Dan Lavette, the son of an Italian fisherman, battles from the rubble of the San Francisco earthquake to build a fortune in the shipping industry. Rising to success through hard work and a loveless marriage to the daughter of the city's wealthiest family, he risks it all for the exotic beauty of a woman who shares his secret and scandalous passion. From Nob Hill to the harbor, San Francisco comes alive through three immigrant families -- Italian, Irish, and Chinese -- whose intertwining dreams are propelled by the emotional events of America's coming of age...

    Then from it, nearly overnight, emerged one of the world's largest and most iconic cities. The birth and evolution of Los Angeles--its seemingly impossible, meteoric rise--can be attributed largely to three ingenious but deeply flawed people. D.W. Griffith, the early film pioneer who first conceived of feature-length movies, gave Hollywood its industry. Aimee Semple McPherson, a young evangelist and radio preacher, infused the city with its spiritual identity as a hub for reinvention. And William Mulholland, an Irish immigrant turned ditch-digger turned autodidactic engineer, would design the massive aqueduct that made survival in the harsh climate feasible.But while Mulholland, Griffith, and Semple McPherson were all masters of their craft, each would self-destruct in spectacular fashion. D.W. Griffith, led by his ballooning ego, would go on to produce a string of commercial failures; Semple McPherson would be crucified in the tabloids for fabricating an account of her own kidnapping; and a dam designed by Mulholland would fail just hours after he gave it a safety inspection.Spanning from 1904 to 1930, The Mirage Factory is the enthralling tale of an improbable city and the people who willed it into existence by pushing the limits of human engineering and peddling fantasies.

    Now, in West of Eden, she turns to Los Angeles, the city of her childhood. Stein vividly captures a mythic cast of characters: their ambitions and triumphs as well as their desolation and grief.   These stories illuminate the bold aspirations of five larger-than-life individuals and their families. West of Eden is a work of history both grand in scale and intimate in detail. At the center of each family is a dreamer who finds fortune and strife in Southern California: Edward Doheny, the Wisconsin-born oil tycoon whose corruption destroyed the reputation of a U.S. president and led to his own son’s violent death; Jack Warner, the son of Polish-Jewish immigrants, who together with his brothers founded one of the world’s most iconic film studios; Jane Garland, the troubled daughter of an aspiring actress who could never escape her mother’s schemes; Jennifer Jones, an actress from Oklahoma who won the Academy Award at twenty-five but struggled with despair amid her fame and glamour. Finally, Stein chronicles the ascent of her own father, Jules Stein, an eye doctor born in Indiana who transformed Hollywood with the creation of an unrivaled agency and studio.   In each chapter, Stein paints a portrait of an outsider who pins his or her hopes on the nascent power and promise of Los Angeles. Each individual’s unyielding intensity pushes loved ones, especially children, toward a perilous threshold. West of Eden depicts the city that has projected its own image of America onto the world, in all its idealism and paradox. As she did in Edie, Jean Stein weaves together the personal recollections of an array of individuals to create an astonishing tapestry of a place like no other.

    But the tag that really fits is Hitter. “A riveting retrospective” (Baseball americanca). Index; career statistics; photographs.

    Matthew Sutton's definitive study of Aimee Semple McPherson reveals the woman, most often remembered as the hypocritical vamp in Sinclair Lewis's 'Elmer Gantry', as a trail-blazing pioneer.

    The president moves fast to prevent panic across the nation. The government receives an ominous threat from an anonymous Middle Eastern source: similar attacks will be launched upon other American cities unless all aid to Israel is terminated, virtually isolating the Jewish State and allowing its Arab neighbors to overrun it. The FBI, CIA and other federal organizations are called to action. A crack U. S. Israeli team is given the daunting assignment of uncovering the source of the threat and the identity of the next targeted city against a five day deadline. The team: Lara, a young female FBI computer whiz and Uri, a charismatic male Mossad field agent. Theirs is a breakneck chase across the country in a race against time and the unknown Islamist terrorists.

