of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    They argue, they laugh, and they tell their stories. Some tell their own stories, some tell stories they have heard elsewhere. Some of them are true, some are not. But each tale draws you closer.One by one, the storytellers depart, until suddenly it's just you and the narrator, alone in the dark...

    All they want is a fresh start, but behind North Manor's doors lurks a history that leaves them feeling more alone...and more tormented.As the cold New England autumn arrives, and Jane settles in to her new home, she finds solace in old books and memories of her dad. She steadily begins making new friends, but also faces bullying from the resident "bad seed," struggling to tamp down her own worst nature in response. Jane's mom also seems to be spiraling with the return of her childhood home, but she won't reveal why. Then Jane discovers that the "storage room" her mom has kept locked isn't for storage at all — it's a little girl's bedroom, left untouched for years and not quite as empty of inhabitants as it appears....Is it grief? Mental illness? Or something more...horrid?

    Life is made up of enjoyable work, long, lazy weekends, and the company of good neighbors. Then, to their shock, construction starts on the vacant lot next door, a wooded hillside they'd believed would always remain undeveloped. Soon, though, they come to realize that more is wrong than their diminished privacy. Surely the house can't be "haunted," yet something about it seems to destroy the goodness of every person who comes to live in it, until the entire heart of this friendly neighborhood threatens to be torn apart.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    For the Twelve Days of Christmas—a time of celebration, sharing, and giving—she offers these twelve plus one: a personal story of her own Christmas memories. These tales give the reader a portal into the spirit of the season, where time slows down and magic starts to happen. From trees with mysterious powers to a tinsel baby that talks, philosophical fairies to flying dogs, a haunted house and a disappearing train, Winterson's innovative stories encompass the childlike and spooky wonder of Christmas. Perfect for reading by the fire with loved ones, or while traveling home for the holidays. Enjoy the season of peace and goodwill, mystery, and a little bit of magic courtesy of one of our most fearless and accomplished writers.

    Stine, Holly Black, Brett Helquist, and many more. You’ll never look at your closest door, your cat, your sock drawer, or even yourself in the mirror the same way again.

    And now what happened long ago is happening again . . . and it is happening to Oliver. He meets a strange boy who becomes his best friend, a boy with secrets of his own and a taste for dark magic.This dark magic puts them at the heart of a battle of good versus evil and a fight for the soul of the family—and perhaps for all of the world. But the Graves family has a secret weapon in this battle: their love for one another.

    Jekyll and Mr. Hyde from the monster's perspective, Hyde makes a hero of a villain. As a bonus, Stevenson's original novel is included at the back. Mr. Hyde is hiding, trapped in Dr. Jekyll's surgical cabinet, counting the hours until capture. As four days pass, he has the chance, finally, to tell the story of his brief, marvelous life.We join Hyde, awakened after years of dormancy, in the mind he hesitantly shares with Jekyll. We spin with dizzy confusion as the potions take effect. We tromp through the dark streets of Victorian London. We watch Jekyll's high-class life at a remove, blurred by a membrane of consciousness. We feel the horror of lost time, the helplessness of knowing we are responsible for the actions of a body not entirely our own.Girls have gone missing. Someone has been killed. The evidence points to Mr. Hyde. Someone is framing him, terrorizing him with cryptic notes and whisper campaigns. Who can it be? Even if these crimes weren't of his choosing, can they have been by his hand?Though this classic has been often reinvented, no one ever imagined Hyde's perspective, or that he could be heroic. Daniel Levine changes that. A mesmerizing gothic, Hyde tells the fascinating story of an underexamined villain.

    . . .This collection of tales transports the reader to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each story is illustrated with exquisitely eerie artwork in this special gift edition featuring an embossed textured case and a ribbon marker.Oh, Whistle, and I'll Come to You, My Lad - M.R. JamesThe Old Nurse's Story - Elizabeth GaskellThe Signalman - Charles DickensThe Body-Snatcher - Robert Louis StevensonThe Captain of the Pole-Star - Arthur Conan DoyleThe Phantom Coach - Amelia B. EdwardsThe Screaming Skull - Francis Marion Crawford

    Early in the 20th century, the town was destroyed for the greater good: bringing water to the millions living downstate. Or at least that’s what the politicians from Manhattan insisted at the time. The local families, settled there since America’s founding, were forced from their land, but they didn’t move far, and some didn’t move at all…Now, a century later, the repercussions of human arrogance are finally making themselves known. An inspector assigned to oversee the dam, dangerously neglected for decades, witnesses something inexplicable. It turns out that more than the village was left behind in the waters of the Chill when it was abandoned. The townspeople didn’t evacuate without a fight. A dark prophecy remained, too, and the time has come for it to be fulfilled. Those who remember must ask themselves: who will be next? For sacrifices must be made. And as the dark waters begin to inexorably rise, the demand for a fresh sacrifice emerges from the deep...

    Long ago, it was the Piven Institute for the Care and Correction of Troubled Females—an insane asylum nicknamed “Hysteria Hall.” However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep “troubled” girls locked away. So, in the most horrifying way, Delia gets trapped.And that’s when she learns that the house is also haunted.Ghost girls wander the halls in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia finds that all the spirits are unsettled and full of dark secrets. The house, as well, harbors shocking truths within its walls—truths that only Delia can uncover, and that may set her free.But she’ll need to act quickly, before the house’s power overtakes everything she loves.From master of suspense Katie Alender comes a riveting tale of twisted memories and betrayals, and the meaning of madness.

    As he grows older, he begins to collect “found dolls” from the surrounding neighborhoods and stores his treasures in the abandoned carriage house on his family's estate. But just what kind of dolls are they? In “Gun Accident,” a teenage girl is thrilled when her favorite teacher asks her to house-sit, even on short notice. But when an intruder forces his way into the house while the girl is there, the fate of more than one life is changed forever. In “Equatorial,” set in the exotic Galapagos, an affluent American wife experiences disorienting assaults upon her sense of who her charismatic husband really is, and what his plans may be for her.In The Doll-Master and Other Tales of Terror, Joyce Carol Oates evokes the “fascination of the abomination” that is at the core of the most profound, the most unsettling, and the most memorable of dark mystery fiction.

    But my state of being has nothing to do with the curiosity toward my own species, if we can be called such. We do not go gentle, as your poet encourages, into that good night. A dead girl walks the streets.She hunts murderers. Child killers, much like the man who threw her body down a well three hundred years ago.And when a strange boy bearing stranger tattoos moves into the neighborhood so, she discovers, does something else. And soon both will be drawn into the world of eerie doll rituals and dark Shinto exorcisms that will take them from American suburbia to the remote valleys and shrines of Aomori, Japan.Because the boy has a terrifying secret - one that would just kill to get out. The Girl from the Well is A YA Horror novel pitched as "Dexter" meets "The Grudge", based on a well-loved Japanese ghost story.

    Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life. But when her pregnant sister Elizabeth moves in after a fight with her husband, something in the house shifts. Already navigating her tumultuous relationship with Elizabeth, Sam is even more unsettled by the appearance of a new ghost: a faceless boy who commits disturbing acts—threatening animals, terrorizing other children, and following Sam into the depths of the house wielding a knife. When it becomes clear the boy is connected to a locked, forgotten room, one which is never entered, Sam realizes this ghost is not like the others. This boy brings doom. As Elizabeth's due date approaches, Sam must unravel the mysteries of Wakefield before her sister brings new life into a house marked by death. But as the faceless boy grows stronger, Sam will learn that some doors should stay closed—and some secrets are safer locked away forever.