a band of intellectuals and free-thinkers seeks to awaken the conscience of the cowed populace and foment rebellion by publishing an underground newspaper. While they grapple with the implications of what they have done, the regime’s brutal leader begins a personal crusade to find the responsible parties, and bring them to his own sense of justice.In this brilliant analysis of tyranny and brutality, Mbougar Sarr explores the ways in which resistance and heroism can often give way to cowardice, all while giving voice to the moral ambiguities and personal struggles involved in each of his characters’ search to impose the values they hold most dear.

    Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women—Geneviève, Martine, Madeleine, a certain Madame Huberson—in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become. This isclassic Modiano, utilizing his signature mix of autobiography and invention to create his most intriguing and intimate book yet.

    

    Its exciting account of air adventure, combined with lyrical prose and the spirit of a philosopher, makes it one of the most popular works ever written about flying. Translated by Lewis Galantière.

    Blurring the lines between fact and fiction, an unnamed narrator attempts to plot the emotional and physical course of her two-year relationship with a married foreigner where every word, event, and person either provides a connection with her beloved, or is subject to her cold indifference. With courage and exactitude, she seeks the truth behind an existence lived entirely for someone else, and, in the pieces of its aftermath, she is able to find it.

    I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road, my country is the caravan, my life the most unexpected of voyages." Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.

    That was before she met a very handsome and somewhat mysterious man named Khaleel who, like Brianna, is an engineering student at Columbia University. Before graduation, however, Brianna's life is turned upside down when she becomes pregnant with Khaleel's baby and is suddenly whisked away to a tiny village in the heart of Saudi Arabia's Empty Quarter. Completely separated from everything she has ever known, Brianna quickly discovers that Khaleel is no longer the man she fell in love with. That man has been replaced by a domineering stranger who wants to control everything, especially Brianna. This revelation is followed by other shocks as Brianna tries to adjust to a world that has suddenly turned into an endless nightmare of abuse, suppression, threats, and isolation. Pregnant and cut off from the outside world, Brianna can focus on only three things now: her own safety, the safety of her unborn child, and, most of all, how to escape from a prison built on hatred.

    They find its strange symbols and images puzzling and mysterious. But you can understand it. The book's very name mean a revealing, a way to gain understanding. Its first verse tells us it was written to reveal "things which must shortly take place."If you are confused by the book of Revelation and would like to know what it all means—and how it's cast of mysterious characters all fit within Bible prophecy—then read the Bible Study Aid ebook The Book of Revelation Unveiled.This study aid will take you through the major themes of the book of Revelation helping you to understand what Jesus Christ revealed to the apostle John and how it all fits together. Discover the major trends and future prophetic events that will shape this world—and your life—in the days ahead.Chapters in this ebook:-- The Book of Revelation: Is It Relevant Today?-- Keys to Understanding Revelation-- The Story Flow of the Book of Revelation-- Chapter Outline of the Book of Revelation-- God's Church in Prophecy-- What Is the Church?-- Duality in Bible Prophecy-- The Book of Revelation's Divine Authority-- The Seals of the Prophetic Scroll-- The Day of the Lord Finally Arrives-- Satan's War Against the People of God-- The Mark and Number of the Beast-- The Two Women of Revelation-- The 'Time of Jacob's Trouble'-- The Destruction of Satan's Kingdom-- Satan: The Great Seducer-- The Everlasting Kingdom of GodInside this Bible Study Aid ebook:"The name of the book, Revelation, is a translation of the title in the original New Testament Greek, Apocalypsis—the origin of the other name by which the book is now known, the Apocalypse. The Greek term denotes an unveiling or uncovering—thus, a revelation.""Here is the key to understanding the book. Jesus alone can unlock the meaning of its symbols, visions and descriptions...Christ reveals its meaning. He unlocks its seals. But how does He do it?""Most of Revelation—about two thirds of its content—is devoted to the seventh seal. The contents of the first six seals are found in chapter 6 alone.""How will the two witnesses and their message be received?""The book of Revelation reveals, from more than one perspective, the emergence of this vast end-time empire governed from a great city God labels “Babylon the great”, the reference here being to Rome.""Jesus Christ will return to establish that Kingdom on earth (the Kingdom of God) at His second coming, at last bringing the peace mankind has always longed for but never achieved."

     It's a painless way to improve your French vocabulary and your confidence at reading and listening.(including Free MP3). No dictionary necessary-Each story is broken down with French and English Glossary. See example below; “Même si Laura est trop mauvaise cuisinière, et qu’elle est habituée à se nourrir uniquement de surgelés. Elle ne souhaite pas rater l’occasion de revoir toute sa famille. Elle réfléchit beaucoup mais ne trouve pas de solution. • est habitué = get used • se nourrir = feed • uniquement = only • surgelés = frozen food • rater l’occasion = miss the opportunity • réfléchit = think “ Never forget the vocabulary again: Vocabulary recap at the end of the book and each chapter. Practice your writing: Try to make your own summary. Compare it with an example for each chapter; Variety of situations: 7 stories about Travelling, Cooking, Shopping, Love, School, Relationship, Movie... Diverse Grammar structure and vocab: A good mix of dialogue and description. Improve your reading comprehension for newspaper articles, but also French spoken in the street. Practice your pronunciation and your listening with the free MP3!

    Harry Flashman, grandson of the famous Victorian General is about to leave Rugby under a cloud. A chip off the old block, one might say. Perhaps more than he realised. Forced to join the army, up to no good at Sandhurst and sent to India. 1914. India. Bored with garrison life, an unwise gamble leads to a flight in one of these new aeroplanes. As a result, and surprisingly smitten by aviation, Flashman returns to England via Sarajevo, intending to learn to fly. Meanwhile, Europe is convulsed. Displaying all his charming family traits, he is caught up in the start of the Great War, shanghaied along the way by the head of the fledgling Secret Service. Fighting for his life over the western front in a box of string and dope, sent beyond the lines on reckless missions for C, terrified out of his wits, dashing for cover, deflowering the local maidens, lying, stealing and generally behaving badly, Flashman gives his honest account of his life as an RFC pilot and sometime secret agent. From the birth of aerial fighting, to the first day on the Somme, from dropping bombs on the enemy, to duelling in the skies with Immelmann, from the nocturnal secrets of enemy spies, to murder on the streets of St Omer, Flashman lives up to his family name, emerging quivering but alive and reputation intact from the maelstrom of total war in Europe.