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    But what do you do when the object of your affection refuses to love and want you the same way you want them? Not because they don’t feel the same but because in their eyes you don’t quite measure up? Even after you’ve done everything in your power to prove your worth to this person, they continue to purposely withhold the love that you so desperately crave. Walking away may seem like the most logical and healthy route to take but when it comes to that authentic, consuming, deep down in your soul type of love, doing so is easier said than done. Considered an unlikely pair, Marcus, the reformed dope boy and Nikki, the pampered princess, have undeniable chemistry. Problems arise when only one of them is willing to be honest and acknowledge the obvious attraction. Because she doesn’t feel that he fits into her world or the plan she has mapped out for her life, Nikki curves Marcus without hesitation from their first encounter. Unable to see past her fears, she doesn’t realize that rejecting him just may cost her the man she was meant to spend her life with. With the street life in his rearview, Marcus is now a proud uncle and the owner of a thriving business. He’s hoping to add the title of being the man in Nikki‘s life to the growing list of blessings in this new chapter but she’s not on board with that plan. Although he’s fed up with trying to convince her that he is enough, does Marcus have it in him to throw in the towel for good? Ride shotgun with Marcus, Nikki, and a few other couples, as they navigate through this crazy, drama filled game of life and love.

    

    Almost entirely informal photos.Copyright 1982 in Great Britain, printed and bound in Italy

    In The Imperial Tea Party, Frances Welch draws back the curtain on those fraught encounters, which had far-reaching consequences for 20th-century Europe and beyond.Russia and Britain were never natural bedfellows. But the marriage, in 1894, of Queen Victoria’s favourite granddaughter, Alicky, to the Tsarevich Nicholas marked the beginning of an uneasy Anglo-Russian entente that would last until the Russian Revolution of 1917.The three extraordinary meetings that took place during those years, although generally hailed as successes, were beset by misunderstandings and misfortunes. The Tsar and Tsarina complained bitterly about the weather when staying at Balmoral, while British courtiers later criticised the Russians’ hospitality, from the food to the music to the slow service.In this wonderfully sharp account, Frances Welch presents a vivid snapshot of two dynasties at a time of social unrest. The families could not know, as they waved each other fond goodbyes from their yachts at Cowes in 1909, that they would never meet again.

    Former Bolshoi ballerina Nina Revskaya auctions off her jewelry collection and becomes overwhelmed by memories of her homeland, the friends she left behind amidst Stalinist aggression, and the dark secret that brought her to a new life in Boston.

    We opened for business at 5 p.m. and already there was a queue of hungry customers on the cobbled street of London's East End. In 1950s and 60s Bermondsey, the fish-and-chip shop was at the centre of the community. And at the heart of the chippy itself was 'Hooray' Hilda Kemp, a spirited matriarch who dispensed fish suppers and an abundance of sympathy to a now-vanished world of East Enders. For 'Hooray' Hilda knew all to well what it was like to feel real, aching hunger. Growing up in the slums of 1920s south-east London, the daughter of a violent alcoholic who drank away his wages rather than put food on the table, she could spot when a customer was in need and would sneak them an extra big portion of chips, on the house. As Hilda works in the chippy six days a week - cutting the potatoes and frying the fish, yesterday's rag becoming today's dinner plate - she hears all the gossip from the close-knit community. There are rumours that the gang wars are hotting up: the Richardsons and the Krays are playing out their fights across south-east London. And the industrial strike is carrying on for a painfully long time for the mothers with many mouths to feed. At home, Hilda's children are latchkey kids, letting themselves in from school and helping themselves to whatever is in the larder until she gets in from her long, hard day at work. Despite tragedy striking her family, Hilda never complained of the loss of her daughter at a tragically young age, nor the tough upbringing she narrowly escaped. With a cast of colourful characters - dirty ragamuffins, struggling housewives, rough-diamond gang members - 'Hooray' Hilda's story is one of grit, romance, nostalgia and British endurance. Told to her granddaughter Cathryn, this memoir is the uplifting sequel to 'WE AIN'T GOT NO DRINK, PA' and is a testament to a woman who lived life to the full, who enjoyed laughter and loved fiercely - even though her heart was broken many times over.

    And the McKennas, fresh from Ireland, have no intention of being victims. When Nolan McKenna and his sisters arrived unannounced on Cissie Cassidy's doorstep claiming to be her late husband's long-lost relatives, the lonely widow is all too willing to be taken in and trusting enough to help them find them a foothold in the city. While Nolan wields a shovel for twelve back-breaking hours a day, the beautiful, trusting Clare takes up with the wrong man instead of the collection agent who yearns to make her his bride. Sharp-witted and pretty, Evie is made of more ambitious stuff and uses her job behind the bar of the Harp of Erin to attract the attentions of Russell Blackstock, builder and land-speculator, who owns half the tenements on Clydeside - and plans to own still more. The worlds of the wealthy Blackstocks and the penniless McKennas are set on a collision course that will mean huge changes for them, and for the city they live in.

