This book laments the collapse of the League of Nations and Woodrow Wilson.

    The acclaimed author of "A People's History of the United States" (more than 200,000 copies sold) presents an honest and piercing look at American political ideology."A shotgun blast of revisionism that aims to shatter all the comfortable myths of American political discourse." "--Los Angeles Times"

    What followed was an unprecedented avalanche of press coverage, the original “trial of the century,” and a wave of censorship that altered the course of Hollywood filmmaking.It began on Labor Day, when comic actor Roscoe “Fatty” Arbuckle, then at the pinnacle of his fame and fortune, hosted a party in San Francisco’s best hotel. As the party raged, he was alone in room 1219 with Virginia Rappe, a minor actress. Four days later, she died, and he was charged with her murder.Room 1219 tells the story of Arbuckle’s improbable rise and stunning fall—from Hollywood’s first true superstar to its first pariah. Simultaneously, it presents the crime story from the day of the “orgy” through the three trials. Relying on a careful examination of documents, the book finally reveals, after almost a century of wild speculation, what most likely occurred in room 1219. In addition, Room 1219 covers the creation of the film industry—from the first silent experiments to a studio-based system capable of making and, ultimately, breaking a beloved superstar.

    Johnson have been unsealed. They are examined in Michael R. Beschloss's Taking Charge: The Johnson White House Tapes, 1963-1964.The only president to record his private conversations from his first day in office, LBJ ordered the tapes to be locked in a vault until at least the year 2023. But that request has been preempted and the tapes unsealed, providing a close-up look at a president taking power in a way we have never seen before, beginning with John F. Kennedy's murder in November 1963 and continuing through Johnson's campaign for a landslide victory. In Taking Charge, Beschloss, whom Newsweek has called "America's leading presidential historian," has transcribed and annotated the secretly recorded tapes, providing historical commentary that allows us to understand fully the people, crises, and controversies that appear on them. Significant events and revelations chronicled in Taking Charge include the aftermath of the Kennedy assassination, including Johnson's conversations with FBI director J. Edgar Hoover about the killing. Although he publicly endorsed the Warren Commission's lone-gunman findings, LBJ privately suspected that President Kennedy was killed by a conspiracy, probably backed by Fidel Castro. As early as the spring of 1964, while he prepared for possible military action in Southeast Asia, LBJ privately expressed doubts that the United States could ever win a land war in Vietnam. Johnson feared, after signing the Civil Rights Act, that blacks, inspired by Communists and the man he called "Muslim X" (Malcolm X), might riot and bring about a national white backlash against civil rights. The Johnson White House tapes provide us with an intimate look at Johnson's complex, changing relationships with Lady Bird and the rest of his family, Jacqueline Kennedy, ex-Presidents Truman and Eisenhower, and members of the White House staff. Taking Charge is not only a unique exploration of a momentous presidency but also a highly personal look at the private man who took office after an American tragedy and led the nation into some of its most tumultuous years.

    You’re a bonafide Brat Pack devotee—and you’re not alone.The films of the Brat Pack—from Sixteen Candles to Say Anything—are some of the most watched, bestselling DVDs of all time. The landscape that the Brat Packmemorialized—where outcasts and prom queens fall in love, preppies and burn-outs become buds, and frosted lip gloss, skinny ties, and exuberant optimism made us feel invincible—is rich with cultural themes and significance, and has influenced an entire generation who still believe that life always turns out the way it is supposed to.You Couldn’t Ignore Me If You Tried takes us back to that era, interviewing key players, such as Molly Ringwald, Anthony Michael Hall, Ally Sheedy, Judd Nelson, Andrew McCarthy, and John Cusack, and mines all the material from the movies to the music to the way the films were made to show how they helped shape our visions for romance, friendship, society, and success.

    And be warned—none of it is pretty.On October 5th, 2017, President Trump made a cryptic extemporaneous remark in the State Dining Room. He called this gathering of top-ranking military officials, "the calm before the storm," and refused to elaborate as journalist and politicos inquired further. But on the infamous message boards of 4chan, elaboration began all on its own.In the days that followed, an anonymous poster spun a yarn inspired by Trump's remarks that rivalled Tom Clancy and satisfied the deepest desires of MAGA-America. Did any of it come to pass? No. Did that stop people from clinging to every word they were reading, expanding its mythology and promoting the theory for years? No.How did this happen, who are these followers, and how do adherents reconcile their worldview with the America they see around them? Mike Rothschild, a journalist specializing in conspiracy theories, explains all--taking readers from the earliest posts on 4Chan to its embrace by right-wing media, and the game that Donald Trump has played with its followers.As rabid adherents to the theory show no sign of calming—with Baby Boomers especially susceptible to its messaging—families are being torn apart and politicians are starting to openly espouse the ideology in their campaigns. It's time to figure out what QAnon is, because QAnon explains everything you need to know about American politics and global fear after Trump.