    In MY PREROGATIVE, Brown will for the first time tell the full story of his life and set the record straight, particularly about his relationship with Whitney Houston.Bobby Brown has been one of the most compelling American artists of the past 30 years, a magnetic and talented figure who successfully crossed over many musical genres, including R&B and hip hop, as well as the mainstream. In the late 1980s, the former front man of New Edition had a wildly successful solo career-especially with the launch of DON'T BE CRUEL-garnering multiple hits on the Billboard top ten list, as well as several Grammy, American Music, and Soul Train awards. But Brown put his career on hold to be with the woman he loved-American music royalty Whitney Houston. The marriage between Brown and Houston was perhaps the most closely watched and talked about marriage of the 1990's-a pairing that obsessed the public and the gossip industry. Now, for the first time, the world will be able to hear the truth from the mouth of America's "bad boy" himself. Raw and powerful, MY PREROGATIVE is the story of a man who has been on the top of the mountain and in the depths of the valley and who is now finally ready to talk about his career and family life, from the passion and the excess to his creative inspirations and massive musical success.On the process of writing this book, Bobby says, "Right after I signed on to write my story, I went through one of the most agonizing traumas I had ever experienced with the death of my daughter. But I was surprised by how therapeutic it was to work on this project, to look at the entire arc of my life and to realize that although there has been considerable pain, I have also been incredibly blessed. I hope my fans and other readers of this book will be entertained by this trip into the crazy, exciting, fascinating world of Bobby Brown. And I hope they will feel that I have been as honest and open with them in these pages as I have tried to be my entire life."

    A native Californian, Didion applies her scalpel-like intelligence to the state’s ethic of ruthless self-sufficiency in order to examine that ethic’s often tenuous relationship to reality.Combining history and reportage, memoir and literary criticism, Where I Was From explores California’s romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and her book is at once intellectually provocative and deeply personal.

    The daughter of immigrants, she was raised in an Oakland, California community that cared deeply about social justice; her parents--an esteemed economist from Jamaica and an admired cancer researcher from India--met as activists in the civil rights movement when they were graduate students at Berkeley. Growing up, Harris herself never hid her passion for justice, and when she became a prosecutor out of law school, a deputy district attorney, she quickly established herself as one of the most innovative change agents in American law enforcement. She progressed rapidly to become the elected District Attorney for San Francisco, and then the chief law enforcement officer of the state of California as a whole. Known for bringing a voice to the voiceless, she took on the big banks during the foreclosure crisis, winning a historic settlement for California's working families. Her hallmarks were applying a holistic, data-driven approach to many of California's thorniest issues, always eschewing stale "tough on crime" rhetoric as presenting a series of false choices. Neither "tough" nor "soft" but smart on crime became her mantra. Being smart means learning the truths that can make us better as a community, and supporting those truths with all our might. That has been the pole star that guided Harris to a transformational career as the top law enforcement official in California, and it is guiding her now as a transformational United States Senator, grappling with an array of complex issues that affect her state, our country, and the world, from health care and the new economy to immigration, national security, the opioid crisis, and accelerating inequality.By reckoning with the big challenges we face together, drawing on the hard-won wisdom and insight from her own career and the work of those who have most inspired her, Kamala Harris offers in The Truths We Hold a master class in problem-solving, in crisis management, and leadership in challenging times. Through the arc of her own life, on into the great work of our day, she communicates a vision of shared struggle, shared purpose, and shared values. In a book rich in many home truths, not least is that a relatively small number of people work very hard to convince a great many of us that we have less in common than we actually do, but it falls to us to look past them and get on with the good work of living our common truth. When we do, our shared effort will continue to sustain us and this great nation, now and in the years to come.

