He was one of the leading pioneers of the greatest revolution in twentieth-century science: quantum mechanics. The youngest theoretician ever to win the Nobel Prize for Physics, he was also pathologically reticent, strangely literal-minded and legendarily unable to communicate or empathize. Through his greatest period of productivity, his postcards home contained only remarks about the weather.Based on a previously undiscovered archive of family papers, Graham Farmelo celebrates Dirac's massive scientific achievement while drawing a compassionate portrait of his life and work. Farmelo shows a man who, while hopelessly socially inept, could manage to love and sustain close friendship.The Strangest Man is an extraordinary and moving human story, as well as a study of one of the most exciting times in scientific history.'A wonderful book . . . Moving, sometimes comic, sometimes infinitely sad, and goes to the roots of what we mean by truth in science.' Lord Waldegrave, Daily Telegraph

    Written by an author of great repute. The history of the 20th century is Marx's legacy. Not since Jesus Christ has an obscure pauper inspired such global devotion – or been so calamitously misinterpreted. The end of the century is a good moment to strip away the mythology and try to rediscover Marx the man. There have been many thousands of books on Marxism, but almost all are written by academics and zealots for whom it is a near blaspemy to treat him as a figure of flesh and blood.In the past few years there have been excellent and successful biographies of many eminent Victorians and yet the most influential of them has remained untouched. In this book Francis Wheen, for the first time, presens Marx the man in all his brilliance and frailty – as a poverty-stricken Prussian emigre who became a middle-class English gentleman; as an angry agitator who spent much of his adult life in scholarly silence in the British Museum Reading Room; as a gregarious and convivial host who fell out with almost all his friends; as a devoted family man who impregnated his housemaid; as a deeply earnest philosopher who loved drink, cigars and jokes.

    Oligarchs and oil barons may still dominate international news coverage, but their prosperity masks a deep-rooted demographic tragedy. Faced with staggering population decline—and near-certain economic collapse—driven by toxic levels of alcohol abuse, Russia is also battling a deeper sickness: a spiritual one, born out of the country’s long totalitarian experiment. In The Last Man in Russia, award-winning journalist Oliver Bullough uses the tale of a lone priest to give life to this national crisis. Father Dmitry Dudko, a dissident Orthodox Christian, was thrown into a Stalinist labor camp for writing poetry. Undaunted, on his release in the mid-1950s he began to preach to congregations across Russia with little concern for his own safety. At a time when the Soviet government denied its subjects the prospect of advancement, and turned friend against friend and brother against brother, Dudko urged his followers to cling to hope. He maintained a circle of sacred trust at the heart of one of history’s most deceitful systems. But as Bullough reveals, this courageous group of believers was eventually shattered by a terrible act of betrayal—one that exposes the full extent of the Communist tragedy. Still, Dudko’s dream endures. Although most Russians have forgotten the man himself, the embers of hope that survived the darkness are once more beginning to burn. Leading readers from a churchyard in Moscow to the snow-blanketed ghost towns of rural Russia, and from the forgotten graves of Stalin’s victims to a rock festival in an old gulag camp, The Last Man in Russia is at once a travelogue, a sociological study, a biography, and a cri de coeur for a dying nation—one that, Bullough shows, might yet be saved.

    Khrushchev told jokes, threw tantrums, sparked a riot in a San Francisco supermarket, wowed the coeds in a home economics class in Iowa, and ogled Shirley MacLaine as she filmed a dance scene in Can-Can. He befriended and offended a cast of characters including Nelson Rockefeller, Richard Nixon, Eleanor Roosevelt, Elizabeth Taylor, and Marilyn Monroe." Published for the fiftieth anniversary of the trip, K Blows Top is a work of history that reads like a Vonnegut novel. This cantankerous communist's road trip took place against the backdrop of the fifties in capitalist America, with the shadow of the hydrogen bomb hanging over his visit like the Sword of Damocles. As Khrushchev kept reminding people, he was a hot-tempered man who possessed the power to incinerate America.