    Kenneth Turan’s fifty-four favorite films embrace a century of the world’s most satisfying romances and funniest comedies, the most heart-stopping dramas and chilling thrillers.Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes.Not to be Missed blends cultural criticism, historical anecdote, and inside-Hollywood controversy. Turan’s selection of favorites ranges across all genres. From All About Eve to Seven Samurai to Sherlock Jr., these are all timeless films—classic and contemporary, familiar and obscure, with big budgets and small—each underscoring the truth of director Ingmar Bergman’s observation that “no form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.”

    

    Many activists on the right maintain that the United States was founded as a "Christian nation." Many on the left contend that the Founders were secular or Deist and that the First Amendment was designed to boldly separate church and state throughout the land. None of these claims are true, argues Beliefnet.com editor in chief Steven Waldman. With refreshing objectivity, Waldman narrates the real story of how our nation's Founders forged a new approach to religious liberty, a revolutionary formula that promoted faith . . . by leaving it alone. This fast-paced narrative begins with earlier settlers' stunningly unsuccessful efforts to create a Christian paradise, and concludes with the presidencies of Washington, Adams, Jefferson, and Madison, during which the men who had devised lofty principles regarding the proper relationship between church and state struggled to practice what they'd preached. We see how religion helped cause, and fuel, the Revolutionary War, and how the surprising alliance between Enlightenment philosophers such as Jefferson and Madison and evangelical Christians resulted in separation of church and state. As the drama unfolds, "Founding Faith "vividly describes the religious development of five Founders. Benjamin Franklin melded the morality-focused Puritan theology of his youth and the reason-based Enlightenment philosophy of his adulthood. John Adams's pungent views on religion-hatred of the Church of England and Roman Catholics-stoked his revolutionary fervor and shaped his political strategy. George Washington came to view religious tolerance as a military necessity. Thomas Jefferson pursued a dramatic quest to "rescue" Jesus, in part by editing the Bible. Finally, it was James Madison-the tactical leader of the battle for religious freedom-who crafted an integrated vision of how to prevent tyranny while encouraging religious vibrancy. The spiritual custody battle over the Founding Fathers and the role of religion in America continues today. Waldman provocatively argues that neither side in the culture war has accurately depicted the true origins of the First Amendment. He sets the record straight, revealing the real history of religious freedom to be dramatic, unexpected, paradoxical, and inspiring. An interactive library of the key writings by the Founding Father, on separation of church and state, personal faith, and religious liberty can be found at www.beliefnet.com/foundingfaith. Praise for Founding Faith"Steven Waldman, a veteran journalist and co-founder of Beliefnet.com, a religious web site, surveys the convictions and legacy of the founders clearly and fairly, with a light touch but a careful eye."--New York Times Book Review"Waldman ends by encouraging us to be like the founders. We should understand their principles, learn from their experience, then have at it ourselves. "We must pick up the argument that they began and do as they instructed - use our reason to determine our views." A good place to start is this entertaining, provocative book."--New York Times Book Review"Steven Waldman's enlightening new book, "Founding Faith," is wise and engaging on many levels, but Waldman has done a particular service in detailing Madison's role in creating a culture of religious freedom that has served America so well for so long...."Founding Faith" is an excellent book about an important subject: the inescapable--but manageable--intersection of religious belief and public life. With a grasp of history and an understanding of the exigencies of the moment, Waldman finds a middle ground between those who think of the Founders as apostles in powdered wigs and those who assert, equally inaccurately, that the Founders believed religion had no place in politics.""-Newsweek" "Well-wrought, well-written and well-reasoned--a welcome infusion of calm good sense into a perennially controversial and relevant subject.""-Kirkus"""Founding Faith" takes up two central questions about religion in early America. First, what did such Founding Fathers as Benjamin Franklin, John Adams, George Washington, Thomas Jefferson and James Madison usually believe? And second, how did it come about that the First Amendment to the Constitution guarantees that "Congress shall make no laws respecting an establishment of religion, or prohibiting the free exercise thereof"? The answers to these questions carry implications for our lives today, since at stake is the flash-point principle of the separation of church and state." "-Washington Post""There is a fierce custody battle going on out there for ownership of the Founding Fathers. Founding Faith strikes me as a major contribution to that debate, a sensible and sophisticated argument that the Founders' religious convictions defy our current categories."""-Joseph Ellis, author of "American Creation ""Steven Waldman does a great job describing the nuances of the Founders' beliefs and the balances they struck, thus rescuing them from those on both sides who would oversimplify their ideas." -Walter Isaacson, president of the Aspen Institute and author of "Benjamin Franklin: An American Life." "This is a history every American should know, and Waldman masterfully tells it."-Jim Wallis, author of "The Great Awakening" "Steven Waldman recovers the founders' true beliefs with an insightful and truly original argument. It will change the way you think about the separation of church and state." -George Stephanopoulos, chief Washington correspondent, "ABC News," and anchor of "This Week " "Steve Waldman makes the strong case that the culture wars have distorted how and why we have religious freedom in America. Americans can be inspired by this story-the extraordinary birth story of freedom of religion."-William J. Bennett, author of "America: The Last Best Hope" "An unusually well-balanced book on an unusually controversial subject. Not every reader will agree with Waldman that, of the Founding Fathers, James Madison's conclusions about religion and society were best. But all should be grateful for the way Waldman replaces myths with facts, clarifies the complexity in making the Founders speak to present-day problems, and allows the Founders who differed with Madison a full and sympathetic hearing. An exceptionally fair, well-researched, and insightful book."-Mark A. Noll, University of Notre Dame, author of "America's God"

