William Laird is her devoted father who has kept a secret from his fanatical daughter.

    In places the palimpsest is so heavily worked that the letters feel like braille. I like to keep my body rolled away from prying eyes, never unfold too much, tell the whole story. I didn't know that Louise would have reading hands. She has translated me into her own book.

    Dorothy Strachey’s classic Olivia captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months. “Although not strictly autobiographical, Olivia draws on the author’s experiences at finishing schools run by the charismatic Mlle. Marie Souvestre, whose influence lived on through former students like Natalie Barney and Eleanor Roosevelt. Olivia was dedicated to the memory of Strachey’s friend Virginia Woolf and published to acclaim in 1949. Colette wrote the screenplay for the 1951 film adaptation of the novel. In 1999, Olivia was included on the Publishing Triangle’s widely publicized list of the 100 Best Gay and Lesbian Novels of the 20th Century. “Dorothy Strachey (1865-1960) was the sister of the novelist Lytton Strachey and a prominent member of the Bloomsbury Group…….Olivia, originally published under a pseudonym, is her only novel.” -- Amazon.com

    A heart warming, slow burn, late in life, friends to lovers story.Georgina owns an independent coffeehouse. Her co-owner, ex lover and sometime friend with benefits, has recently died in a car accident. Grieving, and trying to keep the business going, she finds out the half share has been willed to a complete stranger.Catherine has flitted from job to job, always searching for an important missing piece in her life. Dumped by her boyfriend, jobless, single, penniless and soon to be homeless, Catherine receives a letter which could solve all her problems.Georgina has said she would never again date a straight woman. So why is Catherine continually invading her thoughts? Catherine knows she isn’t gay. So why is she feeling something more than friendship towards Georgina? Will Georgina let her past control her future? Will Catherine acknowledge a future different to her past?Set in a coffeehouse on a busy, bustling main thoroughfare into Bristol. The Perfect Blend introduces us to the owners and characters who frequent the establishment.

    Cruise over, they kept in touch, and rapidly became close friends. The following year they’re reunited for a visit which ends with a spontaneous kiss that surprises them both. That one kiss destroys their friendship, sending them back to their lives—and their partners—heartsick and remorseful.Ten years later everything—and nothing—has changed. While the path is now clear for them to reignite the old flame, the time still seems all wrong. Cassie is unable to break through the emotional walls separating her from both her estranged son and her rediscovered love, while Lauren is overcome with revelations about her late partner that shatter her belief in destiny and romance.Challenged by the past and besieged in the present, the only thing going for them is the one thing they’ve denied all these years: love.With an unforgettable journey through China as backdrop for a story of fated love, Robbi McCoy (Waltzing at Midnight, Not Every River) returns with a decade-spanning romance that explores first impressions, second chances and perhaps third time’s the charm.

    Ran away from my crazy religious parents, ran away from the judgment, and ran away from what I couldn't accept about myself. And all of that wouldn't be so bad... if I hadn't also run away from my best friend. But now I'm forced by circumstance to come back. And I'm terrified. Because I made a lot of mistakes in leaving, some of the worst mistakes of my life. I don't know if I've grown up enough to face them. I don't know if I can face Amy. Or, even worse, if she doesn't forgive me... I don't know if I can survive walking away again. Nobody has ever made me feel as good and as bad as she does.  I've never been as close to anyone as I was to Jessica. But she just left when I was at my most vulnerable. She did worse than that, in fact. There are things I don't know if I can forgive, things I never planned to forgive. And then she just waltzes back into my life unexpectedly I'm supposed to just forgive her? What if I don't want to forgive her? But that's the problem, I do want to forgive her. I want to have her as my best friend again... and so much more. But I'm terrified of what is going to happen if I allow myself to love her again. This is a standalone lesbian romance novel with HEA ending!

    They fall in love and set out across the United States, pursued by a private investigator who eventually blackmails Carol into a choice between her daughter and her lover. With this reissue, The Price of Salt may finally be recognized as a major twentieth-century American novel.

    

    and too scared to let the world see any of those qualities. Interacting with her restaurant coworkers makes her want to melt into the floor. They're all beautiful, outgoing, and confident - terrifying to a shy lesbian. When Chloe somehow catches the most intimidating girl's eye, she wonders if their mutual attraction could develop into more. Waitressing isn't Jennie's passion, but then neither is anything else. Adrift in life, the tattooed beauty only cares about weed and her motorcycle. At least this job's paying the bills until she can move on to better things. Fooling around with coworkers isn't in her plans - but once she notices the resident wallflower is drop-dead gorgeous, those plans change. Falling for Chloe, though? That's another matter. Will Jennie chew Chloe up and spit her out? Or could Jennie be the first person to see Chloe for who she really is?

    She lives on an island off the coast of Queensland and successfully runs the art gallery that her mother began. She loves her work, her family and her good friends. And as for love? Well, it's been eight long years since Bailey Macrae walked away and broke Felicity's heart... choosing career and conventional lifestyle over love. Eight long years - and Felicity is finally moving on. Then Felicity learns that Bailey - the face of Australian current affairs television - is returning to the island, and suddenly her hard-won composure is being put to the test. Felicity soon discovers that she isn't quite sure what she fears the most - that Bailey will want to pick up where they left of... or that she won't...

