Published in 1862, this phantasmagoric tale of two maidens seduced by lewd goblin men provides a startling glimpse into the depths of the Victorian psyche. Full color throughout .

    Since publication of The Outsider and Others in 1939, his work has been published in many parts of the world, widely anthologised, and filmed. His books include The Survivor and Others, The Dream Quest of Unknown Kadath, The Doom That Came to Sarnath, Fungi from Yuggoth and Other Poems, The Tomb and Other Tales, At the Mountains of Madness, The Lurker at the Threshold (Lovecraft and Derleth) and The Lurking Fear. Lovecrat was born and lived most of his life in Providence, Rhode Island.1."Foreword", by August Derleth2."Providence"3."On a Grecian Colonnade in a Park"4."Old Christmas"5."New England Fallen"6."On a New England Village Seen by Moonlight"7."Astrophobos"8."Sunset"9."To Pan"10."A Summer Sunset and Evening"11."To Mistress Sophia Simple, Queen of the Cinema"12."A Year Off"13."Sir Thomas Tryout"14."Phaeton"15."August"16."Death"17."To a Youth"18."My Favorite Character"19."To Templeton and Mount Monadnock"20."The Poe-et's Nightmare"21."Lament for the Vanished Spider"22."Regnar Lodbrug's Epicedium"23."Little Sam Perkins"24."Drinking Song from the Tomb"25."The Ancient Track"26."The Eidolon"27."The Nightmare Lake"28."The Outpost"29."The Rutted Road"30."The Wood"31."The House"32."The City"33."Hallowe'en in a Suburb"34."Primavera"35."October"36."To a Dreamer"37."Despair"38."Nemesis"39."Yule Horror"40."To Mr. Finlay, Upon His Drawing for Mr. Bloch's Tale, 'The Faceless God'"41."Where Once Poe Walked"42."Christmas Greetings to Mrs. Phillips Gamwell—1925"43."Brick Row"44."The Messenger"45."To Klarkash-ton, Lord of Averoigne"46."Psychopompos"47."The Book"48."Pursuit"49."The Key"50."Recognition"51."Homecoming"52."The Lamp"53."Zaman's Hill"54."The Port"55."The Courtyard"56."The Pigeon-Flyers"57."The Well"58."The Howler"59."Hesperia"60."Star Winds"61."Antarkos"62."The Window"63."A Memory"64."The Gardens of Yin"65."The Bells"66."Night Gaunts"67."Nyarlathotep"68."Azathoth"69."Mirage"70."The Canal"71."St. Toad's"72."The Familiars"73."The Elder Pharos"74."Expectancy"75."Nostalgia"76."Background"77."The Dweller"78."Alienation"79."Harbour Whistles"80."Recapture"81."Evening Star"82. "Continuity"Cover Illustration: Gervasio Gallardo

    Brandon Scott Gorrell's debut full-length poetry book captures the feelings of small, alienated, and highly self-conscious humans who exist in an array of situations, from a very odd Halloween party to a full-scale planetary war involving humans, androids, robots, and aliens. Focusing on severe feelings of low self-worth, meaninglessness, and yearning for something unknown, Brandon Scott Gorrell--who has generated a large internet following of disenchanted youths--uses predominantly science fiction imagery in direct, deadpan prose to describe humans in need of meaning that they feel hopeless to attain. "I like these poems. I really do. They made me laugh"--Matthew Rohrer. Brandon Scott Gorrell was born in 1984 and lives in Seattle. His blog is at brandon.alien.fine.blogspot.com.

    Lautreamont bewildered his contemporaries, but the Surrealists modeled their efforts after his black humor and poetic leaps of logic, exemplified by the oft-quoted line, -As beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella.- Maldoror 's shocked first publisher refused to bind the sheets of the original edition--and perhaps no better invitation exists to this book, which warns the reader, -Only the few may relish this bitter fruit without danger.- This is the only complete annotated collection of Lautreamont's writings available in English, in Alexis Lykiard's superior translation. For this latest edition, Lykiard updates his introduction to include recent scholarship.

    Translated now for the first time in a new bilingual edition with an introduction by translator Peter Smith and an afterword by Vanessa Place, BABYFUCKER belongs in the canon of twentieth-century provocations that includes Bataille's The Story of the Eye, Delany's Hogg, and Cooper's Frisk. For BABYFUCKER is, as Dennis Cooper says: "a stunning, exquisite, perfect, and difficult little benchmark of a novel that makes literature that predates it seem deprived."Fiction. Bilingual Edition. Translated from the German by Peter Smith.