    He left carrying the original manuscript of Pasternak’s first and only novel, entrusted to him with these words: “This is Doctor Zhivago. May it make its way around the world.” Pasternak believed his novel was unlikely ever to be published in the Soviet Union, where the authorities regarded it as an irredeemable assault on the 1917 Revolution. But he thought it stood a chance in the West and, indeed, beginning in Italy, Doctor Zhivago was widely published in translation throughout the world. From there the life of this extraordinary book entered the realm of the spy novel. The CIA, which recognized that the Cold War was above all an ideological battle, published a Russian-language edition of Doctor Zhivago and smuggled it into the Soviet Union. Copies were devoured in Moscow and Leningrad, sold on the black market, and passed surreptitiously from friend to friend. Pasternak’s funeral in 1960 was attended by thousands of admirers who defied their government to bid him farewell. The example he set launched the great tradition of the writer-dissident in the Soviet Union.  In The Zhivago Affair, Peter Finn and Petra Couvée bring us intimately close to this charming, passionate, and complex artist. First to obtain CIA files providing concrete proof of the agency’s involvement, the authors give us a literary thriller that takes us back to a fascinating period of the Cold War—to a time when literature had the power to stir the world.(With 8 pages of black-and-white illustrations.)

    Wilson narrates the complex drama of the writer's life: his childhood of aristocratic privilege but emotional deprivation, his discovery of his literary genius after aimless years of gambling and womanizing, and his increasingly disastrous marriage. Wilson sweeps away the long-held belief that Tolstoy's works were the exact mirror of his life, and instead traces the roots of Tolstoy's art to his relationship with God, with women, and with Russia. He also breaks new ground in recreating the world that shaped the great novelist's life and art--the turmoil of ideas and politics in nineteenth-century Russia and the incredible literary renaissance that made Tolstoy's work possible. 24 pages of illustrations.

    Yet like millions of others who suffered during Stalin's reign of terror, she was arrested—on trumped-up charges of being a Trotskyist terrorist and counter-revolutionary—and sentenced to prison. With an amazing eye for detail, profound strength, and an indefatigable spirit, Ginzburg recounts the years, days, and minutes she endured in prisons and labor camps, including two years of solitary confinement. A classic account of survival, Journey into the Whirlwind is considered one of the most important documents of Stalin's regime ever written.

    This is Kapuscinski's vivid, compelling and personal report on the life and death of the Soviet superpower, from the entrance of Soviet troops into his hometown in Poland in 1939, through his journey across desolate Siberia and the republics of Central Asia in the 1950s and 60s, to his wanderings over the vast Soviet lands - from Poland to the Pacific, the Arctic Circle to Afghanistan - in the years of the USSR's decline and final disintegration in 1991.

    It is full of startling revelations, exploding the myth of the Long March, and showing a completely unknown Mao: he was not driven by idealism or ideology; his intimate and intricate relationship with Stalin went back to the 1920s, ultimately bringing him to power; he welcomed Japanese occupation of much of China; and he schemed, poisoned, and blackmailed to get his way. After Mao conquered China in 1949, his secret goal was to dominate the world. In chasing this dream he caused the deaths of 38 million people in the greatest famine in history. In all, well over 70 million Chinese perished under Mao's rule -- in peacetime.

     This is history with a heartbeat, and it could not be more engrossing."—Foreign AffairsOne of the world’s leading scholars offers a fresh interpretation of the linked origins of World War I and the Russian Revolution.World War I and the Russian Revolution together shaped the twentieth century in profound ways. In The End of Tsarist Russia, Dominic Lieven connects for the first time the two events, providing both a history of the First World War’s origins from a Russian perspective and an international history of why the revolution happened.Based on exhaustive work in seven Russian archives as well as many non-Russian sources, Dominic Lieven’s work is about far more than just Russia. By placing the crisis of empire at its core, Lieven links World War I to the sweep of twentieth-century global history. He shows how contemporary issues such as the struggle for Ukraine were already crucial elements in the run-up to 1914.By incorporating into his book new approaches and comparisons, Lieven tells the story of war and revolution in a way that is truly original and thought-provoking.

