That’s something of the premise behind The Blot by Tom Neely, one of the most bizarre and original graphic novels I’ve read this year. In a crisp, clean, yet utterly surreal drawing style, Neely depicts the odd adventures of an Average Joe whose face is periodically ravaged by a giant ink blot. The man tries to escape the blot, control the blot, even meets a woman who helps him understand the blot. [...] What starts out as semi-humorous and absurdist gains depth and poignancy -- a luminous quality, a quality of something pulled whole out of the subconscious, permeates the latter portions of The Blot. -Bookslut.com

    Contains tales that are illustrated in black, white, and blood red by some of the top talents in comics, including Jill Thompson (Scary Godmother), Michael Avon Oeming (Powers), Darick Robertson (Transmetropolitan), Kelley Jones (Sandman), Andi Watson (Geisha), Dan Brereton (The Nocturnals), Phil Noto (Birds of Prey), and others.

    Tough as nails true tales of the world's baddest mobs, gangs, and ne'er do wells, this entry in the popular BIG BOOKS series focuses on gangs from ancient India to the mean streets of New York, from the Revolutionary War to the Wild West.

    Written and edited by Archie Goodwin, with artwork by such industry notables as Gene Colan, Frank Frazetta, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Wally Wood, it featured war stories in both contemporary and period settings, unified by a humanistic theme of the personal costs of war, rather than by traditional men's adventure motifs. As one letter-writer in the third issue put it, “Do you seriously expect to make money with a war magazine that publishes nothing but anti-war stories?”While most stories took place during World War II, they ranged in settings from the 18th century to the present-day. Some dealt with historical figures, such as Revolutionary War general Benedict Arnold and his pre-traitorous victory at the battle of Saratoga, while “Foragers” focused on a fictional soldier in General William T. Sherman’s devastating March to the Sea during the American Civil War. “Holding Action,” set on the last day of the Korean War, ended with a gung-ho young soldier, unwilling to quit, being escorted over his protests into a medical vehicle.What proved to be the most controversial were stories set during the then-contemporary Vietnam War, particularly the classic short “Landscape,” which follows the thoughts of a Vietnamese peasant rice-farmer devoid of ideology, who nonetheless pays the ultimate price simply for living where he does. While writer Goodwin evenhandedly portrays the North Vietnamese Army’s brutal summary executions of village officials, and a well-meaning U.S. Army fatally bludgeoning its way through the village in a counterattack, the story caused key distributors to stop selling the title.Fantagraphics is proud to present a deluxe, hardcover edition, magnificently printed and bound, of these stories, superbly reproduced from the original printer's film negatives.Nominated for a 2010 Will Eisner Comic Industry Award: (Best Archival Collection/Project: Comic Books).

    The New Mutants lose one of their own! And after the Marauders slaughter the Morlocks, they take on the X-Men! Collecting: New Mutants (1983) #55-61, Uncanny X-Men #220-227, X-Factor (1986) #19-26, Captain America (1968) #339, Daredevil (1964) #252, Fantastic Four (1961) #312, Incredible Hulk (1968) #340, Power Pack (1984) #35

    Sound familiar? Here is yet another take on the beloved Wild West trope, complete with corrupt law enforcement officers, a town drunk, guns for hire, a brave young woman trying to hold on to her failing ranch, vicious people with wealth and power trying to take it from her, a couple of cow-herders, and a colorful cast of characters with names like Red Dust, Ten Gallons, and of course… Comanche.

    Good and Evil is God’s redemption plan told chronologically from Genesis to Revelation. The 324-page book written by Michael Pearl and illustrated by Danny Bulanadi, former of Marvel Comics (Incredible Hulk), resembles an oversized comic book. Good and Evil begins where God began, in the book of Genesis, with the Creator, the fall of man, the law, blood sacrifice, and the prophecies of the coming Redeemer, thus preparing the people to fully understand the gospel of Christ. Good and Evil captivates those who would not normally pick up a Bible. In addition to the color art, each page footnotes Scriptural passages for further Bible study. Young and old, teens, prisoners, military personnel, and Christian workers have testified to the incredible impact Good and Evil has made on their understanding of the Bible.

    He weighed five pounds, six ounces at birth—that's big for a kitten!—and right from the start showed a passion for Italian food. The restaurant owner, forced to choose between Garfield and closing his doors for lack of pasta, sold Garfield to a pet store. Garfield thought he was a goner until Jon Arbuckle walked in the door. The rest is history.

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    This new hardcover edition reprints every single “Nuts” story from the Lampoon (rescuing over two dozen pages from oblivion) and reinstitutes the color in the “Christmas” and “Halloween” episodes, and for that matter the 3-D in the 3-D episode (“I wish to God I’d never seen all this space.”)If you don’t remember what it was like being a child, this book will bring it all back… for good or for ill!

    Originally published by Palliard Press.

    There they discover a truth that neither expected, but both must come to accept. Previously published by D.C. Comics.

    But just as Marken decides that it's time to give up the raiding life, both brothers find themselves at the wrong end of the powers that be and stumble upon a secret that may unravel the entire political system.

    Collects THE FIX #9-12.

    Since ancient Egypt, this cycle has occurred without incident until the present day. Unaware of her past lives or romantic feelings for Hawkman, Hawkgirl has distanced herself from the winged warrior. But when she begins to investigate the murder of her parents, she reluctantly enlists Hawkman's help. Now as Hawkman and Hawkgirl are on the verge of discovering the killer's true identity, the two heroes find themselves locked in a deadly battle with the evil presence that has repeatedly stalked and murdered them since their original incarnations millennia ago.Collecting: Hawkman 7-14