    Jeremy Shepherd has reached post-ambition, giving up the trappings of his London life (flash job, flash cars, even flashier girlfriends) and moved back to his home town and his parents' house. By day, he is a low-level civil servant, chained to his desk and content to idle away the hours filing and answering emails. There isn't a lot to do in a small town, but the English are very resourceful and Jeremy quickly finds a hobby that delivers lots of fresh air and exercise. By night, he prowls local car parks to indulge in altogether more challenging pursuits - anonymous sex with strangers. This is no ordinary hobby - each encounter is tinged with a definite air of danger, as police stake out each site and the cloak of anonymity brings its own risks. As the scene's night-time liaisons increasingly threaten the sensibilities of the local Daily Mail readers, things take a turn for the worse. Locals take a dislike to the illicit rendezvous and as the police step up surveillance, private pursuits risk becoming very public.

    She is used to calling the shots in her London life but a move to Scotland changes everything.When she meets a beautiful, younger woman, Libby, who sees the world quite differently, her life is turned on its head. Everybody loves Libby but will she be able to win Brogan's heart?A slow-burn, romantic tale of new beginnings, hope and family.Please also note that this book contains some hot and steamy sex scenes and a little angst. You have been warned.This novel was first published under the title of Reclamation in July 2020. First Comes Love is the edited and extended republished novel of the original work.

    And 'A Good Man,' one of the most important. Rarer than the newness, the wit, the vivid readability, is the deep caring understanding, the wholeness, the truth which this astonishing, haunting writer creates her people. 'A Good Man' will be a revelation, an epiphany to many a reader."—Tillie Olsen"In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."—Dorothy AllisonPublished in 1993 by City Lights, this collection includes seven stories: "Annie," "The Joy of Marriage," "Folie a Deux," "Love Poem," "The Death of Napoleon: Its Influence on History," "A Good Man," and "Grief."Rebecca Brown is the author of a dozen books of prose including The Last Time I Saw You, The End of Youth, The Dogs, The Terrible Girls (City Lights) and The Gifts of the Body (HarperCollins)."Brown's fourth (The Terrible Girls, 1992, etc.) mixes fantasy, conjecture, and some realism in seven stories that feature atmospheric neo-feminist allegories and fables. The two longest pieces are the most striking: "Annie" (originally published in Adam Mars-Jones's Mae West is Dead: Recent Lesbian & Gay Fiction) is about the narrator's love affair with Annie Oakley—it's part historical pastiche, part touching daydream, and part biting satire. Juxtaposing the narrator's western daydreams with grittier realism, Brown manages to force upon her narrator the kind of rude awakening best displayed by Tim O'Brien in Going after Cacciato. She also has a good deal of fun along the way: in one instance, Annie Oakley signs autographs at Saks—"the release of her authorized biography coincides with the arrival of the special line of new fall fashions—Annie Oakley Western Wear." "A Good Man" (which first appeared in Joan Nestle and Naomi Holoch's Women on Women II) is a tribute to a decent man dying of AIDS, nursed off and on by his lesbian friend; the striking "Folie a Deux" posits a couple who deliberately cripple themselves—one deaf, one blind—so that "Each of us had something the other didn't have"; and the remaining four stories, published in Britain in 1984, are dreamlike fables. In the best, "Love Poem," the narrator and "you," an artist (the second person becomes a tic in several of these), sneak into the Tate and destroy the artist's work; "The Joy of Marriage" is a touching but ideological look at a honeymoon; "Grief" is about a woman sent off by her clique to a foreign country—she never returns. Occasionally moving, the story's too obliquely personal to make enough sense to a wider audience. Imagistic, edgy fictions about postmodern longing in a world off its screws—and where sadness seems to be a woman's only fate."—Kirkus Reviews

    Due to circumstances beyond her control she's thrust into the role of body slave for the infamous woman, and must learn to please her new mistress in all ways or end up on the slaver's block. Azrael only wishes to retire at her estate, but her king has other ideas. In fact, King Shonal has many ideas Azrael cannot abide, and one of them has to do with demanding sexual favors from her newly acquired body slave...the one she's unaccountably fallen in love with.

    A beautiful California beach house. The love of her life. But her world crumbled beneath her feet the moment she found her best friend in bed with her fiancé.Desperate to escape her harsh new realities, Katlynn flees to her Massachusetts hometown of Wellesley, to spend Christmas at her sister's cottage. Finding a new love was the last thing on her agenda, but when Katlynn reconnects with an old friend, everything she thought she knew about herself and her future is called into question.Iris' life changed the minute her mother got sick. With her quiet, cozy world in Wellesley suddenly turned upside-down, there's no room for more complications -- especially not the resurgence of a college crush she thought she'd put out of her mind long ago. But when she finds herself spending the holidays next door to her old classmate Katlynn, Iris can't ignore the chemistry between them.As the two women navigate their separate heartaches, will they crack under the pressures of life around them? Or can their new bond save them both? A steamy contemporary lesbian romance novella with a satisfying HEA ending you’ll love!