Brooks! All five standalone full-length novels feature protective alpha males that fight for the women of their dreams. No matter if accidental fake marriages, surprise baby gifts or second chances - this collection has everything you need for long and steamy nights in your bedroom! Book 1 – Never Over You Alright, before you hear his side, let me tell you mine. I was just cleaning his room. I swear that’s it! I mean, he’s my boss for Pete’s sake. But Anthony came out of the shower dripping wet and naked from head to toe. I tried to look away, but IT was right there. And boy was it happy to see me. That’s so not my fault, right? Cute butt, killer abs, bubblegum lips that were begging for a kiss. How could I say no? Turns out he’s had a crush on me since high school. His dad’s freaking out, but Anthony’s got his own billions. So big, bad Daddy Whore-bucks can kiss my tight little… you get the idea. But I think Anthony’s having second thoughts. Will he be my sweetheart or leave me heartbroken? Book 2 – Hate To Want You Oh My Gorgeous eyes! Is that Xander–freaking– Selby? Bad boy muscle-man with a gargantuan-sized… bank account. Wow what a dirty little mind you’ve got there. Be patient. I’m still getting to his best parts. There’s a heart of gold hidden under muscles the size of New York City. He's got the face of an angel and moves like the devil. The first time I saw him my legs went to Jell-O, and I got all tongue-tied. Now tell me something, and be honest. Is it in bad taste to tie up your boss with a garter belt? Or run your tongue up and over his mountain and valley abs? Book 3 – Let’s Play Pretend “Of course I’ll pretend to be your wife.” I can’t believe these words came out of my mouth when my sister’s lawyer asked me to be his fake-wife. I don't like his plan to fake it at all, but desperate situations need desperate measures. Although I have enough to deal with on my own, I’d do anything for my family. Well, maybe I can take this lemon and make lemonade. After all, acting like I’m in love with Jonathan is easy. Too easy. The way he looks at me, touches me, protects me. It just feels so unbelievably good. All of a sudden, I'm not sure if this is fake anymore... Book 4 – Protecting Her The billions in my bank account are worthless if I can’t save her. There are times in your life when one decision can change everything. Mine was to risk my life for the woman of my dreams. Millie. Once I saw her, I knew it’d be her and no one else. Her gaze calls out to the hero in me. Her touches awaken the man. The problem? I’m not the only one who wants her. And her enemies will do everything to get her. Even the unthinkable. If they try to hurt her, I will give them nothing but pain. It’s time for this to end. There can only be one winner. Book 5 – Unexpected Love It was supposed to be a one-night stand. Now I’m carrying his baby. Oh-oh. I guess fate has a way of writing its own stories.

     A suspicious husband sets out to discover what his wife really does late at night in her shop. A man starts a new job guarding the entrance to a pier at night. An abandoned house hides a sinister – and disgusting – secret in its basement. A young girl waits for a message from her dead mother, and then she finds something stranger in the freezer. The Butcher's Husband and Other Stories features the new short stories The Butcher's Husband, Tongue, The Pier and The Butcher's Husband II, as well as revised versions of The Seagull and A Perfect Death, and a new novella titled Larry.

    Winner of the Los Angeles Drama Critics Circle Award for Best Playwright, David Lindsay-Abaire's Kimberly-Akimbo focuses, with uncanny depth and quirky wit, on a sixteen-year-old girl suffering from a disease that causes her body to age nearly five times faster than it should.

    The first part of what has come to be known as the Mercer Series, Leaving Home tells the story of a Newfoundland family that has emigrated and lost all sense of its place in the world.Leaving Home was named one of the "100 Most Influential Canadian Books" by the Literary Review of Canada.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    A celebrity artist shining bright at the crest of the Restoration Ned, or Mr. K as he's called, is applauded onstage and off for his interpretations of Shakespeare's tragic ladies: Ophelia, Cleopatra, especially his Desdemona and his famous "death scene". He s the toast of the town and the very secret "mistress" of the powerful Duke of Buckingham. But when an unknown named Margaret Hughes plays Desdemona one night at an illegal theater, instead of stopping the show, the ever-game King Charles II changes the law to allow women to act. By the stroke of a pen, Kynaston's world is turned upside-down. He loses his cachet, his livelihood, his lover and his sense of self. And as such women as the king's own courtesan Nell Gwynn, and Kynaston s former dresser Maria, become stars, his own light disappears until fate and his desire for revenge give him a chance to take the stage again.

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    Just before his works are celebrated at an exhibition in London, Jonathan journeys to the village where his former lover, Patricia, lives with her British husband, Nick. Archaeologists working on a dig, their spare existence is spent sifting through a Roman rubbish heap to discover the past. In their cold, remote house, Jonathan discovers an early painting of Patricia he'd done when they were young lovers. The subsequent struggle for the painting embodies the unreconciled passions of the past. Patricia has never forgiven Jonathan for leaving her, Nick despises Jonathan and the kind of art he produces, and Jonathan has never been able to recapture the inspiration and purity he felt when he painted Patricia. In taut scenes that dart from past to present and back, the characters are forced to deal with the unanswerable question of anti-Semitism, the legacy of the Holocaust and assimilation, the sadness of lost love, the role of the artist and the location of the human soul at the end of a ragged century.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    The only thing getting her through the guilt of taking the trip against her father's wishes is the beautiful sunset in the hills and the echoes of her heartfelt conversations with Arjun. As she uncovers some secrets of her mother's life from the diary throughout the trip, she struggles against the fate decided for her and dares to hope for something more out of her life and with Arjun.But when her father's constant demands to come back home threaten to cut her trip short, Saanchi must make a choice. Will she go back to her restrictive life or take a chance at living life on her terms?***That Summer - Nivedita KarmaranAfter being forced to spend that summer at Bungalow No. 64, a thirteen-year-old recluse yet free-spirited Rashi Anand, who is bored of her parents’ monotonous lives forms an unexpected friendship with the maintenance man of her guarded society, Lalit. She should have nothing to do with him, yet they find themselves comforting and confiding in each other. But is such friendship considered forbidden? Would Rashi rebel to rescue her friendship and will their friendship stand the test of time?