The Oakland County Child Murders spawned panic across southeast Michigan, triggering the most extensive manhunt in U.S. history. Yet after less than two years, the task force created to find the killer was shut down without naming a suspect. The case "went cold" for more than 30 years, until a chance discovery by one victim's family pointed to the son of a wealthy General Motors executive: Christopher Brian Busch, a convicted pedophile, was freed weeks before the fourth child disappeared.Veteran Detroit News reporter Marney Rich Keenan takes the reader inside the investigation of the still-unresolved murders—seen through the eyes of the lead detective in the case and the family who cracked it open—revealing evidence of a decades-long coverup of malfeasance and obstruction that denied justice for the victims.

    Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.

    The victims were five children aged between 10 and 17—Pauline Reade, John Kilbride, Keith Bennett, Lesley Ann Downey and Edward Evans—at least four of whom were sexually assaulted. The murders are so named because two of the victims were discovered in graves dug on Saddleworth Moor, with a third grave also being discovered there in 1987, over 20 years after Brady and Hindley's trial in 1966. The body of a fourth victim, Keith Bennett, is also suspected to be buried there, but despite repeated searches it remains undiscovered.The police were initially aware of only three killings, those of Edward Evans, Lesley Ann Downey and John Kilbride. The investigation was reopened in 1985, after Brady was reported in the press as having confessed to the murders of Pauline Reade and Keith Bennett. Brady and Hindley were taken separately to Saddleworth Moor to assist the police in their search for the graves, both by then having confessed to the additional murders.

    Ten days to obtain suspect Andrei Chikatilo's confession or he goes free. Certain to join the classic accounts of true crime, Hunting the Devil is the story of how a master detective, an expert in the psychology of serial killers, ensnares a cunning, seemingly bland, but terrifying psychopath. Fifty-three frenzied murders of women and children, involving mutilation and sexual cannibalism. Not a single witness. Not a shred of evidence. A terrified populace. An incompetent local investigation. This is the challenge facing Chief Inspector Issa Kostoev, head of Russia's Department of Crimes of Special Importance, when he is assigned to the case. Five years later, in 1990, after extraordinary efforts, his hunt comes to a taut climax when he locks eyes with his prisoner. Interrogation - the most intricate game of all - is about to begin, played by two, alone for ten days in a bare room, the stakes freedom or death. Richard Lourie has had the exclusive cooperation of Chief Inspector Kostoev in the writing of this book and unrivaled access to most of the other personalities involved in the case. His own deep knowledge of Russia and its people has informed his account, a relentlessly paced story of crime and punishment in a collapsing society. Hunting the Devil is a remarkable book: an absorbing story of the brilliant detective work that finally chained a ravenous, unspeakable evil.

    Now the man who coined the phrase "serial killer" and advised Thomas Harris on The Silence of the Lambs shows how is able to track down some of today's most brutal murderers.Just as it happened in The Silence of the Lambs, Ressler used the evidence at a crime scene to put together a psychological profile of the killers. From the victims they choose, to the way they kill, to the often grotesque souvenirs they take with them--Ressler unlocks the identities of these vicious killers of the police to capture.And with his discovery that serial killers share certain violent behaviors, Ressler's gone behind prison walls to hear the bizarre first-hand stories countless convicted murderers. Getting inside the mind of a killer to understand how and why he kills, is one of the FBI's most effective ways of helping police bring in killers who are still at large.Join Ressler as he takes you on the hunt for toady's most dangerous psychopaths. It is a terrifying journey you will not forget.

    Though newspapers have dubbed him ‘the Torso Killer’, this murderer’s work is overshadowed by the hysteria surrounding Jack the Ripper’s Whitechapel crimes. The victims are women too, but their dismembered bodies, wrapped in rags and tied up with string, are pulled out of the Thames – and the heads are missing. The murderer likes to keep them.Mayhem is a masterwork of narrative suspense: a supernatural thriller set in a shadowy, gaslit London, where monsters stalk the cobbled streets and hide in plain sight.

    While certainly not the first account of a female body being negotiated for honor in a family, this time the survivor had bravely chosen to fight back. In doing so, Mai single-handedly changed the feminist movement in Pakistan, one of the world's most adverse climates for women. By July 2002, the Pakistani government awarded her the equivalent of 8,500 U.S. dollars in compensation money and sentenced her attackers to death — and Mukhtar Mai went on to open a school for girls so that future generations would not suffer, as she had, from illiteracy.In this rousing account, Mai describes her experience and how she has since become an agent for change and a beacon of hope for oppressed women around the world. Timely and topical, "In the Name of Honor" is the remarkable and inspirational memoir of a woman who fought and triumphed against exceptional odds.