    But none has been quite so dramatic or compelling as the Jonestown massacre of 1978, in which the Reverend Jim Jones and 913 of his disciples perished. Deborah Layton had been a member of the Peoples Temple for seven years when she departed for Jonestown, Guyana, the promised land nestled deep in the South American jungle. When she arrived, however, Layton saw that something was seriously wrong. Jones constantly spoke of a revolutionary mass suicide, and Layton knew only too well that he had enough control over the minds of the Jonestown residents to carry it out. But her pleas for help--and her sworn affidavit to the U.S. government--fell on skeptical ears. In this very personal account, Layton opens up the shadowy world of cults and shows how anyone can fall under their spell. Seductive Poison is both an unflinching historical document and a riveting story of intrigue, power, and murder.

    government. 16-page insert.

     Through they course of the nineteenth century they became involved in some of the bloodiest conflicts to occur in the heart of the American continent. They were swift in the adoption of horse culture and quickly became skilled and powerful mounted warriors. Men would gain rank within their society by performing and accumulating various acts of bravery in battle, known as coups. George Bird Grinnell charts the development of the Cheyenne people through the course of the nineteenth century and how they were forced to become increasingly militaristic, both with other tribes and the ever-encroaching United States government, in order to protect themselves and their culture. Although Grinnell states that “This book deals with the wars of the Cheyennes”, he spends a great deal of time explaining their culture more deeply to provide a more complete picture of this fascinating tribe. Rather than simply relying on the words of various United States troops who had fought the Cheyennes at various encounters such as Washita River and Little Bighorn, Grinnell interviews many aging Native Americans to allow them to tell their own stories in their own ways. “Mr. Grinnell has always shown a deep personal feeling for the Indian of the Plains, in contrast to the mere professional attitude of many anthropologists. This is particularly true in the present work.” Clark Wissler, American Anthropologist “The principal events in Cheyenne history … are sketched in interesting fashion, chiefly from Indian reminiscence, with occasional reference to other sources of information. … we get the Indian viewpoint and incidentally much valuable light upon Indian belief and custom.” James Mooney, The American Historical Review “In his books… Mr. George Bird Grinnell has portrayed [the Native Americans] with a master hand; it is hard to see how his work can be bettered.” Theodore Roosevelt This book is essential reading for anyone interested in Native American history and one of the most famous tribes to have lived on the Great Plains. George Bird Grinnell was an American anthropologist, historian, naturalist, and writer. Grinnell wrote many of the first articles dealing with conservation, the protection of the buffalo, and the American West. His book The Fighting Cheyennes was first published in 1915 and he passed away in 1938.

    There, her grand-mother and great-aunt told her intriguing, colorful stories about their family's past - stories of missionaries, concubines, tong wars, glamorous nightclubs, and the determined struggle to triumph over racist laws and discrimination. They spoke of how Lisa's great-great-grandfather emigrated from his Chinese village to the United States; how his son followed him, married a Caucasian woman, and despite great odds, went on to become one of the most prominent Chinese on "Gold Mountain" (the Chinese name for the United States). As an adult, See spent five years collecting the details of her family's remarkable history. She interviewed nearly one hundred relatives - both Chinese and Caucasian, rich and poor - and pored over documents at the National Archives, the immigration office, and in countless attics, basements, and closets for the intimate nuances of her ancestors' lives.

    Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary west coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (The Go-Go’s), Dave Alvin (The Blasters), Jack Grisham (TSOL), Teresa Covarrubias (The Brat), Robert Lopez (The Zeros, El Vez), as well as scencesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe “narrates” this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl—the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom—and formed X, the band that became synonymous with, and in many ways defined, L.A. punk.Under the Big Black Sun shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood’s underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles.

    It is the story of the men who built the transcontinental railroad—the investors who risked their businesses and money; the enlightened politicians who understood its importance; the engineers and surveyors who risked, and sometimes lost, their lives; and the Irish and Chinese immigrants, the defeated Confederate soldiers, and the other laborers who did the backbreaking and dangerous work on the tracks.The U.S. government pitted two companies—the Union Pacific and the Central Pacific Railroads—against each other in a race for funding, encouraging speed over caution. Locomotives, rails, and spikes were shipped from the East through Panama or around South America to the West or lugged across the country to the Plains. In Ambrose's hands, this enterprise, with its huge expenditure of brainpower, muscle, and sweat, comes vibrantly to life.