Now David Young, author of Black Lab, and well known as a translator of Chinese poets, gives us a sparkling new translation of Du Fu’s verse, arranged to give us a tour of the life, each “chapter” of poems preceded by an introductory paragraph that situates us in place, time, and circumstance. What emerges is a portrait of a modest yet great artist, an ordinary man moving and adjusting as he must in troubled times, while creating a startling, timeless body of work.Du Fu wrote poems that engaged his contemporaries and widened the path of the lyric poet. As his society—one of the world’s great civilizations—slipped from a golden age into chaos, he wrote of the uncertain course of empire, the misfortunes and pleasures of his own family, the hard lives of ordinary people, the changing seasons, and the lives of creatures who shared his environment. As the poet chases chickens around the yard, observes tear streaks on his wife’s cheek, or receives a gift of some shallots from a neighbor, Young’s rendering brings Du Fu’s voice naturally and elegantly to life.I sing what comes to mein ways both old and modernmy only audience right now—nearby bushes and treeselegant houses standin an elegant row, too manyif my heart turns to ashesthen that’s all right with me . . .from “Meandering River”

    It has been unavailable for an ice age, and Coach House Books is proud to bring it back.'Crystallography' means the study of crystals, but also, taken literally, 'lucid writing.' The book exists in the intersection of poetry and science, exploring the relationship between language and crystals - looking at language as a crystal, a space in which the chaos of individual parts align to expose a perfect formation of structure. As Bök himself says, 'a word is a bit of crystal in formation,' suggesting there is a space in which words, like crystals, can resonate pure form.Lucid, sparkling, a diamond of a book: Crystallography is a crystal-clear approach to the science of poetry from the author of Eunoia.

    Yet, each moment of joy is only that: momentary, showing up the rest of our lives to be unsatisfying, somehow lacking and incomplete. On the other hand, Vedanta, the body of knowledge found at the end of the Veda, asserts with breathtaking boldness that one's true nature is completeness and limitlessness. Vedanta also promises that moksa, liberation from all forms of limitations that seem to bind a human being, is possible here and now. In this lucid, lively introduction to Vedanta, Swami Dayananda shows how man's constant struggle to overcome these limitations through the ceaseless pursuit of security and pleasure are predestined to failure for the simple reason that they are misdirected: they stem from a failure in understanding the real nature of the fundamental problem itself. All effort howsoever great or unremitting being limited, the result of such effort is also bound to be equally limited, inadequate. The road to freedom from limitation, then, can scarcely lie that way. Indeed, asserts Vedanta, it is only to be found in the correct knowledge of one's true nature as absolute. This vital first step, a clear understanding of man's fundamental problem of ignorance and error about his real nature. Is what this book is all about.

    Chikamatsu is thought to have written the first major tragedies about the common man. This edition of four of his most important plays includes three popular domestic dramas and one history play. Chikamatsu's domestic dramas are accurate reflections of Japanese society at the time: his characters are samurai, farmers, merchants, and prostitutes who speak colloquially, and who people the shops, streets, teahouses, and brothels that constituted their daily environment. The heroes and heroines of these plays gain their tragic stature from their conflicts with society. "The Love Suicides at Sonezaki" and "The Love Suicides at Amijima" became so popular that they actually initiated a vogue for love suicides, both in life and onstage. Donald Keene's translation of the original text is presented here with an introduction and a new preface to aid readers in their comprehension and enjoyment of the plays.PrefaceIntroductionThe Love Suicides at Sonezaki (Sonezaki Shinju)The Battles of Coxinga (Kokusenya Kassen)The Uprooted Pine (Nebiki No Kadomatsu)The Love Suicides at Amijima (Shinju ten no Amijima)Appendix 1: A Note on Prostitution in Chikamatsu's PlaysApendix 2: Contemporary Puppet Performances of Chikamatsu's PlaysBibliography

    In this book, she explains her method for combining folded-paper units in an insertion fashion that results in an endless sequence of multidimensional variations giving new life and freshness to old-fashioned origami classics. Another dynamic departure is the way she employs a single origami work as an axis around which to assemble various other multidimensional parts.Hours of fascinating fun await the origami devotee who follows her along the path to creating original multidimensional forms that are practically architectural in nature. Ranging from technically simple folds to more demanding ones, the many delightful and varied works in this book are highly stimulating and make wonderful presents for family and friends.