     For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers—French-born New Yorker art director Françoise Mouly—exerted a force over reality that was both dazzling and daunting. As Nadja’s body changed and “began to whisper to the adults around me in a language I did not understand,” their relationship grew tense. Unwittingly, they were replaying a drama from her mother’s past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them.  It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled.  Her grandmother’s memories contradicted her mother’s at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most.

    From the mid-nineteenth century to the early twentieth, over 250 institutions for the insane were built throughout the United States; by 1948, they housed more than a half million patients. The blueprint for these hospitals was set by Pennsylvania hospital superintendent Thomas Story Kirkbride: a central administration building flanked symmetrically by pavilions and surrounded by lavish grounds with pastoral vistas. Kirkbride and others believed that well-designed buildings and grounds, a peaceful environment, a regimen of fresh air, and places for work, exercise, and cultural activities would heal mental illness. But in the second half of the twentieth century, after the introduction of psychotropic drugs and policy shifts toward community-based care, patient populations declined dramatically, leaving many of these beautiful, massive buildings--and the patients who lived in them--neglected and abandoned. Architect and photographer Christopher Payne spent six years documenting the decay of state mental hospitals like these, visiting seventy institutions in thirty states. Through his lens we see splendid, palatial exteriors (some designed by such prominent architects as H. H. Richardson and Samuel Sloan) and crumbling interiors--chairs stacked against walls with peeling paint in a grand hallway; brightly colored toothbrushes still hanging on a rack; stacks of suitcases, never packed for the trip home. Accompanying Payne's striking and powerful photographs is an essay by Oliver Sacks (who described his own experience working at a state mental hospital in his book Awakenings). Sacks pays tribute to Payne's photographs and to the lives once lived in these places, "where one could be both mad and safe."

    Twelve years later, her brilliant twin sister, Jenna, is still searching for her, and ends up on the radar of the CIA. When evidence that her sister may still be alive in North Korea comes to light, Jenna will do anything possible to rescue her--including undertaking a daring mission into the heart of the regime. Her story is masterfully braided together with two other narrative threads. In one, a North Korean peasant woman finds a forbidden international aid balloon and uses the valuables inside to launch a dangerously lucrative black-market business. In the other, a high-ranking North Korean official discovers, to his horror, that he may be descended from a traitor, a fact that could mean his death if it is revealed. As the novel progresses, these narrative strands converge and connect in surprising ways, ultimately building to an explosive and unforgettable climax.

    In Women & Power, she traces the origins of this misogyny to its ancient roots, examining the pitfalls of gender and the ways that history has mistreated strong women since time immemorial. As far back as Homer’s Odyssey, Beard shows, women have been prohibited from leadership roles in civic life, public speech being defined as inherently male. From Medusa to Philomela (whose tongue was cut out), from Hillary Clinton to Elizabeth Warren (who was told to sit down), Beard draws illuminating parallels between our cultural assumptions about women’s relationship to power—and how powerful women provide a necessary example for all women who must resist being vacuumed into a male template. With personal reflections on her own online experiences with sexism, Beard asks: If women aren’t perceived to be within the structure of power, isn’t it power itself we need to redefine? And how many more centuries should we be expected to wait?

    When Papa Pilgrim appeared in the Alaska frontier outpost of McCarthy with his wife and fifteen children in tow, his new neighbors had little idea of the trouble to come. The Pilgrim Family presented themselves as a shining example of the homespun Christian ideal, with their proud piety and beautiful old-timey music, but their true story ran dark and deep. Within weeks, Papa had bulldozed a road through the mountains to the new family home at an abandoned copper mine, sparking a tense confrontation with the National Park Service and forcing his ghost town neighbors to take sides in an ever-more volatile battle over where a citizen’s rights end and the government’s power begins. In Pilgrim’s Wilderness, veteran Alaska journalist Tom Kizzia unfolds the remarkable, at times harrowing, story of a charismatic spinner of American myths who was not what he seemed, the townspeople caught in his thrall, and the family he brought to the brink of ruin. As Kizzia discovered, Papa Pilgrim was in fact the son of a rich Texas family with ties to Hoover’s FBI and strange, oblique connections to the Kennedy assassination and the movie stars of Easy Rider. And as his fight with the government in Alaska grew more intense, the turmoil in his brood made it increasingly difficult to tell whether his children were messianic followers or hostages in desperate need of rescue. In this powerful piece of Americana, written with uncommon grace and high drama, Kizzia uses his unparalleled access to capture an era-defining clash between environmentalists and pioneers ignited by a mesmerizing sociopath who held a town and a family captive