It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.

    Every day he waits in the burrow while his parents, Big Stripy Beak and Long Black Feather hunt for food. As he grows, Puffling dreams of the day when he will leave his nest and fly away—but he isn't ready yet, not until he's tall and brave enough to fend for himself. Every day Puffling asks his parents, but every day they say he must wait until he has grown bigger. Will he ever be ready to head out into the world on his own?This story about how love makes us strong, brave, and happy, too, is perfect for so many milestones: first times with babysitters, first days of school, and even graduation.

    One night, Lilly hears the whales and watches breathlessly as they "leaped and jumped and spun across the moon." Then, waking from what she thinks is a dream, she hears them call her name. Sheldon's brief story seems to be a celebration of the joys of fantasy and the belief in magical happenings. It is enriched by Blythe's wonderfully evocative paintings, which range from warm, realistic close-up portraits to dramatically moonlit seascapes. But beyond the pleasures of the dreamlike mood, the book has little substance. There is no deeper level of meaning, no foundation is offered for the idea that whales are magical, and certainly in the dolphinlike behavior of the whales there is no information on the actual habits and habitats of these wondrous creatures of the deep. --Shirley Wilton, Ocean County College, Toms River, NJCopyright 1991 Reed Business Information, Inc.

    He references his own contributions to the canon of popular music, and he provides fascinating insider portraits of the industry and its protagonists. But above all, he questions our ideas of music and our attitude to sound, introducing us throughout this provocative and superbly written book to his current work, The17.

    artist Frann Preston-Gannon A little frog is singing to himself in the swamp one night. His song doesn't seem complete, so he invites other animals to join in. Nothing sounds right until they are joined by the littlest voice in the swamp -- that of a tiny firefly. This wonderfully illustrated picture book carries the important message that small voices need to be heard, too.

    After a morning full of color, they share pancakes and maple syrup in the farmhouse! Felicia Sanzari Chernesky's cheerful, vibrant verses are accompanied by Susan Swan's gorgeous collage art.

    In this very funny, cumulative song, each page tells us something new about the donkey until we end up with a spunky, hanky-panky cranky stinky dinky lanky honky-tonky winky wonky donkey, which will have children in fits of laughter! There is much fun to be had by listening to the song and trying to predict the new word for each clue given!

    A special edition of this classic picture book to celebrate its 40th anniversary - with a glow-in-the-dark cover!In the first ever Funnybones book, we are introduced to the wonderful humour and fun of the much-loved series.The Funnybones books are a must for children just starting to learn to read - these funny skeletons are definitely not the scary sort!Allan Ahlberg has published over 100 children's books and with his late wife Janet, created many award-winning children's picture books.The Ahlbergs' books are nursery bookshelf standards and have been the recipient of worldwide acclaim and awards, including the Kate Greenaway Medal.__________ Look out for these other classics by Allan Ahlberg: Burglar Bill; Cops and Robbers; Each Peach Pear Plum; The One and Only Two Heads; Son of a Gun; The Little Worm Book; Two Wheels Two Heads; The Baby's Catalogue; A Pair of Sinners; Happy Families; Peepo!; The Ha Ha Bonk Book; Help Your Child to Read; Ten in a Bed; Please mrs Butler; Daisy Chains; Yum Yum; Playmates; Foldaways; Woof; The Cinderella Show; The Jolly Postman; The Jolly Christmas Postman; The Jolly Pocket Postman; The Clothes Horse and Other Stories; The Mighty Slide; Starting School; Heard it in the Playground; The Bear Nobody Wanted; It was a Dark and Stormy Night; The Giant Baby; Baby Sleeps; Blue Buggy; Doll and Teddy; See the Rabbit; Please Mrs Butler; The Better Brown Stories; The Boyhood of Burglar Bill

    Illustrator Amber Ren brings Willems' music to life, conducting a stunning picture-book debut.

    She and her mother travel from the warm southern ocean, passing coral reefs, kelp forests and shoals of shimmering fish - with her mother guiding her and protecting her all the way home. With its lyrical storytelling and evocative charcoal drawings shot through with blue, Jo Weaver's story has the feel of an instant classic, celebrating the tender relationship between parent and child and the majesty of their underwater world. Perfect for fans of BBC's Blue Planet.Jo's previous book, Little One, was longlisted for the Kate Greenaway Medal 2016. Jo Weaver was shortlisted for the AOI Illustration New Talent Awards 2014.

    . . . So begin the lyrics that have been cracking up listeners since 1963, when songwriters Allan Sherman and Lou Busch borrowed the music of Ponchielli's "Dance of the Hours" to create the funniest camp song ever heard.On a rainy first day, a young camper writes home in the hope that his "Muddah" and "Faddah" will let him leave the dreaded Camp Granada. Bemoaning everything from the lake that has alligators to battling counselors and waiters to a bunkmate with malaria, this kid lays it on thick. But just like the weather, a camper's attitude can improve when the sun comes out. Jack E. Davis's exuberant and quirky watercolors are the perfect accompaniment to Sherman and Busch's tongue-in-cheek humor.

    Along the way she asks questions about what it means to be a princess. She discovers it's all about just being yourself.

    And during the storm, if the power goes out, they can play games and tell stories by candlelight. But what do animals do? They watch and listen, look for a cozy den or some other sheltered spot, and hunker down to wait. After the storm, while the people are cleaning up their yards, making repairs, and checking on the neighbors, the animals emerge from their hiding places and shake off the rain. And everyone is happy to be out in the sunshine again, grateful for better weather and the company of friends.

    Deborah Freedman’s masterful new picture book is at once an introduction to the pieces of a house, a cozy story to share and explore, and a dreamy meditation on the magic of our homes and our world.Before there was this house,there were stones,and mud,and a colossal oak tree—three hugs aroundand as high as the blue.What was your home, once?This poetically simple, thought-provoking, and gorgeously illustrated book invites readers to think about where things come from and what nature provides.

    Illustrated with graphic designer Paul Rand's colorful, witty artwork, Sparkle and Spin is a children's classic (now happily available again through Chronicle Books) that reveals to young readers the power and music in the words they use every day."Paul Rand did not set out to create classic children's books, he simply wanted to make pictures that were playful. Like the alchemist of old, he transformed unlikely abstract forms into icons that inspired children and adultsand laid the foundation for two books that have indeed become children's classics."Steven Heller, author of Paul Rand