    But the drama on-screen has been matched, and often exceeded, by the lives off-screen."As the title suggests the book covers the history of Hollywood from its origins in the early part of the 20th century through its heyday under the studio system and finally to the Hollywood of CGI and summer blockbusters.

    Flyboys, a story of war and horror but also of friendship and honor, tells the story of those men. Over the remote Pacific island of Chichi Jima, nine American flyers-Navy and Marine pilots sent to bomb Japanese communications towers there-were shot down. One of those nine was miraculously rescued by a U.S. Navy submarine. The others were captured by Japanese soldiers on Chichi Jima and held prisoner. Then they disappeared. When the war was over, the American government, along with the Japanese, covered up everything that had happened on Chichi Jima. The records of a top-secret military tribunal were sealed, the lives of the eight Flyboys were erased, and the parents, brothers, sisters, and sweethearts they left behind were left to wonder. Flyboys reveals for the first time ever the extraordinary story of those men. Bradley's quest for the truth took him from dusty attics in American small towns, to untapped government archives containing classified documents, to the heart of Japan, and finally to Chichi Jima itself. What he discovered was a mystery that dated back far before World War II-back 150 years, to America's westward expansion and Japan's first confrontation with the western world. Bradley brings into vivid focus these brave young men who went to war for their country, and through their lives he also tells the larger story of two nations in a hellish war. With no easy moralizing, Bradley presents history in all its savage complexity, including the Japanese warrior mentality that fostered inhuman brutality and the U.S. military strategy that justified attacks on millions of civilians. And, after almost sixty years of mystery, Bradley finally reveals the fate of the eight American Flyboys, all of whom would ultimately face a moment and a decision that few of us can even imagine. Flyboys is a story of war and horror but also of friendship and honor. It is about how we die, and how we live-including the tale of the Flyboy who escaped capture, a young Navy pilot named George H. W. Bush who would one day become president of the United States. A masterpiece of historical narrative, Flyboys will change forever our understanding of the Pacific war and the very things we fight for.

    Kennedy's centennial, celebrate the life and legacy of the 35th President of the United States. A selection of more than 300 images--including family letters, personal ephemera, and captivating photographs--collected by Rose Fitzgerald Kennedy, many never seen before, featuring the beloved and revered Kennedy family: This remarkable history dates from 1878 through 1946--up to the aftermath of WWII and the beginning of JFK's political career--and covers everything from the family's first home to beach vacations, from children's birthdays to first Communions. The images capture the formative years of a uniquely American dynasty, imparting a glowing nostalgia to the period and detailing the family's progress as it grows from a pair of turn-of-the-century newlyweds into a populous, vibrant clan of hopeful young men and women on the brink of their brilliant destinies. This is a piece of Americana that readers will treasure.

    Writer and critic Vivian Gornick's classic exploring how Left politics gave depth and meaning to American life."Before I knew that I was Jewish or a girl I knew that I was a member of the working class." So begins Vivian Gornick's exploration of how the world of socialists, communists, and progressives in the 1940s and 1950s created a rich, diverse world where ordinary men and women felt their lives connected to a larger human project.The Romance of American Communism is a landmark work of new journalism, profiling American Communist Party members and fellow travelers as they joined the Party, lived within its orbit, and left in disillusionment and disappointment as Stalin's crimes became public.

    From his marriage to Ali McGraw, his cocaine bust, the accusations of murder, the friendships with the likes of Jack Nicholson and Dustin Hoffman, to his legendary court case and bust up with Francis Ford Coppola, this is the tell-all autobiography from Robert Evans, the legendary Hollywood producer (The Godfather, Rosemary's Baby and Chinatown) who's lived the Hollywood dream.

    At noon, the Guard moved out. Twenty-four minutes later, Guardsmen launched a 13-second, 67-shot barrage that left four students dead and nine wounded, one paralyzed for life. The story doesn't end there, though. A horror of far greater proportions was narrowly averted minutes later when the Guard and students reassembled on the Commons.The Kent State shootings were both unavoidable and preventable: unavoidable in that all the discordant forces of a turbulent decade flowed together on May 4, 1970, on one Ohio campus; preventable in that every party to the tragedy made the wrong choices at the wrong time in the wrong place.Using the university's recently available oral-history collection supplemented by extensive new interviewing, Means tells the story of this iconic American moment through the eyes and memories of those who were there, and skillfully situates it in the context of a tumultuous era.