    No one -- not aspiring actor Rusty Godowski, not his girlfriend, Mary-Ann Pringle, not powerful agent Letitia Van Allen -- remains untouched by Myra's quest. Her job teaching Empathy and Posture at the Academy of Drama and Modeling, owned by her uncle Buck Loner, gives her the perfect opportunity to vamp, scheme, and seduce her way into the undiscovered lives and passions of others -- while trying to keep a few secrets of her own.In the sequel, Myron, the Breckinridge saga takes an increasingly bizarre turn. Myron seems to be an inconspicuous man with a sweet wife and a Chinese catering business, and Myra, determined to become a megastar, wages an outrageous battle for hormonal supremacy over the body she shares with Myron. In a tale that combines time-travel with the ultimate Hollywood fantasy, Gore Vidal leads us through the movie-star world of the fabulous forties as Myra attempts to alter cinema history.When Myra Breckinridge first appeared in 1968, critics were delighted, baffled, and somewhat appalled by this comedy of sex change. (Readers made it the number-one best-seller.) Time magazine queried: Has literary decency fallen so low? Perhaps they should have asked, Has literature ever been so witty, so provoking, so intriguing? Thirty years later Myra has become literature's most famous transsexual. After all, this is her/his/their age.

    An undiluted tragedy.

    Raoule's suitor, a cigar-smoking former hussar officer, becomes an accomplice in the complications that ensue.

    As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

    Set into motion by a single act of abandonment-Catherine's lover of ten years has left her-she falls deeper and deeper into an irretrievable madness. With passionate abandon and detachment Catherine pursues her own destruction. Forcing the boundaries of identity and the limits of her eroticism, she enters a series of blinding sexual encounters with a poet, a fascist, a young Arlesian woman, a fireman, and three thieves. Eerily she splits herself in two so that she is both the one who watches and the one who is watched, creator and creation, author and character, as she observes herself from afar "And I would like to help her, " the one who watches says, "but I can't." Finally she meets Lucien, the solitary, cynical, beautiful man with long hair who looks as though he has "stepped out of an unmade film by the dead Truffaut, " and through this mysterious, doomed, bittersweet liaison Catherine makes one last attempt to halt her decline through the redemptive act of story-telling. She begins to invent the story of their lives, telling it to him half in English, half in French, joining their solitudes for a moment before losing forever her belief that the shapely, hopeful prospects of narrative make sense of expenence. "She notices how everything is given up or taken away" as she loses the power of the imagination or memory or the body to console, and finally of language to convey meaning. This mesmerizing drama of sex, betrayal, and dissolution with its shattering inevitable conclusion is played out against the dazzling backdrop of the beautiful, indifferent Cote d'Azur in summer. Written in a dwindling lexicon with a simple, warped musicality, The American Woman in the Chinese Hat is a dark, uncompromising, seductive work of art.

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    A lovely gift for those new to the saga of the mysterious lovers, this distinctive collection also makes an enduring keepsake for devoted fans.

    Forrest's O Captain, My Captain.

    On the bus headed out of town they hook up with Finn and Critter, a couple of speed-freak boyfriends who take a shine to both of them. They also meet Ula, who is mourning the death of her fiancé and taking a trip across the United States in his memory. The five become fast allies, united by personal loss and by the allure of intimacy only friends in the throes of conflict can understand. When Jonnyboy drops out of sight, Radboy stays behind in San Francisco, where the underground world he has been introduced to inspires his own burgeoning sexual and emotional desires.

    Nobody had ever written so frankly about the kinky potential of woman-to-woman sex (and nobody has ever done it any better). If any book is responsible for the formation of the modern lesbian leather community, this one is it.Despite its graceful language, imaginative scenarios, and abundant humor, the lesbian press trashed Macho Sluts, and it became a focal point for the infamous legal battles between Canada Customs and Little Sister's, the gay and lesbian bookstore. But readers loved it, and to this day Macho Sluts remains a vital and moving classic that still has the power to educate, radicalize, and expand our notions of the body's potential to provide us with pleasure, pain, and love.This new edition, part of Arsenal Pulp Press' Little Sister's Classics series resurrecting classics of LGBT literature, includes a new afterword by the author, and an introduction by Wendy Chapkis, a professor of sociology and women and gender studies at the University of Southern Maine in Portland.Patrick Califia has written many books about radical sex, queer communities, and the repression of desire. Almost ten years ago, Califia transitioned from female to male; he now lives as a bisexual transman in San Francisco.