    Containing several layers of text and given numerous levels of interpretation, it has captured continuous attention for well over two thousand years. It has been considered a book of fundamental principles by philosophers, politicians, mystics, alchemists, yogins, diviners, sorcerers, and more recently by scientists and mathematicians. This first part of the present volume is the text of the I Ching proper—the sixty-four hexagrams plus sayings on the hexagrams and their lines—with the commentary composed by Liu I-ming, a Taoist adept, in 1796. The second part is Liu I-ming's commentary on the two sections added to the I Ching by earlier commentators, believed to be members of the original Confucian school; these two sections are known as the Overall Images and the Mixed Hexagrams. In total, the book illuminates the Taoist inner teachings as practiced in the School of Complete Reality. Well versed in Buddhism and Confucianism as well as Taoism, Liu I-ming intended his work to be read as a guide to comprehensive self-realization while living an ordinary life in the world. In his attempt to lift the veil of mystery from the esoteric language of the I Ching , he employs the terminology of psychology, sociology, history, myth, and religion. This commentary on the I Ching stands as a major contribution to the elucidation of Chinese spiritual genius.

    Whether foot soldier, samurai or trained assassin, these men were driven by strict codes of honor and bound by deep allegiances of rank, family or religion.This book examines the military lives of four formidable warrior types, covering the samurai and the ninja as well as the experiences of warrior monks and ashigaru foot soldiers, less familiar to western readers. The recruitment, training and equipment of each warrior type are described, and their beliefs, motivation and experience of warfare are explored. Rare material from Japanese sources makes this a highly authoritative treatment of the military elites of medieval Japan, brought to life by lavish illustrations and photography.

    

    The Masque of Anarchy (or The Mask of Anarchy) is a British political poem written in 1819 following the Peterloo massacre of that year.

    

    If you are looking for a basic Japanese for beginners textbook that teaches Japanese kanji, vocabulary, and grammar, you will not find it here. But if you are struggling with the question of how to learn Japanese more effectively or if you have trouble speaking Japanese, why not try something new and different? Half of the people who see the title to this book might be thinking, "Learn Japanese by watching anime? What a load of crap!" Such a thing certainly sounds like a crazy pipe dream that a great number of anime fans share. And if you watch anime with English subtitles like most people, Japanese fluency will remain merely a dream. You will not learn Japanese outside a small handful of basic words. If you turned off the English subtitles, however, you would be taking your first steps towards a successful Japanese language learning program. Of course, this is not the only step either. The following steps contained within this book describe a fascinating process of how anyone can learn to speak Japanese fluently through mostly reading and listening to native Japanese language materials. Inside of this book is a system that allows you to learn and never forget thousands of new Japanese kanji, vocabulary words, phrases, and grammar structures that you encounter from any Japanese language source of your choice. This includes anime, manga, dramas, movies, videos, music, video games, visual novels, and anything else that uses the Japanese language. Whether you are at the basic Japanese for beginners level or intermediate levels, use this book to help you learn Japanese to fluency faster and easier starting today!

    accompanied by evocative illustrations, it is an intimate and unapologetically personal journey through a life the way we remember them, as Keaton puts it "chaotic, fragmented and often grammatically incorrect".

    Featuring the original Chinese as well as english translations and historical introductions by Burton Watson, J.P. Seaton, Paul Hansen, James Sanford, and the editors, this book provides an appreciation and understanding of this elegant and traditional expression of spirituality."So take a walk with...these cranky, melancholy, lonely, mischievous poet-ancestors. Their songs are stout as a pilgrim's stave or a pair of good shoes, and were meant to be taken on the great journey."--Andrew Schelling, from his Introduction

    In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.