    The mass executions, the mock trials, the betrayals and purges, the jailings and secret torture that ravaged the Soviet Union during the three decades of Stalin’s dictatorship, were the result of a tight network of trusted henchmen (and women), spies, psychopaths, and thugs. At the top of this pyramid of terror sat five indispensable hangmen who presided over the various incarnations of Stalin’s secret police. Now, in his harrowing new book, Donald Rayfield probes the lives, the minds, the twisted careers, and the unpunished crimes of Stalin’s loyal assassins.Founded by Feliks Dzerzhinsky, the Cheka–the Extraordinary Commission–came to life in the first years of the Russian Revolution. Spreading fear in a time of chaos, the Cheka proved a perfect instrument for Stalin’s ruthless consolidation of power. But brutal as it was, the Cheka under Dzerzhinsky was amateurish compared to the well-oiled killing machines that succeeded it. Genrikh Iagoda’s OGPU specialized in political assassination, propaganda, and the manipulation of foreign intellectuals. Later, the NKVD recruited a new generation of torturers. Starting in 1938, terror mastermind Lavrenti Beria brought violent repression to a new height of ingenuity and sadism.As Rayfield shows, Stalin and his henchmen worked relentlessly to coerce and suborn leading Soviet intellectuals, artists, writers, lawyers, and scientists. Maxim Gorky, Aleksandr Fadeev, Alexei Tolstoi, Isaak Babel, and Osip Mandelstam were all caught in Stalin’s web–courted, toyed with, betrayed, and then ruthlessly destroyed. In bringing to light the careers, personalities, relationships, and “accomplishments” of Stalin’s key henchmen and their most prominent victims, Rayfield creates a chilling drama of the intersection of political fanaticism, personal vulnerability, and blind lust for power spanning half a century.Though Beria lost his power–and his life–after Stalin’s death in 1953, the fundamental methods of the hangmen maintained their grip into the second half of the twentieth century. Indeed, Rayfield argues, the tradition of terror, far from disappearing, has emerged with renewed vitality under Vladimir Putin. Written with grace, passion, and a dazzling command of the intricacies of Soviet politics and society, Stalin and the Hangmen is a devastating indictment of the individuals and ideology that kept Stalin in power.

    Because of these activities, she was deported to Russia in 1919, where she was able to witness the Revolution's aftermath firsthand. Horrified by what she saw in major cities and revolted by the Bolshevik dictatorship, she left the country in 1921 and, soon after, set down her thoughts in two books — My Disillusionment in Russia and My Further Disillusionment in Russia. She wrote passionately about political harassment and forced labor inflicted upon the masses, rampant opportunism raging throughout the Soviet government, industrial militarization, persecution of anarchists, and the government's increased use of deportation as a political weapon. Her writings helped turn a large number of socialists against the Bolshevik government. Her two books have been combined in this Dover edition — a volume that will be of value to teachers, students, and anyone interested in the socio-economic problems of the early 20th century.

    What rises from these pages is a complex giant of a man: a hypochondriac with the constitution of an ox, a brutal tyrant who could easily shed tears, a convert to an extreme form of evangelical Protestantism who secularized schools and introduced civil divorce. Bismarck may have been in sheer ability the most intelligent man to direct a great state in modern times. His brilliance and insight dazzled his contemporaries. But all agreed there was also something demonic, diabolical, overwhelming, beyond human attributes, in Bismarck's personality. He was a kind of malign genius who, behind the various postures, concealed an ice-cold contempt for his fellow human beings and a drive to control and rule them. As one contemporary noted: the Bismarck regime was a constant orgy of scorn and abuse of mankind, collectively and individually.In this comprehensive and expansive biography--a brilliant study in power--Jonathan Steinberg brings Bismarck to life, revealing the stark contrast between the Iron Chancellor's unmatched political skills and his profoundly flawed human character.

    From early in his reign he was already a legendary figure - fascinating even to those who hated him. Tim Blanning's brilliant biography recreates a remarkable era, a world which would be swept away shortly after Frederick's death by the French Revolution. Equally at home on the battlefield or in the music room at Frederick's extraordinary miniature palace of Sanssouci, Blanning draws on a lifetime's obsession with the 18th century to create a work that is in many ways the summation of all that he has learned in his own rich and various career. Frederick's spectre has hung over Germany ever since: an inspiration, a threat, an impossible ideal - Blanning at last allows us to understand him in his own time.

    She accepted the invitation eagerly, though she had every intention of returning home. As it happened, her trip ended four years later in Paris, where she would spend the rest of her life in exile. None of this was foreseeable when she arrived in German-occupied Kiev to discover a hotbed of artistic energy and experimentation. When Kiev fell several months later to Ukrainian nationalists, Teffi fled south to Odessa, then on to the port of Novorossiysk, from which she embarked at last for Constantinople. Danger and death threaten throughout Memories, even as the book displays the brilliant style, keen eye, comic gift, and deep feeling that have made Teffi one of the most beloved of twentieth-century Russian writers.