    There it was, inches away from me on a hotel table. Not in conventional currency, but in the world’s deadliest commodity. Heroin.’As part of Scotland Yard’s undercover team, it was Peter Bleksley’s job to infiltrate some of the capital’s most dangerous gangs and bring them down. For ten years, he went deeper into the criminal underworld than any cop had before him.Meeting with dealers, gangland leaders and members of the IRA and the Mafia, he lived the life of the Great Pretender, constantly changing his identity to ensure his cover was never blown.Whilst undeniably thrilling work at times, it came at a heavy price. The more successful he was at bringing criminals to justice, the longer the list of those who wanted revenge became. Even now, Peter looks over his shoulder in case someone should wish to act on an old threat.In The Gangbuster, Bleksley draws us into the world of drugs, violence and covert operations he inhabited for so long in the pursuit of justice.Now a renowned policing and crime expert seen on the BBC and as the Chief on Channel 4’s Hunted, Peter Bleksley reputation still precedes him the world over.

    Pretty and outspoken, she often alarmed her best friend Amy by expressing doubts - about parents, teachers and, most of all, religion, which according to their strict 1950s Catholic upbringing in Rivington Cross seemed certain, Amy thought, to send them both to Hell. What, after all, was wrong with being a Protestant, Madeleine would ask? Or a Jew? The good-looking boy they both noticed on their way to school was, it was rumoured, Jewish - his family having fled from Poland at the beginning of the war.Father Sheahan, the whiskey-soaked priest from the local church, had discovered that his secret past was catching up with him, and went in fear of his life. Amy, too, had a secret - a secret which caused her to visit the Bell House, an ancient charnel house outside the village. As they grow up, this place of death becomes a meeting place for the friends, who have to learn that differences in religion can cause unexpected heartache.

    In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.

    Veronica is an aspiring historian living in present-day Los Angeles when she meets a mysterious man who may be heir to the Russian throne. As she sets about investigating the legitimacy of his claim through a winding path of romance and deception, the ghosts of her own past begin to haunt her. Lena, a servant in the imperial Russian court of 1902, is approached by the desperate Empress Alexandra. After conceiving four daughters, the Empress is determined to sire a son and believes Lena can help her. Once elevated to the Romanov's treacherous inner circle, Lena finds herself under the watchful eye of the meddling Dowager Empress Marie. Charlotte, a former ballerina living in World War II occupied Paris, receives a surprise visit from a German officer. Determined to protect her son from the Nazis, Charlotte escapes the city, but not before learning that the officer's interest in her stems from his longstanding obsession with the fate of the Russian monarchy. Then as Veronica's passion intensifies, and her search for the true heir to the throne takes a dangerous turn, the reader learns just how these three vastly different women are connected. The Secret Daughter of the Tsar is thrilling from its first intense moments until its final, unexpected conclusion.

    Her husband, however, possesses no such grace, and he rules Moscow as he does his wife, with a cold, hard fist.For Pavel and his bride, though, living in Sankt Peterburg means sharing a crowded cellar with other families, and being barely able to afford bread. Nevertheless, they are full of optimism, for their grandparents were serfs and this young couple is the first to leave the countryside to seek a better existence.However, after an explosive confrontation between peaceful demonstrators and tsarist soldiers, the lives of Ella and Pavel take two very different turns, but the fire of revolutionary Russia eventually links their fates forever.Robert Alexander once again masterfully combines the power of true history and riveting storytelling to bring this fascinating and legendary period to life.

    When he finally achieved his ambition, becoming one of only a dozen full-time undercover officers, the reality of covert work turned his life into a nightmare.To catch criminals, Christian bought and sold drugs with taxpayers' money, was beaten up, arrested at gunpoint and barricaded in a pub by a gang of marauding travellers - all in a day's work. At one stage, he was running almost a dozen mobile phones to keep track of his different identities and had so many aliases that he nearly forgot who he was. He put his life on the line for the job but was to find that being the 'best of the best' wasn't all it was cracked up to be. The pressure became so intense that he even contemplated suicide.Crossing the Line is a visceral, gripping account of what it really takes to be an undercover cop, going behind the scenes to reveal the harsh realities of modern covert police work.

    Elena, born with a desire to explore the world beyond her borders, finds her passion in the complexity of the English language - but in the Soviet Union of the 1960s, such a passion verges on the subversive. Elena's home is no longer the majestic Russia of literature or the tsars. Instead, it is a nation humiliated by its first faltering steps after World War II, putting up appearances for the sake of its regime and fighting to retain its pride. In this deeply affecting memoir, Elena re-creates the world that both oppressed and inspired her. She recounts stories passed down to her about the horrors of the Bolshevik Revolution and probes the daily deprivations and small joys of her family's bunkerlike existence. Through Elena's captivating voice, we learn not only the personal story of Russia in the second half of the twentieth century, but also the story of one rebellious citizen whose love of a foreign language finally transports her to a new world. 'This moving memoir made me cry' The New York Times